|
|
Social network analysis using flow of e-mail communication within organization
Schmid, Jan ; Bahbouh, Radvan (referee) ; Kuchař, Pavel (advisor)
Thesis is intended as a methodological experiment which follows up to contemporary extractions of social networks using flow of email communication. It tries to combine previous technical approaches and further develop them. As essential discipline is identified social network analysis (SNA) and its historical development is briefly described. SNA is not understood as an independent science and its incompatibility to other scientific disciplines (sociology, sociometry) is pointed out. The introduction of SNA is completed by description of data file organization, which quite differs from conventional organization of sociological data file, as well as description of basic computing methods. The thesis focuses on SNA in organizations where it serves to map informal structure and its comparison to formal structure. Concept of informal structure introduces the term of community of practise, which is considered as an ideal condition for innovation. Individual aspects allowing or obstructing the development of community of practise can be defined through models of communication networks. Apart of SNA in organizations diploma take in consideration authors who worked on analysis of email networks. Summary of previous studies offers different ways of SNA of email communication but most of cases do not combine SNA in...
|
|
|
Freezing Fresh Fruit
Havelka, Jiří ; Schmid, Jan (advisor) ; Etlík, Jaroslav (advisor) ; Mikeš, Vladimír (referee) ; Hořínek, Zdeněk (referee)
My doctoral thesis is actually divided into three parts. In the first one called The Theatre Context I am trying to prove the exclusivity of this living art form among other artistic forms. I am looking for new essential reasons to vindicate validity of theatre work in the age of electronic medias and virtual reality. On the base of a playfulness I examine the border between the real reality and the theatre one. I focus on the audience?s point of view, on their ability for active imagination ? the basic element creating the theatre performance.
|
|
|
Embarrassment
Dvořáková, Markéta ; Krobot, Miroslav (advisor) ; Schmid, Jan (referee)
The aim of this work titled "Embarrassment" is to define this notion from different viewpoints, in order to develop all its aspects; that is to explore the embarrassment from the actor?s point of view. Or more exactly from the student of acting at the Academy of Performing Arts and simultaneously to reflect my four-year theatre studies. First I address an embarrassment as an obstacle, based on the fear of embarrassment. It is a negative and unwanted perception, so I try to find solutions, how to get rid of this unpleasant feeling and to free oneself in the acting expression. On the other side, the embarrassment in the art may be willed, it can be intentionally induced. It may be a means to an end, the author wants to express. In this completely different concept of embarrassment I try to divide it into five groups according to how it is possible to work with. I complement the work with my opinions, personal experiences and experiences of my life during a four-year acting studies at the Academy of Performing Arts.
|
|
|
Authenticity
Reif, Petr ; Havelka, Jiří (advisor) ; Schmid, Jan (referee)
This diploma work attempts to explore important aspects of actors work which lead to the ability to act on stage here and now, live, authentically. I divided the work into two main parts. In the first part I tried to describe the circumstances which influence the actors authenticity on stage through my theoretical knowledge and practical experience or the experience of other actors. In the second part I tried to point out the problems of authentical acting on a few video shots of one scene recorded within a prolonged period of time from the performance Ťapákovci, see the attached DVD.
|
guest ::
