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3 T/40/2021-389 – „Everyone agreed to rob the first house “
Kulhavá, Karolína ; Šrek Bromová, Veronika (referee) ; Rathouský, Luděk (advisor)
The content of the bachelor thesis focuses on the processing of crime number 3 T / 40 / 2021–389. Namely, it is an offense of theft, violation of domestic freedom, damage to another's property, and illegal arming, which I figure in the position of a victim. The painting elaboration of this topic, or personal experience, naturally arose for me based on my previous work, areas of interest in creation, and efforts to develop them. The series of paintings I have created depicts the subject from the position of a surroundings observer after committing a crime. These paintings capture nothing more than the artefacts themselves. In various ways, these artefacts have become crucial shreds of evidence. The used painting technique is oil paint on a canvas of different sizes.
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Picknick places
Fialová, Eliška ; Achrer, Josef (referee) ; Rathouský, Luděk (advisor)
I paint parks- places for trips, the terrains and spaces. I depict its structure, which is composed from various elements. I am interested in humane touch and movement and especially in their look. I am interested in the by human kind build environment or moved places. Moreover hove it influence humane being. Parks are places created for touch, for extraordinary feelings, for fulfill perceptions. Nevertheless I try to describe that sort of places and recreate them in my paintings.
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Pictures from Life
Hanáčková, Zuzana ; Herotová, Petra (referee) ; Rathouský, Luděk (advisor)
Výslednou prací jsou kresby vyjadřující očekávání a objekty ze sádry znázorňující určité role.Objekty jsou umístěny na čtyřech černý ch soklech, velikostně zvolené podle rozměru objektu.Sokly jsou ve tvaru kvádru, které svým geometrickým tvarem určují každou pozici, fyzickou tělesnost a stabilitu.Role studenta znázorňují knihy(literatura) položené na sobě, poznámky a skici během procesu práce.Objekt pouto za roli manželky.Role matky je spjatá s venuší, kult ženskosti, plodnosti.Za roli umělkyně, jsem představila barvy, které mají symbolizovat umění. V kontextu současného umění studuji literaturu, zabývající se pojetí rolí umělkyně, ženy ve společnosti na přelomu 19, 20 století s konfrontací ze současností.Zkoumám jednotlivé pozice z hlediska psychologie, názory, pojetí uměleckého díla, filozofické eseje, úvahy a tvorbu autorek, (Barbara Sichtermann, Nancy Chodorov, Elisabeth Badinter, Antoinette Fougel, Annie Liebovitz, Susan Sontag, Annette Messager, Patricie Piccinini , Catherine Opie, Bettina Reims, Elžbieta Jablonská). Ze současné české scény se zabývají tématy mateřstvím, rodinou, a spojení umění s běžným životem autoři (Lenka Klodová, Lucie Krejčová, Martin Péč, Marek Rejent, Milena Dopitová). V oblasti psychologie zkoumám úvahy psychoanalytika Michela Schneidera, psychologa Sigmunda Freuda. O instalace uměleckého díla přemýšlím v kontextu tvorby (Denisa Lehocká, Dan Perjovschi, Francis Alys Nedko Solakov, Luboš Plný, Alice Nikitinová, Stano Filko, Dalibor Chatrný, Julius Koller).
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The Peak and the Territory
Mlynarčík, Štefan ; Smetana, Matěj (referee) ; Rathouský, Luděk (advisor)
The thesis is focused on symbolic revision of altitudes and border points of Tatra peaks. The subtle gesture disturbs exact and unambiguous textbook perception of a peak´s height. The thesis is happening on the given summits, the material used on their „growth“ and „transfer“ originates exclusively from immediate surroundings. The period of new summit´s existence is exposed to various weather conditions, eventualy to human factor, thus we can consider it as undetermined in terms of time. The issue consists of 5 video documentations of actions on the given Tatra peaks. The thesis is not exhausted by this. On the contrary, it promises spontaneous long-termed continuation.
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Empathy
Demková, Tereza ; Kosziba,, Klaudia (referee) ; Rathouský, Luděk (advisor)
For my practical part of a bachelors thesis I have chosen empathy as a topic. As this topic can cover some of the family issues I notice nowadays. High percentage of divorces and unwillingness to take responsibility for children are all issues that are generally well-known. However in my opinion precisely the general knowledge is something that is rarely taken as an issue of an individual. My work are three paintings done in oil on canvas, not stretched on frames. They are placed as drawings or photos. They are auto-portraits that reflect my experiences with psychotherapy and my family background. The placement of these paintings is supposed to evoke an insight into an individual in more of a physician sense. In my opinion these paintings and their placement can invoke thoughts around family, empathy and visual art.
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MEAT WALLPAPER
Elznic, Zita ; Koťátková,, Eva (referee) ; Rathouský, Luděk (advisor)
I am interested in meat and its value in my bachelor thesis. I focus on meat products and meat waste, which are made in industry manufacturing. Form of this work is making and installation plastic wallpaper from wax castings of animal parts.
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Feedback
Koniar, Martin ; Solčáni, Ján (referee) ; Rathouský, Luděk (advisor)
My diploma work is an installation, made from multiple instances of a device iniciating string resonance via electromagnetic field. These devices along with strings are placed on the wall in geometrical shape. Installation creates loop on multiple levels. Except the fact that installation have a circular shape, position of each string starts at the end of another string. Second, more inconspicious loops takes place in the electromagnetic device resonating the strings, that do that with feedback loop. Strings consist every step of chromatic scale, that repeats itself, just an octave higher. Amplification of the final sound of strings is done purely acoustically, with help of the wall on wich the piece is installed. This piece is in its nature concerned with spirituality in music, not necessarily in sense of evoking a spiritual experience, but rather demonstrating metaphors and parallels, that exists between physical aspects of tonal music and different religious ideas. The symmetrical shape of installation refer to religious and occult visuality, built f.e. in cabal on Fibonacci numbers, that is present not only in nature ( for example, the veins of the leaves grow by these numbers), but also in tonal music system (ancient philosophers were working with this concept, see Plato's Music of the Spheres). Strings in this piece produce drone sound, that is naturally evoking spirituality (most visible in buddhist monk meditation). This sound in the piece demonstrates immutability and constancy, the fact that all the chromatic tones are playing demonstrates wholeness (this fact may produce interesting resonances emerging between chromatic steps), so to speak, the unchangeable laws of physics, or to put it in religious lingo, the god law. The symbol of loop also refers to religion, like the eternal return of the same, the periodicity of history. Strings can be viewed as astrophysical symbol. Everything stated is nothing but my recourse, that should not ultimately determine the perception of the piece by viewer. The goal of the work is to offer experience without need to be put into context
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