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Czechoslovakia
Hrončeková, Ivana ; Stejskalová, Tereza (referee) ; Klímová, Barbora (advisor)
Videopoetry about Czechoslovakia nowadays. Diploma thesis kombines text and video. Texts are based on theoretical axioms and native form of current czechoslovak language. Texts are matched with videosequences of prepared, performed situations and banal, private situations. It works also with themes of deconstruction and construction, which lead to subjective videopoetry.
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The young poetry of the 1990s
PIORECKÝ, Karel
The submitted work is oriented towards the writing of young poets who made their authorial debuts into literary communication in the 1990s. It regards the creation of authors unburdered by experience with the cutural politics valid before November 1989, and therefore creation born in the complicated context of the post-totalitarian cultural situation in which very different traditions were combined, including traditions which were banned from public communication during the previous decades. Parallel with this process the young poetry of the 1990s was born, whose character was inevitably marked by the period interest in everything from the past that had been until recently forbidden. The work begins with an independent chapter devoted to the literary-critrical reception of young poetry in the 1990s. Aspects analyzed include the language, framework of values, criteria and expectations which were valid for contemporary literary criticism of young poetry in the 1990s. It is demonstrated that the key question for young poetry to answer was the question of what traditions it should draw upon in the changed and democratized cultural and social conditions. Expectations were oriented in the direction of the past, towards a connection with one of the worthy and newly non-proscribed traditions, rather than towards a neo-avantgarde seach for new expressive registers. The subsequent three chapters follow three expressive currents within the framework of young poetry of the 1990s {--} spiritual poetry, objective poetry and imaginative poetry. Analytical and interpretational explorations of these three currents are linked by a common point of view, which is a focus on the lyrical subject and the form of its stylization. This methodological point of departure leans on Červenka's theory of the the lyric subject, to which is devoted the independent theoretically oriented chapter in the introductory part of the work. This unified focus of attention on the lyric subject made it possible in the conclusion of this work to create a typology of the form of the lyric subject and to follow basic tendencies characteristic for subjectivity in the young poetry of the 1990s. It was demonstrated that the young poetry of the 1990s was willing to accept the three traditional lyrical modes and expressive registers, but it removes from them any kind of programmatic and ideological accents. Traditional lyrical modes, after their transplantation into a post-totalitarian and also post-modern situation, stop being part of a master narrative and therefore their original metanarrative character is eliminated (from spiritual poetry the explicit confessionality is lost, imaginative poetry removes surrealistic revolutionarity and psychologism, the poetry of objectivity eliminates the pathos regarding necessary developmental change, with it this lyrical mode was applied by Skupina 42). Traditions therefore do not continue to evolve in their original forms, but are selectively used with a view to the current state of culture and thought.
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The J. Rokyta´s Poetry
NEUBERGOVÁ, Daniela
The work involves personality, which in today's times has completely disappeared from the textbooks of Czech literature, although it is notable not only for its literary production, but also by growing Slavic relations and interests of Slavic culture. The person is Adolf Černý alias Jan Rokyta. The first part is devoted to his life and interests, not only in literature. The following is a list of book publication of his works and related contemporary criticism. Furthermore there is proposed periodization of artist's creative period. A substantial part of the work are parts serving interpretation of the poetry of Jan Rokyta. For better understanding of historical context there is a comparison with a great person of czech poetry Jaroslav Vrchlický.
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The anitc motiffs in the epic works of J. Vrchlický.
AUBRECHTOVÁ, Lucie
The main aim of the following bachelor thesis is an interpretation of the antique motives in the chosen epic collections by Jaroslav Vrchlický. The goals are to observe the frequency in which these motives appear in each of these collections via a comparison of the differences in their utility and a determination of their place in the structure of the unit. The largest part of the thesis is devoted to the actual analysis of the antique motives from a content and formal point of view. Emphasis is put on the manner of the composition of the individual motives, their inclusion in the context of the works and the choice of language means.
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