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"Aunt Julia" and Vargas Llosa: Literary character of two autobiographies
Brányiková, Katarína ; Housková, Anna (advisor) ; Poláková, Dora (referee)
The work will focus on the comparison of Maria Vargas Llosa's autobiographical novel Aunt Julia and the Scriptwriter (La Tía Julia y el escribidor, 1977), where its one half tells a story of his marriage to his "aunt" and the other half presents fictional radio stories, and the autobiographical text What Varguitas didn't say (Lo que Varguitas no dijo, 1983), which is a response to this book, in which the author Julia Urquidi wrote her own version of the relationship with Mario Vargas Llosa. The work focuses on the differences between these two books, which tell the story of the same relationship, but from a different perspective. It will analyze the literary character of both works and with it the intention of both authors during the construction of their books. The work will analyze the composition, time, narrator and style of both books. Especially in the novel Aunt Julia and the Scriptwriter, it focuses on the author's play with autobiographical and fictional elements. The work tries to find an answer to the question of how much fiction can be combined with reality and to what extent it can be used in an autobiographical text and vice versa. The work also analyzes the text of Julia Urquidi and places it in the context of the work of Mario Vargas Llosa.
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Feminism and femininity in the poems of Alfonsina Storni
Brányiková, Katarína ; Poláková, Dora (advisor) ; Sánchez Fernández, Juan Antonio (referee)
The work focuses on the work of Argentinean author Alfonsina Storni, especially in connection with the new wave of feminism at the beginning of the 20th century. The chosen topic will be set in a wider context, including social conditions, political situation and society's opinions of female authors at the beginning of the twentieth century in Latin America. All these factors will then be used in a detailed analysis of the author's verses. The aim of the work is to define the style of Alfonsina Storni and, based on the content of her poems, to get an overview of her femininity, her relationship to men and how she succeeded in linking modernism with feminism. To all this I will also add the differences between feminism in the life of Alfonsina Storni and the one of today. All this on the basis of her work. Key words: Alfonsina Storni, poetry, feminism, Argentina.
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