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Gender marking in job titles in French
Buriánková, Adéla ; Jančík, Jiří (advisor) ; Suková Vychopňová, Kateřina (referee)
The present paper on feminine allomorphs and allolexs in the French language provides a better understanding of the formation of feminine exponents in the domain of occupational names. In the first part of the text, we discuss theoretically the circumstances and conditions under which the need for feminization of occupational names arises and how the morphemic chain of the concrete feminine is constructed. We discuss the morphemic and morphological aspect, the historical context, the need for feminisation from a legal and political point of view, the jobs requiring feminisation and the factors influencing the choice of the process of formation of feminine lexis. We also consider the opinion of the French Academy and French dictionaries such as Le Larousse and Le Robert. In the same way, we include in the dissertation the modes of formation and representation of the feminine in the FLE textbooks. In the second part of the text, we dedicate ourselves to practical research in which we study the actual production of the use of the feminine of occupational names. This research, carried out with the help of the questionnaire method, gives us a real insight into practical usage, which helps us to get an overall picture of this relatively new grammatical phenomenon on such a large scale. Key words: gender,...
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The Genesis of the style of Claude Monet
Buriánková, Adéla ; Jančík, Jiří (advisor) ; Kalfiřtová, Eva (referee)
This thesis offers a look upon the artistic creation of Claude Monet during the period of living in Giverny, the picturesque village in which he bought a house with a garden arranged according his own taste. In the first part, we talk about the aesthetics of the 19th century and we are dealing with artistic and literary movements. These movements are romanticism, realism, naturalism, parnasse, symbolism, decadence, art nouveau and art deco. In the next part, we focus on the painter Claude Monet, his biography and aesthetics of his art. Our attention is devoted to the Giverny period and to the motives, the specific use of spectrum of colours and the technique of Claude Monet's art. For making a total awareness of Monet's period in Giverny, we analyse the concrete paintings on which we demonstrate the characteristic signs for Giverny era. Keywords: Claude Monet, Giverny, impressionism, water lilies, light
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