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Boško Tokin's work in the context of the Serbian avant-garde
Vladimirova, Diana ; Mikušiak, Igor (advisor) ; Otčenášek, Jaroslav (referee)
The bachelor thesis aims to describe and interpret the fundamental vectors of creative initiative of the Serbian avant-garde artist, film critic, and publicist Boško Tokin. Tokin emerges as one of the most complex avant-garde creators in the context of Serbian avant-garde history, successfully revitalizing and transforming the forms of Serbian interwar culture both practically and theoretically, without unnecessary gestures or affectation. This thesis will approach his work in this manner. The focus will be on Tokin's significant and unmistakable role as a member of the avant- garde group associated with the magazine "Zenit". He was not only a novelist and poet but also a prominent publicist and film critic. The constants of his various activities will be presented. The highlight of the content will be the reflection on his novel "Terazije", which will undergo thorough analysis. Keywords Boško Tokin; Terazije; avant-garde; Zenitism, Belgrade; short avantgarde novel
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The concept of colors in the interwar novel The Diary of Čarnojević by Miloš Crnjanski
Jočić, Aleksandra ; Mikušiak, Igor (advisor) ; Otčenášek, Jaroslav (referee)
This paper discusses the symbolism of color in Miloš Crnjanski's novel called The Diary of Čarnojević. The novel itself is set in the context of World War I, which the author himself experienced. The Diary of Čarnojević is a text that reflects on World War I from an avant-garde position with minimal distance; the theme of this event is thus a central motif throughout the novel, which is also reflected in the symbolism and use of color. The thesis focuses on color, looking for and describing its central motifs (if they were identified for a given color) and determining whether they are used merely as descriptive or whether they influence the text enough to allow for a new interpretation of the context or events. This thesis aims to highlight the author's perception of the colors in question and outline another possible interpretation of the novel. A summary of all the colors that appear in the text is presented, as well as all the words that are described as colored. In this way, the reader will be better able to grasp the primary motifs of color and possibly uncover those that are not so prominent and are lost in the text itself. The aim, therefore, is not only to clarify the author's use of color in this text and the system he employs in working with it, but also to encourage readers of the novel...
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Momo Kapor: Magija Beograda - commented rendition of a narrative cycle
Igić, Vanja ; Nedvědová, Milada (advisor) ; Mikušiak, Igor (referee)
Short story cycle Magija Beograda (2008, The Magic of Belgrade, Czech anthology Belgrade, my magic love!, 2014) is one of the last works of Serbian author Momo Kapor. His subject matter is contemporary picture of Belgrade and characters in his work are people, who are emotionally bound to this city. The aim of this dissertation is to introduce a Czech translation of the short stories and their translatological commentary. This work deals with the theme of Belgrade work of Kapor, which the author engaged in throughout his whole life and wrote in this style for more than ten years. This area of his work still does not have a Czech literary translation. This dissertation also brings more coherent author's portrait. Pivotal part consists of two chapters, first one is devoted to the profile of the author and the second one to the translation and commentary.
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A short-story production of Emilijan Stanev (with regard to the Czech reception of his work)
Kramářová, Barbora ; Černý, Marcel (advisor) ; Mikušiak, Igor (referee)
Resumé The target of my bachalor thesis is the interpretation and analysis of five short-stories by one famous prosaic bulgarian writer, Emilyan Stanev. Together with a brief biography of the writer, I chiefly focus on a general process in Stanev's literatury characteristics and his significant proses. First of all, it is necessary to accomplish an excerption and analysis of the critical reception of five short-stories in a bulgarian periodical press (I mainly used overall bibliography by Živka Radeva: Emilijan Stanev (1907-2007). Biobibliografija. Narodna biblioteka "P. R. Slavejkov" - Kăšta-muzej "Emilijan Stanev", Veliko Tărnovo 2007). Their period evaluation is the basis of the work. Major crux of the matter is the interpretative part in which I concentrate on the symptomatic features of Stanev's short-story production in comparison with the general attributes of short-story in a literatury way. In the conclusion of my bachalor thesis is shown a bibliography of czech traductions and reactions of Stanev's work and it is also submit the evaluation of the writer's reception in a czech and partly slovac setting.
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Reflection of Realism in Serbian drama
Sandev, Patrik ; Otčenášek, Jaroslav (advisor) ; Mikušiak, Igor (referee)
The aim of thesis is the most precisely analyze and map the Serbian dramatic enviroment during the 19th century, mainly the activity of realism period. The thesis tries to show on the beginnings, the key realistic elements and the most important features of this activity. The thesis is also focused on the main representatives and works of Branislav Nušić and Petar Kočić,. The basic of thesis is also grasp and find the main themes of plays or clear up where and under which circumstances dramatics were looking for inspiration for their work and also with the regard on European context. Keywords: drama, Serbia, 19th century, realism, theatre
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Ivan Cankar: translations of his novels in Czech and its reception
Pšenička, Jan ; Jensterle Doležal, Alenka (advisor) ; Mikušiak, Igor (referee)
This bachelor's thesis deals with description and evaluation of translations of Ivan Cankar's novels into Czech and emphasis will be also put on reception of the translations in Czech press compared to the domestic readers' reception of this prolific Slovene author. Overall, the task will also be to depict the attributes of the certain stages in Czech-Slovene literal relations and to introduce its main representative on the Czech side - which means translators of Slovenian.
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Performative Aspects in the Works of the Novi Sad Neo-Avant-Garde in 1960's and 1970's
Novák, Jiří ; Mikušiak, Igor (advisor) ; Otčenášek, Jaroslav (referee)
(in English): This bachelor thesis deals with the topic of constitution and artistic initiative of the so-called Novi Sad Neo-avantgarde generation in the 1960s and 1970s and emphasizes the performativeness of their activities. Vojvodina, with its tradition of multiculturalism and its centre in Novi Sad, same as the international socio-political climate of the 1960s created an environment for the art and social expression of the new generation of artists who stood out against the prevailing modernist discourse in culture and the bureaucratization and institutionalization of cultural activities of that time. The most radical demands for the democratization of culture culminated between years 1968-1972 and came from the cultural and artistic circles in Novi Sad, which were formed mainly around the cultural centre "Tribina mladih" and the literary magazines "Polja" and Hungarian-language "Új Symposion". Based on primary and secondary sources, the thesis analyses and summarizes the basic research and perception of this period and the specifics of individual artistic expressions of this so-called "Other Line".
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Reflection of Realism in Serbian drama
Sandev, Patrik ; Otčenášek, Jaroslav (advisor) ; Mikušiak, Igor (referee)
The aim of thesis is the most precisely analyze and map the Serbian dramatic enviroment during the 19th century, mainly the activity of realism period. The thesis tries to show on the beginnings, the key realistic elements and the most important features of this activity. The thesis is also focused on the main representatives and works of Branislav Nušić and Petar Kočić,. The basic of thesis is also grasp and find the main themes of plays or clear up where and under which circumstances dramatics were looking for inspiration for their work and also with the regard on European context. Keywords: drama, Serbia, 19th century, realism, theatre
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Momo Kapor: Magija Beograda - commented rendition of a narrative cycle
Igić, Vanja ; Nedvědová, Milada (advisor) ; Mikušiak, Igor (referee)
Short story cycle Magija Beograda (2008, The Magic of Belgrade, Czech anthology Belgrade, my magic love!, 2014) is one of the last works of Serbian author Momo Kapor. His subject matter is contemporary picture of Belgrade and characters in his work are people, who are emotionally bound to this city. The aim of this dissertation is to introduce a Czech translation of the short stories and their translatological commentary. This work deals with the theme of Belgrade work of Kapor, which the author engaged in throughout his whole life and wrote in this style for more than ten years. This area of his work still does not have a Czech literary translation. This dissertation also brings more coherent author's portrait. Pivotal part consists of two chapters, first one is devoted to the profile of the author and the second one to the translation and commentary.
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Hermeneutic analysis of the Augustin Ujević's poetry (1930/1945)
Ejubovič, Denis ; Otčenášek, Jaroslav (advisor) ; Mikušiak, Igor (referee)
Augustin (Tin) Ujević (1891/1955) belongs to the most important Croatian poets. This thesis proposes to think of Ujević's life, work and view of world against background of his poetry from the 1930s and first half od 1940s by the year 1945, when the regime of then Yugoslavia forbade him to publish. During this period he published two anthologies of poetry, Auto na korzu (1932) and Ojađeno zvono (1933), both of which form skeleton of this work, and as well two collections of essays, Skalpel kaosa (1938) and Ljudi za vratima gostionice (1938); both of them have been keystones of study of Ujević's contemplations about literature and life. Theoretical and metodological resource of this work is interpretation in the sense of hermeneutical philosophy of W. Dilthey, H. G. Gadamer and P. Ricoer.
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