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A modern tragedy in the movies of Romanian "new wave"
Omerzu, Olmo ; Bouda, Marek (advisor) ; Valak, Radim (referee)
A modern tragedy in the movies of Romanian "new wave"
The death of tragedy?
The text questions the concept of "death of tragedy" and tries to apply classic rules of tragedy on the movies of Romanian ?new wave?, particularly in the film Death of Mr. Lazarescu by director Cristian Puiu.
The base of the thesis follows the idea that despite the changes in theoretical settings (from ancient Greece till today), the
basic view of the world hasn´t change so much that it would be impossible for us to go trough tragic experience.
The analysis of films focuses on the basic themes and elements associated with the ancient tragedy (such as tragedy and myth, catharsis, tragic hero, tragic conflict ...) and considers their possible existence in today's world which the modern tragedy should have reflect.
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Possibility of using music in the film story
Tuka, Josef ; Vojnár, Ivan (advisor) ; Valak, Radim (referee)
If I was in undergraduate theoretical work dealt with the theme functions of color in a feature story, audio post-production at the bachelor movie inspired me to think about the questions posted on the kind of counterpoint: The possibilities of music in a feature story. It is a fact that my bachelor's movie was my first experience of working with film music composer. In FAMU exercises before, I worked more or less just with sound dramatic, I've used music just to forming background, but not as a specific emotional information. On the basis of this my inexperience, I had during interviews with the composer often got into blind spots. How to use music in the movie? At what point in the story? According to what decide to use a specific musical instrument? How to work with music in relation to the main dramatic character? This should be the main topic of theoretical thesis.
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Style of three films by David Fincher in the ninetees
Těšitel, Jan ; Valak, Radim (advisor) ; Marek, Petr (referee)
The dissertation focuses on three films by the director David Fincher which he shot during the nineties. The films are: Seven, The Game and Fight Club. Its main focus is on the movie Seven; the analysis deals with all the parts of movie making. The anthropological analysis meets the philosophical interpretation with the goal to try to capture the artistic issues of one of the mos significant auteur of the contemporary Hollywood.
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The edification of new czech an slovak wave
Maráky, Daniel ; Valak, Radim (advisor) ; Chytilová, Věra (advisor) ; Marek, Petr (referee)
The endeavour of my bachelor work is to search out 5 or 6 types of new czech and slovak films common elements of this important period in film history. I´ll be in interest of line of originality but commonplace clichés as well.
One of the most specific and markedly important sphere of my research will be monitoring of documentary processes used in this films. The first of all I´ll be focused at current cases from modern scientific point of view /Ceiling, Party and the guests, Diamonds of the night, Intimate lighting, Pearl of the Deep, Piece of a bread, Statue to support,....etc/
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Films on the Road
Pachl, Jan ; Bouda, Marek (advisor) ; Valak, Radim (referee)
This diploma is focused on a film genre ROAD MOVIES, from its roots in a literature, trough the motorcycle films in the fifties, hippies films in the sixties, to the establishing of the genre in the seventies till present. Simultaneously with the genre the text goes trough the symptoms of the road, its spiritual proportions and possible reasons why to ger on the road. As the main genre directors are mentioned: Bob Rafelson, Wim Wenders, Jim Jarmusch. The script is focused on cultic pictures as The Wild One, Easy Rider, Five Easy Pieces, Dead Man or Paris Texas. There is also a reflection of present Road Movies included.
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Diversity as a value significant for Fantasy genre
Pikna, Peter ; Marek, Petr (advisor) ; Valak, Radim (referee)
The subject of Bachelor Thesis Diversity as value significant for Fantasy genre will be specific torrent of fantastical fiction, which is often entitled as escapical. In the first part, I will point out definition starting points of genre of Fantasy and its use in the film. In second part I will try to focus on value overlaps in more actual works of the genre (The Lord of the Rings, The Adventures of Baron Munchausen, Pan´s Labyrinth), which transcends frame of commercial-purpose quantity based production, degradating the genre into stereotype of big-budger spectacular for youths.
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Formula of acting of Dreyers late period
Bogdanovič, Marko ; Marek, Petr (advisor) ; Valak, Radim (referee)
Subject of this bachelor theoretical work is specialized in formula of acting of motion picture Gertrud in its individual aspects in the point of view to leaving "rules" of realistic acting, which is one of few film components that are not formulated in such extent like stories, photography or sound. We are usually faced to formula of acting in comedies, where we generally don't have problems with understanding such formula, rather than in "serious" pictures. That is the reason why i got specialized in picture from late C.T.Dreyers period; it is the motion picture which i consider to be one of few examples of serious caricature. I want to go into how is the acting of this picture formulated, or not realistic and why it is so and what is the Dreyers aim with using such formula. All this with the aim to present this film as one of examples of potency of work of art that can be achieved when acting leaves realistic "rules".
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