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Ethics of acting profession
Heřmánek, Karel ; GROSSMANNOVÁ-MÁLKOVÁ, Marie (advisor) ; HLAVICA, Lukáš (referee)
In my thesis I examine the actor's approach to his profession on several different levels: creation of the character during development of the production, individual and collective responsibility, and society's perception of the acting profession. To do this I used my own experience ? my time studying at The Academy of Performing Arts and The Lee Strasberg Theatre & Film Institute in New York, and my work in DISK and professional theater.
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Costume in the theatre played by adolescents
Pařízek, Aleš ; PROVAZNÍK, Jaroslav (advisor) ; VOSTÁREK, Karel (referee)
The thesis called The Costume in the Theatre Played by Adolescents attempts to get a look in a specific area which is part of any theatre production. In the theoretical sphere it looks at the concept of the costume from the point of view of the current theatrology, defines its function as one of the important signs of the theatre communication and perceives it as a significant style-forming element of any theatre production. It summarizes the development of the costume in different periods of the history of the European theatre and deals with its use in the context of the school theatre of religious orders. In the narrower point of view it opens up a question of the function of clothing as a costume in civilian life. It specifies it as an important manifestation of identification with the belonging to certain groups - subcultures and looks also at the issue of the use of costumes during experiential events such as LARP and Cosplay. The thesis demonstrates on specific examples of several theatrical productions different variants of the work with a costume in the theatre played by adolescents nowadays. The research section of the thesis offers a framework view on the issue of the use of a costume in theatre groups in elementary schools of arts and their public presentations.
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Poverty in Theater
Krtičková, Anna ; SMOLÍK, Robert (advisor) ; MATÁSEK, Petr (referee)
The submitted thesis Poverty in Theatre is a reflexion of motivation, consequences and importance of voluntary poverty-modesty in the context of contemporary theatre. The opening part of the text introduces the theme from general point of view in relation to the personality of Saint Francis from Assisi, who is not only the iconic figure of the medieval spirituality, but also becomes the source of inspiration for contemporary tendencies and movements and individuals dealing with poverty. The main part of the theses is focused on poverty in the field of art-primarily theatre. The last part describes the creation of the author's performance Pouť, that was inspired by the life of Saint Francis and by the pilgrimage through Italy, which preceded the whole project.
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DRAMATIC WORK IN A SPECIFIC GROUP
Řezáčová, Hedvika ; NOVÁK, Vladimír (advisor) ; BEČKA, Marek (referee)
In this thesis I describe and analyse my experience and findings which I had the
chance to acquire when I took part in projects and theatrical performances in
specific groups ? adult people with intellectual disability and children. During the
course of my study I have had the opportunity to do some research into these
groups and deal with them in terms of dramatic work. So I try to depict their
dramatic work and I also attempt to find bases for their development.
In the introductory parts I mainly deal with a description of some theatrical
principles and approaches connected with the particularity of this kind of
theatrical production. I also present individual groups I work with and describe
their capabilities and limits. In the last part of my thesis I try to analyse the
individual projects and performances with regard to their dramatic work. At the
conclusion I will attempt to specify dramatic work of professional actors within
this group.
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Financing theatres in Brno from public sources
Tomášová, Tereza ; NEKOLNÝ, Bohumil (advisor) ; SVOBODOVÁ, Doubravka (referee)
Bachelor thesis Financing theatres in Brno from public sources aims to map out the financial background of the Brno theatre scene based on information obtained from the annual accounts of the Ministry of Culture of the Czech Republic, South Moravian Region and the Municipality of Brno. Another source of information are annual reports of choosen theatre institutions.
The first part deals with the mapping of cultural policy and political background of public resources financing in connection with the conditions for allocating financial contributions. In the second part, the information gathered is presented to illustrate the selection of specific theatres and compared with performance indicators.
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Non-governmental organisations under the new Civil Code
Hůlková, Kateřina ; SRSTKA, Jiří (advisor) ; VYSKOČIL, František (referee)
The submitted thesis examins the issues of non-governmental organisations regulated by the new codification of private law, i.e. law No. 89/2012 Coll. Civil Code - and possibilities of their practical application in theatre practice.
The thesis maps legal forms that were used for theatre conduct until the end of 2013 as well as non-governmental organisations established by the new Civil Code. The last chapter of the thesis enumerates the new options that have arisen for each type of legal persons conducting theatre activities.
The purpose of the thesis is to create an exhausting overview of non-governmental organisations occurring in the legal order of the Czech Republic, with a special focus on the field of theatre.
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UDĚLEJ SI SÁM - divadlo Handa Gote. Opakování témat a motivů.
Bakalova, Elitsa ; ADÁMEK, Jiří (advisor) ; BEČKA, Marek (referee)
In the contemporary world that undergoes constant changes, theatre is changing with certain pace as well. It is only natural as it is an integrant, inseparable part of the society and its make-up. New theatre groups are being established ? some of them last longer and turn into steady regulars on the stage, others are more short-lived due to a variety of factors (art, financial or personal ones). The development of the groups in question could help us outline some of the current tendencies in the theatre world and could contribute to getting a broader and fuller understanding of it.
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Dáša Bláhová
Hradecká, Michaela ; PETIŠKOVÁ, Ladislava (advisor) ; SOPROVÁ, Jana (referee)
This thesis examines life and work of Czech actress Dagmar Bláhová (aka Dasha Blaha or Dasa Blahova) focusing on her specialization in pantomimic clownery. The first part draws attention to personalities of directors and actors who determined her artistic career and style, especially to her cooperation with Boleslav Polívka. During that time, Bláhová created a distinctive type of a female clown and thus put herself among first women within Czech theatre history who broke into a rather male domain of clownery. The second part is about life and work of Russian poetess Marina Cvetajeva whom Bláhová referred to as a source of inspiration for creating and staging of a drama called Marina ? Way to the End. Tha last part discusses a theatre company of the Intime Theatre which was founded by Bláhová. The part focuses especially on a controversial play The Vagina Monologues which was firstly introduced to Czech audience by Bláhová who thus joined artists who support the V-Day global activist movement.
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MIME ON THE OPERA SCENE
Kukuczková, Anna ; CAPKO, Štefan (advisor) ; SOPROVÁ, Jana (referee)
This diploma work focuses to the use of mime on the opera scene. It summarizes the historical facts about connection between opera and pantomime. This work contains a list of operas, that are a part of the pantomime in the history of the opera and on today's Czech opera scenes. It also includes the personal experiences of the author, which relates to this theme.
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The analysis of the current transformation of Prague theaters as step to liberalization market of theater
Gerneš, David ; Prachař, Ondřej (advisor) ; Doležalová, Antonie (referee)
Bachelor thesis aims to defend the transformation of Prague's theaters established as a contributory organizations into another legal form and proposes appropriate measures to improve the current system of financing theaters. The paper analyzes the system of financing culture in the Czech Republic, as well as the system itself financing theaters in Prague. Following are analyzed performance in Prague theaters established as contributory organizations and other five operating theaters in Prague are analyzed subsequently. For completeness, the context is devoted to the promotion of theaters in Vienna, Berlin and London. Based on the findings, the paper suggests suitable measures to improve the financing of theaters in Prague.
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