National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
THE CZECH CREATION OF CONCERT MELODRAMA IN THE SECOND HALF OF THE 20th CENTURY AND AT THE BEGINNING OF THE 21st CENURY
Kux, Martin ; FILAS, Juraj (advisor) ; KURZ, Ivan (referee)
This Bachelor thesis named “Czech Creation of Concert Melodrama in the Second Half of the 20th Century and Beginning of the 21st Century with Analysis of 4 Compositions” deals with the view of Czech melodrama as a specific genre combining spoken word with musical component that has historically had an important tradition in the Czech Republic. The thesis primarily focuses on the chronological development and various component concepts in our country in the past 50 years. In order to demonstrate the topic, four melodramas by authors from different generations are presented in the paper. Through their analysis, the author describes what directions the style and development of the Czech concert melodrama has been heading.
The interpretativ art of Dietrich Fischer-Dieskau
Kux, Martin ; HAJÓSSYOVÁ, Magdaléna (advisor) ; KUSNJER, Ivan (referee)
The baritone Dietrich Fischer-Dieskau was one of them most prominent personality in the vocal art in the 20th century. His interpretative art left a valuable mark in many areas of classical music.He was a man who could be describes as the Renaissance personality. In addition to singing, he also dedicated his time to conducting, writing music theoretical tracts and painting. In elder age he was occupied primarily with pedagogical activities. In my work I focus primarily on his singing activities. My work is divided into three parts where I gradually mention the important milestones in his life, after focus on his interpretation of German songs finally deal with contribution in the field of opera art.
The art song of Robert Schumann with focus on the song cycle Dichterliebe
Kux, Martin ; Janál, Roman (advisor) ; Kaupová, Helena (referee)
In my bachelor thesis I am analyzing the music cycle of Robert Schumann "The Poetś Love" . Theresearch deals with the cycle from the music, lyric and comparative interpretation point of view. The thesis discovers private and work life of the composer. Schumann´s work focuses mainly on piano composition, which is also mentioned in the thesis, and song composition, themost fruitful period of which began in 1840. The thesis also encompasses the treatise abour Heinrich Heine, on who´s lyrics the cycle was composed. I also talk briefly about the cooperation between two artists. Schumann´s everlasting ispiration was his wife Clara Schumann. Besides the deep love to Clara, the clear expresson and related timeliness, which we can constantly discover, reflected in his artistic message. In the thesis we are mentioning original names in German for particular songs, translations in Czech, made by various authors. In interpretation comparison based on the recording we see mainly the benefit from the point of different views and dramatically grasp of the cycle, which is, to my mind, very important for the singers.

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