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Radio Broadcasting as Role Model, Authority and Norm in Czech Musical Folklorism in the Second Half of the Twentieth Century
Vejvoda, Zdeněk
The presentation of Czech folk music in concerts and on stage from the 1950s to the 1990s is characterized by unprecedented dynamics, especially marked in the changing style of interpretation, now very different from the technologically imperfect recordings of Czech folk music made in authentic settings in the early 20th century. Much was done to the arrangement of folk songs and instrumental melodies, by amateurs as well as musicians with a professional training, who, it is important to note, maintained contact with the folklore movement in general, unlike in the pre-WWII times. Of crucial importance has been radio broadcasting and the exquisite works of leading composers affiliated with professional radio orchestras. In Bohemia, these personalities included Zdeněk Bláha, Zdeněk Lukáš, Jan Málek, Vladimír Baier, Jaroslav Krček and Josef Krček, to name but a few. In 1953, the regional studio of the Czechoslovak Radio saw the establishment of the Plzeň Folk Ensemble, recruiting players from the radio symphonic orchestra. The style of play of its prominent instrumentalists and the style of singing of a number of its solo members has, till the present day, been considered a role model for the interpretation of regional folklore.
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Invention of traditions by folk ensembles
Mušinková, Michaela ; Janeček, Petr (advisor) ; Štěpánová, Irena (referee)
This study is concerned with constructing the folk traditions by means of the activities of the folk groups whilst paying attention to continuous, interrupted and invented traditions. It is dealing with terms folk, folklorism and interaction between them while focusing on the activity of a folk group (= folklorism), which repertoire is based on folk origins, and its influence on preservation and development of folk. The starting point of the study is a hypothesis, which tells us that a folk group helps to revitalize traditions. From methodological point of view, the study is based on field research. The research was conducted in two Ruthenian villages in the northeast Slovakia; in one of them operates a folk group. The main goal of the work is confirmation or disproval of the hypothesis using an example of a tradition - wedding ceremony. By detailed analysis, I am looking for analogical and differential elements between the individual weddings in one locality while paying attention to the change of wedding in time (comparison of current weddings from the recordings with traditional Ruthenian wedding described in literature by folklorists) and comparing this ceremony in both localities. The study is also trying to determine to what extent is a group/absence of a group affecting the individual...
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Factors influencing interest in folklore among members of a folk group in Prague
Poppová, Anna ; Sedláčková, Markéta (advisor) ; Růžička, Richard (referee)
The aim of this dissertation is to answer this question: what is the reason of folklore groups in Prague to reproduce and engage in the Moravian folklore. Apart from Moravians, Prague's native-born inhabitants also participate in these ensembles; which is possible to be considered as a specific phenomenon. This occurrence demands clarification. The main question is what the factors which influence the individual's interest in folklore are. Specifically what are the mechanisms of transmission of interest in this activity and what are the reasons why individuals are constantly devoted to folklore for a long period of time. The empirical part is devoted to these research questions. It tries to address these issues by the means of interviews with 13 respondents from a Prague's folklore ensemble. The theoretical part of the dissertation presents the base for the research questions. For example, it pursues the concept of socialization, identity or the contexts and functions of folklore in the contemporary society.
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Methodological Perspectives on Jiří Pavlica's Work for Young Listeners and Performers
Kutilová, Alžběta ; Bělohlávková, Petra (advisor) ; Pecháček, Stanislav (referee)
The thesis aims to cover the musical work of Jiří Pavlica for young listeners and performers and to find how it could be used during music classes for children in the first years of elementary school. The theoretical part of the thesis includes Jiří Pavlica's biography, the description of the author's and performer's work for children and its relation to folklorism. The theoretical part includes also four methodologies of how to work with a folk song in the elementary school. In the practical part eight preparations for model music lessons are presented, the preparations having been devised using the four methodologies. The thesis includes also testing and commenting on the actual applicability of the preparations.
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Historical transformations in the function of Prague demonological legends
Němcová, Tereza ; Janeček, Petr (advisor) ; Dědovský, Daniel (referee)
This paper is dedicated to phenomenon of Prague legends, as they were captued in various folklore and literaly forms from the Middle Ages to the 21st century. The aim of my analysis are not only authentical folklore collectings, but also their literary adaptations. I will also capture the penetration of these collectings into another artistic and pop culture genres and forms. The aim of this paper are not only transformations of topics and motives in Prague demonological legends, but also a dynamic movement of these texts between oral, artistic and popular culture. The main objective will be also to outline the historical development in the transformations of the functions of these legends. In a few centuries, they transformed from the for local society believable stories with a lot of social and cultural functions to primarily entertaining texts of our time, which, however, still may attribute an educational function; part of their theme survives in a form of so-called contemporary legends, myths and rumors.
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