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The original experience in the thinking of Maurice Blanchot
Pola, Petr ; Ševčík, Miloš (advisor) ; Jarošová, Helena (referee)
The aim of this work is to present the original concept of art and its experience, which a French writer and a critic Maurice Blanchot described in his work at the end of the 1940's and at the beginning of the 1950's. At this time an effort to depict literature, or art in relation to the Original experience culminates in Blanchot's work. A work of art which has its origine in the Original experience is not incorporated into structures of the world. A work of art in this sense is not a form which is to be contemplated or understood. Art connected to the Original experience is perceived like "the exile of truth". The first part of this study deals with several features of the experience of art. First of all a level is defined, by creating the distinction between the concepts of Solitude in the World and Essential Solitude, into which art and its experience belongs. Afterwards, the primary relation for a writer - relation to "qui s'ecrit" is stated. Écriture (writing) does not represent activity here, it is revealed in its pasivity as "interminable, incessant". The writing points at the most essential feature of this level: specific time character. In this time a radical transformation of the subject, its interests and its objects happens. The last chapter of the first part is directed to the concept of Image,...
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Prolegomena to Problematics of Solitude
Pola, Petr ; Ševčík, Miloš (advisor) ; Michalovič, Peter (referee) ; Marcelli, Miroslav (referee)
PETR POLA : PROLEGOMENA TO PROBLEMATICS OF SOLITUDE Dissertation abstract The aim of the dissertation entitled Prolegomena to Problematics of Solitude is to introduce solitude as an existential characteristic, explore ways of its surpassing and articulate its relationship to experience of art. The issue of solitude represents for us a possible way to understand modern existence. First we examine the problem of solitude as an problem of isolated existence and formulate the question of its origin. The resolution of existential loneliness and solitude of being come to grasp the possibility of a relationship between isolation and solitude of being as sovereignty of being. Existential solitude means to effacer the relation of one who exists to oneself, which is a precondition for its existence. Finally we formulate a relationship between existential solitude and essential solitude, which is the paradigm for the experience of art especially for M. Blanchot. Deepening the problematics of existential solitude also enables to formulate the basis for discussions on the concept of subjectivity, which recently been revived.
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Prolegomena to Problematics of Solitude
Pola, Petr ; Ševčík, Miloš (advisor) ; Michalovič, Peter (referee) ; Marcelli, Miroslav (referee)
PETR POLA : PROLEGOMENA TO PROBLEMATICS OF SOLITUDE Dissertation abstract The aim of the dissertation entitled Prolegomena to Problematics of Solitude is to introduce solitude as an existential characteristic, explore ways of its surpassing and articulate its relationship to experience of art. The issue of solitude represents for us a possible way to understand modern existence. First we examine the problem of solitude as an problem of isolated existence and formulate the question of its origin. The resolution of existential loneliness and solitude of being come to grasp the possibility of a relationship between isolation and solitude of being as sovereignty of being. Existential solitude means to effacer the relation of one who exists to oneself, which is a precondition for its existence. Finally we formulate a relationship between existential solitude and essential solitude, which is the paradigm for the experience of art especially for M. Blanchot. Deepening the problematics of existential solitude also enables to formulate the basis for discussions on the concept of subjectivity, which recently been revived.
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The original experience in the thinking of Maurice Blanchot
Pola, Petr ; Jarošová, Helena (referee) ; Ševčík, Miloš (advisor)
The aim of this work is to present the original concept of art and its experience, which a French writer and a critic Maurice Blanchot described in his work at the end of the 1940's and at the beginning of the 1950's. At this time an effort to depict literature, or art in relation to the Original experience culminates in Blanchot's work. A work of art which has its origine in the Original experience is not incorporated into structures of the world. A work of art in this sense is not a form which is to be contemplated or understood. Art connected to the Original experience is perceived like "the exile of truth". The first part of this study deals with several features of the experience of art. First of all a level is defined, by creating the distinction between the concepts of Solitude in the World and Essential Solitude, into which art and its experience belongs. Afterwards, the primary relation for a writer - relation to "qui s'ecrit" is stated. Écriture (writing) does not represent activity here, it is revealed in its pasivity as "interminable, incessant". The writing points at the most essential feature of this level: specific time character. In this time a radical transformation of the subject, its interests and its objects happens. The last chapter of the first part is directed to the concept of Image,...
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The place of dramaturgy in devised theatre
Pola, Petr ; KLÍMA, Miloslav (advisor) ; ADÁMEK, Jiří (referee)
This thesis deals with dramaturgy of devised theatre. In the first part we provide an analysis of selected performances of Anicka a letadylko theatre with intention to describe specific ways of participation of dramaturgy as creative, conceptual and reflective activity on the performance formation process and the direction of the theater as a whole. The second part deals with dramaturgy of devised theatre in the sense of a method of use and organization of theatrical signs. The aim of this part is a definition of theoretical grounds of devised theatre in a such a way to open space a wide range of creative dramaturgies of devised theater.
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