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Women of important composers, involved in music
Chvalová, Viola ; Palkovská, Jana (advisor) ; Tichá, Libuše (referee)
In this thesis, I summarize the personal and professional profiles of a selection of musically active women who lived alongside prominent composers. These are six women artists from the Baroque to the 20th century. In each chapter, a different element of their lives became the focus of my interest. Sometimes, given the paucity of reliable sources of information (especially in relation to the Baroque period), this is merely a summary of hypotheses, sometimes I focus more on the professional side of the personality, and sometimes on personal and family matters. The thesis deals with sections of music history with which the general public is not so familiar and yet which I suppose deserve to be known. I focus on the virtuoso of the seventeenth-century harpsichordist Marie-Rose Dubois, who, alongside her husband J. B. Forqueray, was a concert artist, the singer and important creator of the Bach manuscripts Anna Magdalena Bachová, the outstanding singer of the classical period Josefina Dušková, the wife of the Czech composer F. X. Dušek. I also deal with the harpist and composer Sophie Corri-Dussek, wife of the musical bohemian J. L. Dusik, the most important 19th century pianist Clara Schumann and the opera singer Berta Lauterer, partner of the Czech composer J. B. Foerster. There are, of course, many...
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The tone scale as the basic technical ability of pianist
Hanžlíková Krafová, Viktoria ; Palkovská, Jana (advisor) ; Tichá, Libuše (referee)
The thesis called "Scales as a Basis of Technical Skills of a Pianist" deals with the problem of scales and scale complex playing at all levels of piano playing education. It introduces some inspiring rules of piano pedagogy and their usage in a systematic practice of scales. The work is divided into eight chapters, each of them is devoted to certain technical exercises connected to both diatonic and chromatic scales. A great attention is paid to chords, melodic chords and playing of scales in duets. Each chapter contains practical examples and fingering systems. According to its scale of interest, the thesis is aimed at teachers and students of secondary schools and universities.
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Piano Works by Béla Bartók. The Using at the Music Schools
Štaudová, Martina ; Palkovská, Jana (advisor) ; Kopecká, Věra (referee)
Magdalény Rettigové 4, 116 39 Praha 1 tel.: +420 221 900 111 www.pedf.cuni.cz IČ 00216208 DIČ CZ00216208 Dle čl. 4 Opatření rektora č. 6/2010 o Zpřístupnění elektronické databáze závěrečných prací http://www.cuni.cz/UK-3470.html a čl. 1 Opatření děkana 17/2010 se z časového hlediska závěrečné práce dělí do tří skupin: a. "nové práce", tj. práce odevzdávané k obhajobě počínaje 29. 9. 2010, b. "starší práce", tj. práce odevzdané k obhajobě od 1. 1. 2006 do 28. 9. 2010, c. "práce před rokem 2006", tj. práce odevzdané k obhajobě před 1. 1. 2006. V tomto případě jde o "starší práci" odevzdanou k obhajobě od 1. 1. 2006 do 28. 9. 2010. Omlouváme se, ale dokument není k dispozici.
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Bohuslav Martinů - Pastorales, Six Pieces for Cello and Piano H. 190: Interpretative and methodical analysis
Frantová, Magdaléna ; Kubátová, Gabriela (advisor) ; Palkovská, Jana (referee)
The thesis Six Pastorelas by Bohuslav Martinů for Cello and Piano H. 190: Interpretative and Methodological Analysis deals primarily with the composition of pastorelas from the perspective of the performer and the teacher. It includes a biography of the composer, a chapter on the historical circumstances of the work's composition, and its placement in the context of cello literature. The next section provides an analysis of the work. The focus of the work can be considered to be the chapters on performance and the actual methodology for practicing this work with students at the elementary school of music. The final section is devoted to recordings of the composition and comparisons between three different performers.
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Klement Slavický and his piano music for children
Honzová, Miroslava ; Tichá, Libuše (advisor) ; Palkovská, Jana (referee)
This diploma thesis deals with instructive solo piano pieces by Klement Slavický. In the first chapter, a brief biography of the composer is presented. The second chapter is concerned with his piano cycles for children which includes the following cycles: On the Whites and Blacks, Piano and Youth, 12 Small Studies, At Home with the Piano, and Amoroso. The third chapter contains pedagogical and interpretative approach to the selected pieces from the aforementioned cycles. In this chapter, chosen practise procedure of the selected pieces, ways of dealing with the performance and technical issues as well as insights of the individual pupils are also presented. The fourth chapter contains the results of my questionnaire survey, the purpose of which was to find out the frequency of teachers' incorporation of Slavický's pieces into the pupils' repertoire, the compositions performed the most frequently, the ways pupils cope with his music as well as the teachers' own view of Slavický's personality and his music. The third and the fourth chapter also include some generally applicable didactic principles as well as author's personal observations that she considered important to mention. The aim of the thesis is to delve deeper into Klement Slavický's work for solo piano intended for children primarily...
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