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Live Coding - method, art and ideology
Rouš, Jiří ; CÁB, Michal (advisor) ; PEŠEK, Kryštof (referee)
The objective of this work is the depicting and describing of significant features of live coding, a form of audio-visual performance, which has come into existence only lately. For this purpose the work introduces three different ways of looking at this phenomenon. Before defining these methods of viewing in the text, the description of fundamental principles of translation of source code is presented, it being crucial for practicing of live coding. The first perspective looks at live coding as a method of work, the second looks at it as a form of art and the third - as an ideological gesture. Exploiting of these perspectives has helped to discover part of characteristic features of this method, its contextualization in the frame of artistic traditions and the outline of some implicit and explicit ideological aspects, bound to it. The main contribution of the work is creating a general image of this phenomenon in the context of theoretical works in Czech language, devoted to the pursued topic.
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Processing 1.0
Pešek, Kryštof ; POSPISZYL, Tomáš (advisor) ; VOJTĚCHOVSKÝ, Miloš (referee)
In the filed of theoretical studies, my work consisting of completing the handbook for programming language called Processing. This particular programing language had been constructed during academical research at Massachutches Institute of Technology by its creators Benjamin Fry and Casey Reas. There are already many handbooks available: (i.e.: Casey Reas and Ben Fry, A programming handbook for designers and artist (2007), Ira Greenberg: Processing Creative coding and Computational Art (2007), Daniel Shiffman: Learning Processing: A Beginner's Guide to Programming Images, Animation, and Interaction (2008), Tom Igoe: Making Thinks Talk: Practical Methods for Connecting Physical Objects (2007).), but none of them is in Czech language. The handbook concept should keep the Processing methodological approach; to give an easy access to modern technology to an art and in general non-technical students. With little or without any previous programming experience.
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Hollis Frampton
Pešek, Kryštof ; Pospiszyl, Tomáš (advisor) ; Dolanová, Lenka (referee)
The aim of theoretical part of Bachelor work concentre on film production of north-american avant-garde filmmaker Hollis Frampton; In particular, the film "Zorn's Lemma" from a year 1970. The author, who was the pioneer of applying strictly mathematical principles on film structure, probably left a complex code in his films, the direction of this work is to partly decrypt the theorem sources of Framtons film creation.
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