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The issue of a crime victim in criminology
Kováříková, Olga ; Pelc, Vladimír (advisor) ; Beranová, Andrea (referee)
This thesis aims to convey knowledge from various fields (victimology, law, psychology, criminology) to the general public and create a basic overview of situations and ensuing responses commonly experienced by crime victims. The emphasis is distinctly directed towards the psychological dimensions of victimization, offering insights into the emotional experiences of victims and their subsequent behavioral manifestations. The first part of the text focuses attention on defining victimology, its origin, the founders and other important personalities of this scientific field and the period of its greatest flourishing. It also traces the historical shift in the victim's role, which initially played a pivotal role in the investigation of criminal acts and the punishment of perpetrators. However, with societal development, the victim gradually lost its importance, and its role was limited to providing testimony. The second section delves into the concept of the victim of a crime, explaining victimization and exploring the typology of victims. At the same time, it describes in more detail specific groups of victims, such as children, the elderly and victims of domestic violence, and the peculiarities that distinguish them from ordinary victims. Additionally, it analyzes widespread myths about victims. The...
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Censorship and its influence on the theater during the time of the Protectorate of Bohemia and Moravia
Kovaříková, Olga ; Míšková, Alena (advisor) ; Köpplová, Barbara (referee) ; Janoušek, Pavel (referee)
TITLE: Censorship and its influence on the theater during the time of the Protectorate of Bohemia and Moravia AUTHOR: Olga Kovaříková DEPARTMENT: History and History Didactics Department SUPERVISOR: doc. PhDr. Alena Míšková, Ph.D. ABSTRACT: This dissertation describes the organisation and the influence of censorship in the theater during the time of the Protectorate of Bohemia and Moravia, and is based on the political, administrative and cultural history of the given period. The purpose of the work isn't only to describe the structure of censorship in the theater, but also to relate its significance to the world of theater and its repertoire using concrete examples of Czech theater in Prague. As a result of interpreting censored theater scripts performed during the protectorate period of Prague, the work contains detailed characteristic and thematic categorization of the most frequent expurgations. Through the use of theater memoirs and police records, the work shows the censorship's influence on the everyday history of Prague theater. The procedure of censorship used at this time reveals the main tendency of cultural policy, the categorization of expurgations reflects the everyday history of the protectorate. The work is completed entirely by an alphabetical list of the permitted and forbidden dramatic...
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Reflection of Musical Works in European Literary Modernism
Kovaříková, Olga ; Vojvodík, Josef (advisor) ; Hrdlička, Josef (referee)
This paper focuses on intermedial relations between music and literature of European Modernism and early Avant-garde, and monitors the impact of music on literary texts, literature as a whole, and the essentially literary medium - the book. "Musical work", in this case, refers to Richard Wagner's music dramas and theoretical texts that outlined Wagner's artistic-aesthetic concept of Gesamtkunstwerk as a total work of art uniting all the arts. This paper follows the meta-aesthetic line of intimate, synaestheticly oriented intracompositional literary Gesamtkunstwerk in selected literary texts by Charles Baudelaire, Stéphane Mallarmé, Marcel Proust, and in The Blaue Reiter Almanac. It reveals the essence of analogies between music and literature, various manifestations of musicalization, and their significance for literary works and literature as a whole. It additionally emphasizes that the selected texts have also been influenced by already "literarized" music, as well as by esoteric teachings on speculative music, and highlights the gradual disintegration of boundaries between the arts, which led to their abstraction.
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Censorship and its influence on the theater during the time of the Protectorate of Bohemia and Moravia
Kovaříková, Olga ; Míšková, Alena (advisor) ; Köpplová, Barbara (referee) ; Janoušek, Pavel (referee)
TITLE: Censorship and its influence on the theater during the time of the Protectorate of Bohemia and Moravia AUTHOR: Olga Kovaříková DEPARTMENT: History and History Didactics Department SUPERVISOR: doc. PhDr. Alena Míšková, Ph.D. ABSTRACT: This dissertation describes the organisation and the influence of censorship in the theater during the time of the Protectorate of Bohemia and Moravia, and is based on the political, administrative and cultural history of the given period. The purpose of the work isn't only to describe the structure of censorship in the theater, but also to relate its significance to the world of theater and its repertoire using concrete examples of Czech theater in Prague. As a result of interpreting censored theater scripts performed during the protectorate period of Prague, the work contains detailed characteristic and thematic categorization of the most frequent expurgations. Through the use of theater memoirs and police records, the work shows the censorship's influence on the everyday history of Prague theater. The procedure of censorship used at this time reveals the main tendency of cultural policy, the categorization of expurgations reflects the everyday history of the protectorate. The work is completed entirely by an alphabetical list of the permitted and forbidden dramatic...
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