|
|
Folk culture in Chodsko and options of use in the primary school enviroment
Turková, Nikola ; Veverková, Jana (advisor) ; Selčanová, Zuzana (referee)
The thesis focuses on folk culture in Chodsko. The main focus is folk songs and collectors. It provides an insight into the differences between the Upper and Lower Chodsko region. Reader will find important historical and present personalities for regional folk culture. At the end of the thesis there is a proposal for working with Chodsko's folk culture in the primaey school environment. KEYWORDS Chodsko, folclore, folk culture, folk music, folk dance, Ludvík Kuba, folclore to school, Here we are home
|
|
| |
|
|
Radio Broadcasting as Role Model, Authority and Norm in Czech Musical Folklorism in the Second Half of the Twentieth Century
Vejvoda, Zdeněk
The presentation of Czech folk music in concerts and on stage from the 1950s to the 1990s is characterized by unprecedented dynamics, especially marked in the changing style of interpretation, now very different from the technologically imperfect recordings of Czech folk music made in authentic settings in the early 20th century. Much was done to the arrangement of folk songs and instrumental melodies, by amateurs as well as musicians with a professional training, who, it is important to note, maintained contact with the folklore movement in general, unlike in the pre-WWII times. Of crucial importance has been radio broadcasting and the exquisite works of leading composers affiliated with professional radio orchestras. In Bohemia, these personalities included Zdeněk Bláha, Zdeněk Lukáš, Jan Málek, Vladimír Baier, Jaroslav Krček and Josef Krček, to name but a few. In 1953, the regional studio of the Czechoslovak Radio saw the establishment of the Plzeň Folk Ensemble, recruiting players from the radio symphonic orchestra. The style of play of its prominent instrumentalists and the style of singing of a number of its solo members has, till the present day, been considered a role model for the interpretation of regional folklore.
|
|
| |
|
| |
|
|
Loughter and crying
Uhlíková, Lucie ; Přibylová, I.
The collection of contributions from the international colloquium brings a wide interdisciplinary spectrum of viewing the theme of laughter and crying in the field of non-artificial music within the genre range from folklore to world music.
|
|
|
Tradition of fujaras and folk wind instruments making in Kružliak's family
KRUŽLIAKOVÁ, Anežka
This diploma thesis is focused on four generations of Kružliak´s family from Podpoľanie, which produced and still produce folk musical instruments. This thesis is divided into chapters, which deals with general characteristics of aerophones and their manufacture and with four biographies of Kružliak members. My thesis is enriched with a chapter about manufacture of fujara, which was written from information of my uncle. One chapter deals with other fujara players in Slovakia. There are photos of instruments and four generations of Kružliak´s family.
|
|
| |
|
|
Media response to music artwork of Karel Kryl
Říhová, Michaela ; Čeňková, Jana (advisor) ; Halada, Andrej (referee)
The bachelor thesis Karel Kryl and media reception of his work aims to map the response to music creation and partly also to the poetry of Karel Kryl in contemporary journals. Besides the chapter containing media response, there is a part describing biography and creative production of Karel Kryl as well as the chapter that aims to cover the interpretation of the artworks. The results of this thesis were achieved by the qualitative analysis of media reception alike as other publications. Time frame of media response is copying the period of Kryl's artistic production - which means the period from 60's to his death in 1994.
|
|
|
Choral music in Albania
Rapaj, Mario ; Pecháček, Stanislav (advisor) ; Stříteská, Leona (referee)
This thesis discusses the development of Albanian choral music from the early 20th century to the present. It provides a general history of Albanian culture and politics as context for the rapid changes that happened during the 20th century and how that has influenced the musical life of the Albanian people. The significance of this influence is then represented and analyzed through the works of three prominent Albanian choral composers from different generations, whose lives and body of work span the last century. Through these analyses, we explore the evolution of Albanian choral music and how modern composers preserve traditional folk elements, yet are influenced by the cultural and political environment of their respective time.
|
guest ::
