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Internal Film Logic
Tichovský, Martin ; JÍCHA, Marek (advisor) ; SMUTNÝ, Vladimír (referee)
Abstract
The thesis Internal film logic analyzes the processes by which an audience is guided through visual signs. Film is conceived here as a type of communication. The text explores processes and relationships in the author-artwork-audience axis, and offers a terminological apparatus to philosophically work with basic questions regarding creative intention. The purpose of this work is to lead the reader-cinematographer towards awareness of organic structures within film alongside the commonly utilized technical frameworks. If an author can conceive of film as a communication process, then a film can come to life as a „dialogue“: to direct audience's thought paths, provoke their intellectual capabilities, and enliven their experiences against their expectations.
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Image structure as an expressive element of motion pictures
Ticháček, David ; JÍCHA, Marek (advisor) ; MYSLÍK, Jiří (referee)
My bachelor thesis deals with the structure of the film image and its effect on the viewer of
the audiovisual work. It attempts to present an overall view of the image structure phenomenon.
The first part briefly describes the historical milestones that led to the phenomenon of film grain.
It further clarifies the essence of the concept of image structure and explores physicochemical
grain of film materials. It examines the aesthetic essence of film grain and points out the ways in
which human vision perceives grain. It describes methods employing the structure of the picture
in cinematographic practice. Through empirical research, it determines the real influence of the
grain in the image on the viewer’s perception of the emotional impact of the film and the image
itself.
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The change of the lighting approach in filmmaking with the arrival of LED technology
Nedvěd, Ondřej ; ŠEC, Martin (advisor) ; MYSLÍK, Jiří (referee)
LED lightning technology is relatively new element in the field of filmmaking. The aim of this thesis is to clarify how did the cinematographers‘ approach towards lighting change with the arrival of LED technology with regard to usability of LED sources in practice. The theoretical part of this thesis is going to analyze what are the technical benefits of LED lights in comparison to traditional light sources. The practical study describes the experience of the cinematographers who are using LED sources in practice. This thesis concludes that LED lights are able to compete with traditional light sources and are even able to exceed them in many ways.
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Camera movement
Mach, Adam ; BRABEC, Jaroslav (advisor) ; MAREK, Diviš (referee)
This bachelor thesis deals with the camera movement. The first part provides
basic information about camera movement and its properties. It divides
camera movements in terms of function and technology. It defines the
differences between the static and the dynamic camera and deals with the
camera's motion and long shot relationship. The second part consists from
few examples of the use of camera movement in specific film segments.
These examples are accompanied by a description of the camera's motion,
timeline, and pictures representing a certain part of the shot for better
illustration.
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Director of photography and his objectives
Adam, Daniel ; KOBLOVSKÝ, Petr (advisor) ; MACÁK, Jiří (referee)
The main purpose of this thesis is to focus on methods and potentials of a director of photography when working on a feature. It tries to define cinematographer's tools and approaches in the course of making a fiction film from early pre-production to final postproduction. It contemplates the role of movie photography and how it effects the overall movie quality.
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Rozšířená kinematografie
Dimoski, Vladimir ; JÍCHA, Marek (advisor) ; GUNARATNA, Vidu (referee)
Nahlížíme-li na profesi kameramana jakožto na určitou formu umění, pak toto umění dnes stojí na rozcestí. Kolem pojmu kameramanství je dnes určitá kontroverze, zejména v kontextu filmů, u kterých byla klasická kamera podřízena virtuálním technikám (např. Matrix, Life of Pi, Gravitace).
Následující práce se zaobírá historickým vývojem kameramanských technik a jejím cílem je ověřit, zda je virtuální kinematografie krokem kupředu v evoluci práce kameramana. Ve snaze dobrat se co nejpravdivější odpovědi, rozhodl jsem se analyzovat práci kameramanů výše zmíněných celovečerních snímků ve smyslu spolupráce se supervizory vizuálních efektů a celým kreativním týmem. V této studii se snažím objasnit, jak tito kameramani použili nové techniky za účelem podpoření dramaturgie příběhu.
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Wedding Films as an Emerging Genre
Sen, Tiyash ; ANGIOLILLO, Mary Carmel (advisor) ; GUNARATNA, Vidu (referee)
.Wedding traditions and customs vary greatly between cultures, ethnic groups, religions, countries, and social classes, which makes the wedding a diverse and unique experience from almost every point of view. The analysis of tehcniques and aesthetic styles, paying special attencion to color and other visual narrative elements, is ides to argue that wedding films should be considered a new genre, as a new and unique way of filmmaikng.
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