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A Selfreflection of a Creative Process of Working on Nevina and Erectionof the Heart
Blažková, Anděla ; TEJNOROVÁ, Petra (advisor) ; ADÁMEK, Jiří (referee)
This master thesis is a subjective reflection based on proper selfreflection
during my work on performances Nevina and Erection of the heart. It is not a
theoretical study but more an understanding and defining of my own ways of
searching between a dramatic character of Absolut and function of a performer.
In first part I analyze the performance Nevina directed by Petra Tejnorová. I
present some conditions and forms of realisation a live cinema project.
In next chapter I point out names of all the dramatic characters with their
description from my point of view and I search connections and facts of a
dramatic character of Absolut, that is communicating me the text. Then I am
reflecting the dramatic character from my point of view with my own
imagination.
I analyse all the dramatic situations in which Absolut is present and I
present the ways to get to her own emotions.
I search connections between emotions and experiences of a dramatic
character and my own.
I find out the importance of knowing what I am performing and at the same
time I find out the importance of a fact that a dramatic character should not
know what is he performing at the same time.
I analyze a searching of a „mask“ for a scenic adaptation of being blind and
I mention a part from my own notes based on my own experimentation with
vision.
I clarify technical requirements for an actor to work with during the
realization: a camera, a microphone – microport, space and I mention the
importance of the fusion of actor with this technical issues.
I am reflecting the truthfulness, certainty and authenticity of film acting.
In the second part I am mentioning experiences of working on school
performances with directors during my studies on the accademy and I mention
reasons of importance of searching for an own topic. I am analyzing the creative
process of Erection of the heart directed by Petra Tejnorová.
In next chapters I uncover the creative process – contact improvisation and
searching of my own topic. I analyze the ways of touching the core of my own
topic and I mention the final version of my monologue in this performance.
I outline my own reflections – possibilities and rules of a way to get in touch
with a spectator. I realise the possibilities of a performer while knowing the
possible winning and loosing during the playing.
I mention a reaction of one spectator after seeing our show.
In the end I answer myself a question if the authenticity of an actor is
changing while he is telling someone else's story or his own thoughts and oppinions.
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Michal Dočekal - Artistic Director of Drama at the National Theatre
Smrčková, Anna ; HRDINOVÁ, Radmila (advisor) ; JOBERTOVÁ, Daniela (referee)
This diploma thesis focuses on Michal Dočekal’s role as Artistic Director of Drama at the National Theatre in Prague. The first chapter deals with Dočekal’s artistic beginnings and his significant work experience. The second chapter charts the situation at the National Theatre after 1989 and examines the role of Artistic Director and what abilities should such a person have in order to fulfil this role. On the basis of a detailed analysis and research I then endeavour to describe the most important moments of Dočekal’s reign as the chief. In the following individual chapters I examine his philosophy, directorial and actors’ personalities, subsidiary activities of the company and also the issues Dočekal, as Director, had to deal with.
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Czech artist in the years 1968 - 1989: Servant or a hero? Stanislav Kolibal and Josef Malejovsky
Manová, Markéta ; Beneš, Zdeněk (advisor) ; Pech, Milan (referee)
Czech artist in the years 1968-1989: Servant or a hero? Stanislav Kolibal and Josef Malejovsky Introduction of the bachelor thesis outlines the political developments in Czechoslovakia in 1948-1989. The main theme will capture the difference between official and unofficial scene Czech artistic life in the years 1968-1989, represented artists Stanislav Kolibal and Joseph Malejovsky. The content will compare the conditions in which they formed during the normalization throughout their lives, before the normalization period, compare the quality of their work, and compare the regime/anti-regime attitude to art and not least their political position not only in artistic expression. Text in addition to life artists will also focus on the development of groups in which worked, exhibitions and other artistic expressions factors.
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Knowledge by R.M. Rilke
Haiklová, Markéta ; Kouba, Pavel (advisor) ; Petříček, Miroslav (referee)
The thesis presents R. M. Rilke's attempt to rehabilitate human speech, which can be found in Duino Elegies and Sonnets to Orpheus. Starting with implicit questions, such as whether our sensual world is a product of our arrangement, or in what way the inner experience corresponds to external knowledge (i. e. he deals with the relation of the experiencing person and the experienced object), he eventually focuses on the relation between knowledge and language. The examined author could provide a new point of view on the theory of knowledge, namely on the certainty of knowledge, which is permanent, contrasted to the value of experience, which is ephemeral. His view on the problem of knowledge is based on the analysis of language, which he examines from the perspective of a poet who does not, nevertheless, consider verses for emotions but for experience. The poet analysed the relation between knowledge, experience and language already in his early poems, the so called Dinggedichte in a relationship their realization. In his late and the most famous two anthologies (Duino Elegies and Sonnets to Orpheus), Rilke tries to introduce the world of an artist who could adopt a new attitude to language. When seeking this new perspective, R. M. Rilke makes effort to deal with the duplicity of speech - authentic...
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The Influence of Benedetto Croce's Philosophy on the Aesthetics od Josef Bartoš
Krejčová, Martina ; Kaplický, Martin (advisor) ; Dykast, Roman (referee)
This thesis deals with the Benedetto Croce's influence on the aesthetics of Josef Bartoš mainly between the years 1920 and 1929. It presents the historical facts effecting this influence and also the theoretical themes that determine the nature of the connection between Benedetto Croce and Josef Bartoš. Focusing on the historical parts of this thesis, the main point is to describe the evolution of the aesthetic attitudes of Josef Bartoš towards Benedetto Croce's philosophical system, and to find out the possible historical events that could play certain part in the evolution. On the level of theoretical survey the thesis describes the change of aesthetic attitudes of Josef Bartoš concerning the evolution of his theoretical specialisations and also the change in the scale of his philosophical studies. Mainly, the evolution of his attitudes is evident in his journal studies and also in his unpublished personal notes which are gathered in the estate of Josef Bartoš in Czech Music Museum.
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Conversion and Artistic Creation of Magdalena V.
LENERTOVÁ, Šárka
This Bachelor thesis Conversion and Artistic Creation of Magdalena V. deals with the change of artistic expression of the Czech graphic artist Magdalena V., in a close connection to her religious conversion to the Catholic faith. The first part summarizes the theoretical knowledge of the psychology of religion. It introduces basic definitions and concepts of religion in relation to a religious conversion. In the second part, the author deals with the psychological analysis of Magdalena V.'s typical work through her life, which is supported by numerous photographs. Using the approach of rožnovská school, the author attempts to interpret this artwork on a hypothetical level, focusing on the M.V.'s life and artistic paralel before and after her conversion. The author draws on Magdalena V.'s testimonies about her life which bring light on the intention and context in her art. Related to the author's identification with Magdalena V.'s work, which later became apparent, this paper evolved further into identifying these moments and thus the potential risks inherent in author's own therapeutic work.
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Communication at Process and in Stage
Stará, Markéta ; LOTKER, Sodja (advisor) ; SMOLÍK, Robert (referee)
The main objective of my thesis is to present communication as a basic motivation for creative process and creative expression. The theoretical part is concerned on sources of inspiration ? why I decided to be on the stage and why the live drawing and projection were used as means for communication. The practical part is focused on analysis of two projects, Duel/Duet and Mouchoirs. In those projects, I have applied live drawing using the Tagtool multimedia kit for projection. I?m trying to find out how the communication influences the final form.
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