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Melos and opsis. Acoustic and visual aspects of Zbyněk Hejda's poetry
Staša, Vít ; Šebek, Josef (advisor) ; Hrdlička, Josef (referee)
The aim of the thesis is to characterize the concepts of mélos and opsis, the sound and visual aspects of poetry, as essential elements contributing to its effectiveness. Theoretically, the thesis is based on texts by Jonathan Culler and Northrop Frye, supplemented by the views of several Czech literary scholars. The interrelation of sound and visual realms is the basis for the interpretation of Zbyněk Hejda's poetry collections Všechna slast, A tady všude muziky je plno and Blízkosti smrti. Keywords Melos, opsis, Zbyněk Hejda, poetry, sound aspects, visual aspects
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