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ELEVEN FACES OF JAN GOGOL, JR.
Rendl, Jan ; RŮŽIČKOVÁ, Alice (advisor) ; KUBICA, Petr (referee)
Author Jan Rendl in his thesis attempts to look at the world of ideas and educator Jan
Gogola ml. through the eleven chapters in which each chapter somehow characterizes itself by Jan Gogola ml. and each of them somehow determines its creative ideas of it through the metaphor of a football match when Jan Gogola, with its characters, movies himself a teammate, as well as defensively. It gives goals with their situations as well as occasionally digging his opponents ankles.
Jan Gogola ml. thus embodies one stage of the Department of Documentary Film at FAMU, which often stands at the intersection between teaching activities and Karel Vachek among students who applied by them during their seminars psychological methods that work must be peculiarly associated with the author of the film.
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Participatory mode in family (auto)portrait
Sobotová, Pavla ; RŮŽIČKOVÁ, Alice (advisor) ; KUBICA, Petr (referee)
The bachelor thesis titled "The participation mode in family (auto) portrait" should examine the borders and possibilities of the author's participation based on concrete films that deal with author (son/daughter) and parent relationship. The student's movies are Igor Chaun's The beatiful portrait, Vít Klusák's Vinigar, Bohdan Bláhovec's In reconstruction and my film Portrait of my dead father.
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Music ducoments of US and English scene
Maletzová, Soňa ; RŮŽIČKOVÁ, Alice (advisor) ; Kovarík, Martin (referee)
This research study deals with the anglo-saxon music documentary phenomenom. In the first part the direct cinema films from the sixties are explored, namely Don?t Look Back, Eat The Document and Gimme Shelter, in the second part contemporary music documentaries are analysed, namely I Am Trying To Break Your Heart and DiG!. The study explores style, substance, circumstances surrounding their creation, context and legacy of the films.
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Neighteen numbers of Josef Toufar
Rendl, Jan ; RŮŽIČKOVÁ, Alice (advisor) ; JANEK, Miroslav (referee)
The beginning of the film anti-clerical propaganda against the background of "Číhošťského miracle" and the story
martyred priest Josef Toufar. The work is based on the film Klimt and Feimanna Woe
by whom the offense comes, filmed in 1950.
19 numbers as 19 names who saw the miracle of moving the cross at the tabernacle in Ćíhošťském church.
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Method of Errol Morris
Portel, Viktor ; KUBICA, Petr (advisor) ; RŮŽIČKOVÁ, Alice (referee)
The paper the Method of Errol Morris concerns itself with the inspirational approaches of this American director used when making films based on interviews. It reflects the traditions which inspired Errol Morris and uses specific examples from his films to present the inspirational moments of his work. Those are two - the unique method of recording "talking heads" with the aid of a device known as the Interrotron, and the similarly interesting form of director's cuts of the statements thus procured.
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Deception of people who appear in documentary films
Abramjan, Andran ; RŮŽIČKOVÁ, Alice (advisor) ; KLUSÁK, Vít (referee)
The thesis aims on how deception of people, who appear in documentaries, helps to reveal knowledge and issues, and how epistemic and dramatic potential of deception is handled by filmmakers. The epistemic aspect is discussed on the case of Milgram Obedience experiment and the dramatic one on the case of television entertainment (Candid Camera, Derren Brown: The Experiments). Four feature-length documentaries (The Advertisement, Czech Dream, The Yes Men Fix the World, The Ambassador) are then analysed, regarding the relation of both of the aspects of deception, as well as the information value of the films, language of film and limits caused by individual approaches. The question of ethics is discussed in the end.
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"Light-motive" in czech documentary
Přibylová, Květoslava ; RŮŽIČKOVÁ, Alice (advisor) ; ŘEZNÍČEK, Martin (referee)
"From Faithful Star to Light Pollution: Artificial Light Theme in Czech Documentary Film," compares six documentaries made in different epoch and showes how the point of view on the topic of artificial light is changing. Except for showing main changes over time, the essay wants to underline that there are also some symbolic meanings of artificial light which remain permanently regardless of history.
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Fragment story of Komenium
Culková, Andrea ; Růžičková, Alice (advisor) ; Kubica, Petr (referee)
Work presents the existence of key national suppliers of teaching aids for
schools in the Czechoslovak Socialist Republic from 1953 to 1993 -
national enterprises Učební pomůcky and subsequently Komenium. It
focuses particularly on the educational film and film technologies for
education in general. Using archival materials and interviews with former
employees and associates of Komenium is reconstructed the process of
creation and distribution of educational films and evaluation of their use in
practice. Most films produced by Komenium (the total amount was about
1000 movies) is deposited in the National Film Archive, but unprocessed.
Therefore, is inaccessible for study and research purposes. Some archive
films are then in the work documented.
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Film jako zbraň: Proměna komunikace s divákem u Raymunda Gleyzera
Reichová, Tereza ; Kubica, Petr (advisor) ; Růžičková, Alice (referee)
Tato bakalářská práce pojednává o úvahách argentinského dokumentaristy Raymundo Gleyzera nad využitím filmu jako zbraně. Ve svém krátkém životě promýšlel, jaký je nejvhodnější žánr pro oslovení diváka, který by byl následně motivován k akci. Práce zpřehledňuje toto přemýšlení nad formou do celistvých období života Raymunda Gleyzera a tedy i zjednodušeně mapuje možnosti jakéhokoliv režiséra, který se zabývá angažovaným dokumentárním filmem.
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