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Seeing is Deceiving: Issues of Truth and Reality in the Contemporary Documentary
Radostová, Kristýna ; Řehořová, Irena (advisor) ; Fišerová, Michaela (referee)
This thesis examines the issue of depicting reality and truth in contemporary documentary. Documentaries are often considered to be a mirror to the real world, but this is not always the case. Filmmakers can manipulate their work in a manner that changes the story to be more interesting for viewers. This thesis introduces a documentary discourse, provides contexts of documentary history in the 20th Century and looks more closely at issues of depicting reality and truth. This is shown through textual and visual analysis of chosen contemporary documentaries made by Errol Morris and Michael Moore.
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Seeing is Deceiving: Issues of Truth and Reality in the Contemporary Documentary
Radostová, Kristýna ; Řehořová, Irena (advisor) ; Fišerová, Michaela (referee)
This thesis examines the issue of depicting reality and truth in contemporary documentary. Documentaries are often considered to be a mirror to the real world, but this is not always the case. Filmmakers can manipulate their work in a manner that changes the story to be more interesting for viewers. This thesis introduces a documentary discourse, provides contexts of documentary history in the 20th Century and looks more closely at issues of depicting reality and truth. This is shown through textual and visual analysis of chosen contemporary documentaries made by Errol Morris and Michael Moore.
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The Role of an Aesthetic Experience in the Aesthetic Writings of Roman Ingarden and Stephen Coburn Pepper
RADOSTOVÁ, Kristýna
The objective of this thesis is to analyze and compare the theories of an aesthetic experience of two signifiant personalities in the aesthetics of the 20th century, Roman Ingarden and Stephen Coburn Pepper. On the background of this analysis arise important questions to which this work in the light of the above theories will try to answer. What a role plays the physical work in aesthetic experience and to what extent is the percieving subject involved? What is the object of critical appreciation and on what basis do we judge the aesthetic values?
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