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PRAGUE SYMPHONY ORCHESTRA FOK AND ITS BRASS SECTION
Štainerová, Kateřina ; SUŠICKÝ, Jiří (advisor) ; MALIMÁNEK, Karel (referee)
This magister thesis Prague Symphony Orchestra FOK and its brass section is divided into four chapters. The first chapter deals with the development of the orchestra since its foundation up to the present. The chapters from the second to the fourth focus on the brass section including the detailed artistic curriculum vitas of the current musicians. The second chapter is concentrated
on the members of the trombone section (including also two members that play tube). The third chapter deals with the trumpet section while the fourth chapter deals with the section playing French horn.
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Methodology of Tuba Playing for Beginners
Zdráhal, Evžen ; MALIMÁNEK, Karel (advisor) ; SUŠICKÝ, Jiří (referee)
The thesis deals with The Methodology of Tuba Playing for Beginners. The theme of the work is the development of the tuba instrument from history until now. Work brings the tuba methodological approaches supported by my own knowledge, experience and opinions. To each chapter intorduces basic methods of tuba playing. To every chapter practical excersise is attached for better understanding and tuba playing problems managing. Pictures of historical instruments, a tuba parts description and a pose of the tuba players body while playing, position mouthpiece and embouchure are attached for the ilustration.
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The Czech Philharmonic and its Players the Tube
Patcelt, Miroslav ; MALIMÁNEK, Karel (advisor) ; REJLEK, Vladimír (referee)
My thesis deals with The Czech Philharmonic and its players the tube. This thesis is divided into three parts. The first part is aimed about the history of the orchestra and their noted conductors. The second part introduce the individual players the tube who were members of the Czech Philharmonic. I mean that this part is the pivotal part of my thesis. There is also the third part in my thesis that presents the interview with Karel Malimánek, the contemporary player the tube of the Czech Philharmonic. I enclose the CD with the photos conductors and the players the tube as the attachement.
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Technical nature of brass instruments
Bergmann, Michal ; SUŠICKÝ, Jiří (advisor) ; MALIMÁNEK, Karel (referee)
This thesis contains informations about basic physical and acoustic attributes of musical instruments.
It also explains the principle of natural and temperated tuning and their relation.
The thesis is focused on the brass instruments, their physical properties and limits. In the last chapter is then explained in detail physical functioning of the trombone on example of two-valve base trombone.
Everything is explained for person with musical and non-science knowledge.
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Koleta`s mining music Rtyně v Podkrkonoší
Rejdák, Jaroslav ; REJLEK, Vladimír (advisor) ; MALIMÁNEK, Karel (referee)
This thesis deals with the history of the wind orchestra Koletova Hornická
Hudba from Rtyně v Podkrkonoší, with the brass music festival Koletova Rtyně,
and with the major figures connected with the orchestra. The orchestra has
a rich history and in 2014 it is going to celebrate its 150-year-long existence.
Since its foundation the orchestra has never stopped its activities and has come
through all setbacks. The festival Koletova Rtyně is one of the oldest festivals of the big wind
orchestras in the Czech Republic. Its origin dates back to the cooperative concert
of the orchestras from Rtyně and Kolín in1960. The 50th year of the Festival is
going to be held in 2014. Eminent personages who mainly influenced Koletova hornická hudba are
above all Koletas brothers - the orchestra was named after them, and Zdeněk
Tlučhoř who is running the orchestra nowadays.
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International trombone Competitions
Chmelař, Martin ; SUŠICKÝ, Jiří (advisor) ; MALIMÁNEK, Karel (referee)
In my diploma thesis I give an overview and information about the international trombone competitions. First chapter is reserved for European competitions. There are mentioned some facts like time intervals after which are the competitions repeated, time periods and locations of performance, entrance conditions and information about the organisers. Second chapter is organised in the same way and includes the competitions outside Europe. In the third chapter are implemented brief biographies of the current most sought-after jurors of the interpretative competitions.
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Czech Composers for Tuba with a focus on the Feérie of Pavel Novák ? Zemek and the Concertino from Evžen Zámečník
Salajka, Petr ; MALIMÁNEK, Karel (advisor) ; SUŠICKÝ, Jiří (referee)
In my Bachelor thesis I focused on the Czech composer for tuba with a focus on the Feérie from Pavel Novák Zemek and the Concertino from Evžen Zámečník. My goal was to gather information on the history of the present form instruments, methodologies for tuba playing, Czech tuba school, and Czech composers of works for tuba, which I have analyzed in detail. I tried in my work honestly and clearly express proceed. The work is divided into several chapters, which in some cases contain subsections. The first chapter is devoted to the history of the instrument to the present. The second chapter describes the methodology for tuba playing. The third chapter is about the Czech tuba school. The fourth chapter is called "Czech literature for solo tuba." The fifth and sixth chapter deals with the composer Pavel Novák - Zemek, Evžen Zámečník and their works.
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Breathing when playing the brass instruments
Žáková, Petra ; SUŠICKÝ, Jiří (advisor) ; MALIMÁNEK, Karel (referee)
In my diploma thesis I deal with breathing when playing the brass instruments. In the first chapter called Process of Breathing I describe the respiratory system, its breathing mechanism and a separate breathing process with the main emphasis on the types of breathing, control of breathing and a lung capacity. Subsequently I occupy with the breathing process when playing, it means with breathing in cooperation with creation of tones, embouchure, activity of tongue and with the finger technique. In the second chapter I mention some important brass players and teachers of the breathing in brass instrumental music; the view of the East Cultures on ordinary breathing is also supplemented to this overview. In the third chapter I quote some methods of breathing development. Firstly I focus on the evolution and usage of various types of breathing, secondly on the methods of breathing development. This chapter includes many breathing exercises done with or without an instrument, which should lead to liberty and speed of inhalation and smoothness and holding of exhalation. The exercises help to the complete fastening of the muscles of respiration.
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