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Cinematographers of czech documentary film
Šuster, Jan ; Jícha, Marek (advisor) ; Ulver, Stanislav (referee)
In my dissertation I focus on the professional, as well as on the personal, points of view of various documentary cinematographers and on the complexity of the image conveyed in the works of audiovisual documentaries.
Through the eyes of four generations of directors of photography, I seek to compose a holistic view of the Czech cinematography.
In the introduction the history of Czech documentary films is briefly outlined. The following chapter is composed of personal interviews with the four cinematographers. These professionals were chosen according to their experience with documentary films and their contribution to the Czech cinematography in general. Each one of these four professionals has a notable character which has, among their distinguished camera work, left an enduring mark on the quality of cinematographic image.
The questions directed to them are the same, thus aiming to point out a multi-generation view on the issue of camera work in Czech documentary films, as well as on the characters of the cinematographers themselves.
To conclude my dissertation I compare and contrast various attitudes toward the camera work in documentary films. By introducing my personal opinion and confronting with the ideas presented by these four generations of professionals, I aim to express the point of views of the new, fifth, generation of cinematographers.
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Artistic tendencies of Cinematographers in the Czech between the wars and protectorate film
Polčák, Martin ; Šofr, Jaromír (advisor) ; Smutný, Vladimír (referee)
The purpose of this thesis is to analyze creative approaches in selected art major feature movies that were shot in the early sound era by the cinematographers worked in what was then Czechoslovakia. Were selected seven movies representing the most significant creative achievements of almost all cameramen, who at that time in our country worked. The movies are conquering to an analysis of their visual aspects sequentially by the premiere in the movie theaters. Individual works are generally first evaluated using the views of contemporary critics and then they are already subjected to photographic composition and design analysis. In the graphic annex at the end of the thesis is then possible to see reproductions of selected film stills including illustrated film posters from preserved advertising materials.
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Atom Egoyan's Films
Šperkerová, Magdaléna ; Dufek, Jiří (advisor) ; Mravcová, Marie (referee)
This thesis is dealing with a film creation of Canadian director Atom Egoyan. It includes more detailed survey of his filmography divided into several periods. It pays attention namely to his feature films, but also to important short films. Marginally it mentions works for television. Separate subject matter is an Armenian ethnicity. Repeated themes in Atom Egoyan?s creation are an influence of communication technologies on human relationships, alienation, dysfunctional family, identity, etc. The analysis individual films concentrate on narrative method, structure, typical creative marks and style, but mainly on characters. Dramaturgically study is psychological and sociological orientated.
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The czech drugs film
Mikulková, Anna ; Dufek, Jiří (advisor) ; Mravcová, Marie (referee)
In my thesis I interest in Czech films with a drug subject matter. I compare the creative approaches of individual authors, which is concentrated on the central characters. The thesis contains a study of several well-known Czech films. It also contains a brief comparision with the world film-makers. At the beginning I survey the history of drug problems in Czech Republic a onwards I engage in the individual films. I focus on a use of humor, its method and function there. I reflex the story lines, inner space of characters. I concern with the popular films, even less known ones. I also mention some non-commercial films, a debut and a series episode. I search for the similarities and diffrences. I conclude with the summary.
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Screening art house movies in the multiplex Cinestar Andel
Kafuňková, Martina ; Hanzlík, Jan (advisor) ; Kouba, Vojtěch (referee)
The Bachelor Thesis "Screening art house movies in the multiplex Cinestar Andel" deals with the role of art house movies in the multiplex Cinestar Andel. The theoretical part describes the terms "art house film", "multiplex" and "film festival". It also shows the possibilities of screening art house films. The question of the impact of digitalization on the distribution of Art House films is also considered. The practical part focuses on current examples of screening art house films, namely Febiofest and the Europa Cinema project. The conclusion is answering the question whether it is appropiate to combine different elements of Hollywood blockbusters and European art house cinema or other art cinema in the space of a specific multiplex.
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FILM DISTRIBUTION COMPANY AEROFILMS: CASE STUDY
Jarčičová, Tereza ; Hanzlík, Jan (advisor) ; Tyslová, Irena (referee)
This bachelor thesis describes the field of film distribution that forms one of the three fundamental parts of the film industry. It sets this theme in a broader context, both historical and legislative. Independent and commercial tendencies are delicately yet firmly distinguished within the Czech film distribution itself. The practical part of the thesis presents a detailed profile of the Czech film distribution company Aerofilms. Final chapters focus on ongoing trends, especially phenomenon of audiovisual industry digitization. Last but not least, it targets a current threat of a rampant film piracy.
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Czech film production companies and its specifics
Hlůšková, Alžběta ; Hanzlík, Jan (advisor) ; Riedlbauch, Václav (referee)
This Bachelor Thesis deals with Czech film production companies. Firstly, terms such as film production company are defined and secondly, their legal forms are described. After that follow definitions of film genres that production companies can produce. The thesis mainly focuses on ways of financing film production. Several ways of financing film are described. Examples of financing of selected film production companies are demonstrated in the practical part of this work. Finally the assumption stated in the introduction that ways of financing film depend on type of the production is confirmed.
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Thin Functional Films of TiO2 Nanoparticles
Morozová, Magdalena ; Klusoň, Petr ; Hejda, S. ; Kment, Štěpán ; Šolcová, Olga
Magnetron Sputtering and the Modulated Hollow Cathode Plasma Jet Sputtering. As chemical method the sol-gel process carried out in the templating environment as dip-coating and piezo-jet printing was employed. The produced films differed in many structural characteristics and also in their photoelectrochemical behaviour, as the primary sought function. The produced layers were described by means of atomic force microscopy, scanning electron microscopy, X-ray diffraction, X-ray photoelectron spectroscopy, ultraviolet-visible spectroscopy, Raman spectroscopy, ellipsometry and profilometry. Then the films were used as electrodes in photoelectrochemical experiments.
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