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National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Live sound mixing
 Kunčar, Pavel ; Pinkas, Martin (advisor) ; Urban, Ondřej (referee)
The thesis is focused to live sound mixing which takes place during the concerts of popular music (such as rock music, folk music etc.). It presents the equipment needed and it's usage. It also suggest the solutions of some problems connected with sound reinforcement. It shows the connection of the sound reinforcement system as it is used during live music productions. The thesis presents the art solutions of the live sound mixing. The thesis then discribes the work of sound engineer during the live production.
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Recording of the pipe organ from the music director's point of view
 Kunčar, Pavel ; Rybář, Jaroslav (advisor) ; Smolka, Jaroslav (referee)
The thesis shows the knowledge, that the music director needs to know to record the pipe organ, from the facts of the organ building, through the history of music and sound aesthetics, to practical knowledge of recording and postproduction. First chapter talks about the history of the pipe organ building and history of the aesthetics of it's sound. Throughout the music history, the construction of the organ differs. Also the idea of it's perfect sound does. The second chapter describes the pipe organ as a medium of a musical interpretation and the history of it's possibilities. The third chapter talks about the recording itself and the post-production. The dramaturgy of a CD record or a concert is described in the fourth chapter. The last chapter analyses three different records of a same piece from the musical point of view.
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Placing microphones to acoustic instruments during the live performances
 Kunčar, Pavel ; Urban, Ondřej (advisor) ; Dvořák, Aleš (referee) ; Kulhan, Miloslav (referee)
This thesis talks about placing microphones to acoustic musical instruments during the live performances. There are discussed the main practical reasons for the differences between the work in the recording studio and on the stage.
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2 Kunčar, Petr
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