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Russian Theatre Life in Interwar Prague
Kuncová, Simona ; Sarkissian, Alena (advisor) ; Just, Vladimír (referee)
This bachelors thesis investigates theatre activities of Russian artists who arrived in Prague between the first and second world war as a consequence of political clashes in their country. The first part of the thesis looks at the attitudes of Czechoslovak nation towards Russian immigrants, in particular the opportunities Russian theater artists were given in Czechoslovakia. In the second part of the thesis, the so-called Prague MAT group is introduced. This is a group formed of artists from the Moscow Arts Theatre permanently located in Prague. The so- called Kachalov group, from which the majority of the Prague MAT group originated, is investigated first. This is followed by the introduction of the Prague group as such. Its developments are explored by looking at three of the group's plays.
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The earliest translations of Jan Nepomuk Štěpánek
Kuncová, Simona ; Topolová, Barbara (advisor) ; Christov, Petr (referee)
This thesis investigates early translation activities of Czech versatile theatre artist Jan Nepomuk Štěpánek. Štěpánek began to translate theatre plays in 1803. The first part of the thesis looks at the personality of Jan Nepomuk Štěpánek in general, theatre context of his translated plays and a translation method in the time of the Czech National Revival. The most important part of the thesis consists of the introduction of five earliest plays, which Štěpánek translated in 1803-1806. His texts are compared with German original texts. On the basis of this comparation, Štěpánek is introduced as a translator and also then theatre practice is partly clarified.
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Russian Theatre Life in Interwar Prague
Kuncová, Simona ; Sarkissian, Alena (advisor) ; Just, Vladimír (referee)
This bachelors thesis investigates theatre activities of Russian artists who arrived in Prague between the first and second world war as a consequence of political clashes in their country. The first part of the thesis looks at the attitudes of Czechoslovak nation towards Russian immigrants, in particular the opportunities Russian theater artists were given in Czechoslovakia. In the second part of the thesis, the so-called Prague MAT group is introduced. This is a group formed of artists from the Moscow Arts Theatre permanently located in Prague. The so- called Kachalov group, from which the majority of the Prague MAT group originated, is investigated first. This is followed by the introduction of the Prague group as such. Its developments are explored by looking at three of the group's plays.
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