National Repository of Grey Literature 98 records found  beginprevious59 - 68nextend  jump to record: Search took 0.01 seconds. 
UDĚLEJ SI SÁM - divadlo Handa Gote. Opakování témat a motivů.
Bakalova, Elitsa ; ADÁMEK, Jiří (advisor) ; BEČKA, Marek (referee)
In the contemporary world that undergoes constant changes, theatre is changing with certain pace as well. It is only natural as it is an integrant, inseparable part of the society and its make-up. New theatre groups are being established ? some of them last longer and turn into steady regulars on the stage, others are more short-lived due to a variety of factors (art, financial or personal ones). The development of the groups in question could help us outline some of the current tendencies in the theatre world and could contribute to getting a broader and fuller understanding of it.
Contemporary British Drama in the View of The Critics' Circle
Vondráková, Adéla ; SCHLEGELOVÁ, Martina (advisor) ; JOBERTOVÁ, Daniela (referee)
The subject of this thesis is the contemporary British drama. Firstly the thesis performs a brief excursion into the context of the origin of the plays. It summarises the basic facts about the British theatre system, the development of British criticism and of the British association of the critics The Critics' Circle. The thesis deals with the plays awarded with The Critics' Circle Theatre Award for the best new play between years 2000 and 2010. These are Blue / Orange by Joe Penhall, Humble Boy Charlotte Jones, The York Realist by Peter Gill, Democracy by Michael Frayn, The History Boys by Alan Bennett, Harvest by Richard Bean, Rock'n'Roll by Tom Stoppard, A Disappearing Number by Simon McBurney and Complicite, August: Osage County by Tracy Letts, Jerusalem by Jez Butterworth, and Clybourne Park by Bruce Norris. Subsequently, based on the overall analysis of all eleven awarded plays the thesis gives the assessment of their common features in terms of dramatic form and also in the terms of theme. Finally it deals with the British as well as Czech critical reflections of the particular plays. It attempts to draw conclusions about the nature of contemporary British drama in relation to the British criticism.
Hidden aspects of the directing work
Šiktanc, David ; KORČÁK, Jakub (advisor) ; VOSTRÝ, Jaroslav (referee)
This thesis called Hidden aspects of the directing work deals with thepreparation process of the production, with the set of decisions, which (by theauthor of the thesis) director has to make before the process of rehearsing willbegin. Although these decisions remain invisible to the audience, however, affect all components which are involved in the final form of production.
Martin Sherman Bent - complete staging art answer theatre play and the film Bent
Čačko, Jozef Hugo ; DUŠEK, Jan (advisor) ; DAVID, Milan (referee)
This work deals with the complex by treatment staging all the necessary components of the hand of the performance. Copy and analysis of already existing staging in America, the issue of homosexuality and transferring it into the artistic components of a dramatic situation, overhead construction and the creation of specific images and historical sources relevant to the concrete subject. The last section is devoted to the complete concept of staging the stage design and the costume design perception of music, moods and specific images.
The Creation of Inscenation and Structured Drama by Secondary School Students Assigned for Second Grade of Elementary School Audience
Zborníková, Markéta ; VOSTÁREK, Karel (advisor) ; MACHKOVÁ, Eva (referee)
This thesis describes the process of creating inscenation and structured drama based on the book of Daniel Hevier Říše Agord. I worked with the theatre group Nabalkoně, whose members are 14 to 28 years old. The thesis concerns about an artwork of the drama and analyzes text. Dramaturgical-directorial concept edits the text and adapts it for needs of the group. It also selects basic storyline and main themes. Furthermore, it describes the staging process, the process of creating an accompanied educational program and evaluates them. Besides that, it reflects implementation of the inscenation from the inner point of view (members of group process) and from outer too - it researches and compares responses of pupils from different classes and grades.
NT LIVE BROADCAST
Klouzalová, Pavla ; JEŽEK, Vlastimil (advisor) ; SVOBODOVÁ, Doubravka (referee)
In this thesis I focus on London´s National Theatre´s project NT LIVE. The project consists of broadcasting theatrical performances from National Theatre and other British productions to the cinemas all over the world. The goal of the thesis is to describe the producing process of the project in Great Britain as well as in the Czech Republic. I am searching for the answer what motivation participating sides have to follow the project_ motivation to organise (National Theatre), motivation to distribute (Aerofilms), motivation to transmit (Aero) and motivation to be a part of the audience. The final part of the thesis concludes the result of survey which was done among the Czech audience of NT LIVE broadcast.
Relation between dramatic text and inscenation
Kryzová, Lucie ; ULLRICHOVÁ, Daria (advisor) ; HANČIL, Jan (referee)
Lucie Kryzová in her thesis addresses the issue of the relation between dramatic text and inscenation. The work is divided into two parts ? theoretical and practical. Firstly, used terminology is defined in the theoretical part. The author deals with crucial theories of Czech theater science (Jiří Veltruský and Otakar Zich?s work). Subsequently, she explores when a controversial relation between dramatic text and scenic piece is created, addresses the directors? apriorism and investigates the question of stylization of visualized theater. The second part has rather personal touch as it deals with author?s personal experience. Lucie tries to apply the findings from the theoretical part in her own work. She describes six semesters of her undergraduate studies of Directory-Dramaturgy.
"...And from now on, the Canterville will be peaceful."
Hlubučková, Romana ; MACHKOVÁ, Eva (advisor) ; VOSTÁREK, Karel (referee)
The topic of this bachelor thesis covers the staging of "...And from now on, the Canterville will be peaceful" with company Překvapený štrúdl at Art Academy in Chlumec nad Cidlinou. The author first writes about her interest in children?s theatre, its characteristics and its connections. Then describes Literary-drama class and Art Academy in Chlumec nad Cidlinou, company Překvapený štrúdl, where she contemplates over her students and difficulties, which she have had to deal with. Then she concentrates on Oscar Wilde?s novel Canterville ghost and its author. The most important and largest part of this thesis focuses on process from literary work to the stage form. Special attention is given to the dramaturgy, directing, set design and music.
Use of storytelling methods in stage production preparation with a secondary school drama class
Káňová, Žaneta ; PROVAZNÍK, Jaroslav (advisor) ; ULRYCHOVÁ, Irina (referee)
This Use of storytelling methods in stage production preparation with a secondary school drama class dissertation deals with creative bachelor's project, purpose of which became stage production making with a secondary school drama class using basic elements of storytelling: storyteller, story and audience communication. Part of this dissertation is an attempt to define boundaries of this art form.
Frank Wedekind's play Spring awakening at Czech stages
Macáková, Karolína ; AUGUSTOVÁ, Zuzana (advisor) ; KYSELOVÁ, Eva (referee)
This bachelor thesis deals with the work of the German playwright Frank Wedekind, especially with his second play called Frühlings Erwachen (Spring awakening). It also makes a short excursion into the history of Czech performances of this play. Using the recordings of two latest Czech productions - in Disk Theatre (2007) and in Theatre Komorní scéna Aréna (2008) it also analysis these two newest productions. The bachelor thesis also mentions a historical context of Frank Wedekind's work and themes included in his other plays - Lulu (Lulu), Die junge Welt (The young world) and Franziska (Franziska). It also attemps to find typical themes of this playwright and their possibilities on stage of the contemporary theatre.

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