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Theatre Layering
Dušková, Linda ; KLÍMA, Miloslav (advisor) ; MAKONJ, Karel (referee)
The master thesis named Theatre layering attemps to reflect the specific
moments during the preparation of theatre performance, that could influence the
interpretation of dramatic text. The author of this thesis is concerned with
using of text, image and music for theatre work bordering the interpretative and
non-interpretative approach. In the analysis she used the experience of her own
directing-dramaturgical work during the studies at DAMU.
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Independent puppet theatre after 1989
Vašíček, Jakub ; BEČKA, Marek (advisor) ; MAKONJ, Karel (referee)
The subject of this thesis is the reflection on independent puppet theatre
for adults after the year 1989. The phenomena of the "rise" of
independent groups, the roots of this phenomena and its specifics are
described. I am also investigating the performances - within the limits of
the aforementioned theatrical context - which touched and inspired me
the most. The second part consist of a reflection on my own theatrical
work, where I investigate the expression of the influences from the first
part.
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Am I an Actor Yet?
Vejražka, Jan ; MAKONJ, Karel (advisor) ; RAJMONT, Ivan (referee)
Is it possible for me after four years of acting school and nearly one year of engagement to state definitively - Am I an actor yet?
This is the main question, I wish to answer through my work. I proceed by trying to define and show what it exactly is for me to be an actor. Therefore my work is structured into chapters, that in their own way result one from each other and meanwhile are tightly connected, so that means the whole work is in principle one compact text. In my work I mainly examine and explore my own experiences. Based on what I find, I realise, that for me, the answer - Am I an actor yet? - can not be answered. It can not be answered because in the essence, it means the same as - Am I a human yet?
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The Czech Postmodern Theatre and Works of Jiří Havelka
Kubák, Ivo Kristián ; MAKONJ, Karel (advisor) ; CÍSAŘ, Jan (referee)
The thesis is in its first part focused to describe the current generation of directors, who started official creative careers after 1989. It locates three basic lines of staging procedures and in the second part aims on five directors of this generation, which currently teaches in the Department of Alternative and Puppet Theatre of The Theatre Faculty of the Academy of Performing Arts in Prague: Petra Tejnorová, Jiří Adámek, Martin Kukučka, Lukáš Trpišovský a Jiří Havelka. The latter is devoted to detail in the third part, which is based on available ctitic reflections of Havelka's work and tries to figure out how is this work received by critics and the public. Attachment contains complete list of Havelka scenical works.
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VyšeHrátky or sport-art-education
Plíhalová, Kristýna ; KLÍMA, Miloslav (advisor) ; MAKONJ, Karel (referee)
For seven years program VyšeHrátky, in production of studio Damúza, is developing good quality entertaining and educational program for schools and families.Till this time there were no theoretical records and publications of that activity. This thesis includes theories which come as inspiration and background to VyšeHrátky. It gives instruction how to build ?Theatre play game? ? the main structure of VyšeHrátky, and reflects history of VyšeHrátky especialy it's festival activities. This thesis should be help to anyone who seeks inspiration for creating good quality program for children or uses dramatic principles for educating.
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Potential puppet theater for adults
Podrazil, Tomáš ; BEČKA, Marek (advisor) ; MAKONJ, Karel (referee)
The main topic of this thesis is the puppet theater. Monitors are there historical development of puppets and its position on the European continent during the last more than 150 years. This information is also enriched with non-European knowledge on subjects such as Japan and Indonesia.
The author deals with the very origin of puppets, its functions, division, acting with puppets, puppets possibilities and its significance on the stage.
The same is subject to review theater for the very meaning of human.
Furthermore, in this work, looking for differences between acting theater (non-puppet) and puppet theater.
Finally, the author examines how different children from adult audience and what is the current status of puppet theater for adults on Czech theater scene.
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Stage reconstruction of the Black masks
Burianová, Zuzana ; Etlík, Jaroslav (advisor) ; Makonj, Karel (referee)
This Bachelor Thesis concerns the reconstruction of a Hradec Králové production of Black Masks. The main focal point is Leonid Andreyev´s biography and an attempt to capture events that could have influenced his dramatic work. My sources were mainly comprised of monographs published in English. Another focus of my research was outlining the social situation in the period after the Velvet Revolution and the related problems which the Klicpera Theatre was met with during the post-communist era. This part has been accomplished with the help of atricles from various Hradec journals, which documented any cultural and social changes in the region. During the reconstruction I used the only remaining contemporary materials ? black and white photographs of the productions, two reviews and the programme. Having gathered and processed all information available, I was able to recreate the image of the production, which had its Czechoslovak premiere on 5th May 1990. By doing this work, I also wanted to draw attention to the fact that since then, this play has not been staged again in this country.
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Discovering of the space based on own stage experience
Trpišovský, Lukáš ; Klíma, Miloslav (advisor) ; Ruml, Ivan (referee) ; Dvořák, Jan (referee) ; Makonj, Karel (referee)
The dissertation deals with other space between stage and auditorium based on my own stage experience and concrete examples. It concerns in the first three chaps of keywords: 1/ micro- and macro- world as the space, 2/ memory as the space and 3/ stage music and stage sound as the space. In last chapter deals with relationship between actor and spectator to this other spaces based on my own stage experience on performance Neograničené linije/ Borderless Lines/ Neohraničené linie in Belgrade in Serbia. To conclude, the dissertation mentions a few rules on how to treat the space between the stage and the auditorium. It compares this space to a landscape, where it is above all the relationship between the existence of place and existence of human beings that matters.
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Theatre as a home
Golubovič-Dragin, Biljana ; Pilátová, Jana (advisor) ; Makonj, Karel (referee) ; Petříček, Miroslav (referee) ; Dias, Pavel (referee)
The aim of this thesis is to show theatre as a space of personal and professional growth, a place where one can respond to pressing issues that emerge from the world and its events. The name of this thesis is Theatre as Home with subtitle Identity, Memory, and Space. The first chapter, Theatre and Alchemy, describes an internship with Min Tanaka, and deals with theatre?s transforming potential, with movement and its development from traditional cultivation of land all the way to the stylised dance movements of butó, where body and landscape reflect each other. This dance technique stems from a specific cultural memory and particular historical situation. It is a concrete demonstration of the idea that a connection between life and dance is not just a dream: it can be an instrument of discovering identity.
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