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Inspiration of Albrecht Dürer by the artist Hans Hoffmann. So called Dürer's Renaissance at the court of Rudolf II.
Lišková, Barbora ; Nespěšná Hamsíková, Magdaléna (advisor) ; Zlatohlávek, Martin (referee)
The Bachelor thesis is focused on the inspiration of Albrecht Dürer in paintings of Rudolphin's painter Hans Hoffmann with a particular consideration to his painting The hare in a forest (1585). Based on what will be the centroid of the work, I would like to outline broader contexts of the role which Dürer's art played on the Rudolph's court. Next to the fundamental chapter containing an compendious characteristic of the A. Dürer's personality and art will be the part of work an epitomize disquisition about Rudolph II.'s admiration to this Renaissance master and about his successful efforts about an acquirement of his arts into Caesarian collections. The labor will also include an epitomize disquisition about Dürer's inspirations by another artists of Rudolph II.'s sphere.
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Inspiration by Albrecht Dürer by in the art of Hans Hoffmann. So called Dürer's Renaissance at court of Rudolf II.
Lišková, Barbora ; Nespěšná Hamsíková, Magdaléna (advisor) ; Zlatohlávek, Martin (referee)
The Bachelor thesis is focused on the inspiration of Albrecht Dürer in paintings of Rudolphin's painter Hans Hoffmann with a particular consideration to his painting The hare in a forest (1585). Based on what will be the centroid of the work, I would like to outline broader contexts of the role which Dürer's art played on the Rudolph's court. Next to the fundamental chapter containing an compendious characteristic of the A. Dürer's personality and art will be the part of work an epitomize disquisition about Rudolph II.'s admiration to this Renaissance master and about his successful efforts about an acquirement of his arts into Caesarian collections. The labor will also include an epitomize disquisition about Dürer's inspirations by another artists of Rudolph II.'s sphere.
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Mannerist Tapestries in the Czech Republic
Sulíková, Daniela ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
The thesis Mannerist Tapestries in the Czech Republic is focusing on the topic of mannerist tapestries in the Czech Republic. So far this subject remains, in both czech and foreign professional literature, without any greater attention and if the topic is mentioned, the expressions "late renaissance", "mannerism" and "early baroque" are very often mixed. For this reason, it is necessary to define "mannerist tapestry", based on formal analysis, comparison and focusing on cultural-historical background. After this theoretical part, it will be possible to place certain tapestries to this very short art period or vice versa to exclude them. The main part is focused on mannerist tapestries from the castles, museums, ect. of the Czech Republic and their inclusion in the European context. Key words Mannerism, Tapestry, Decorative arts of the16th century, Art collections from the Czech Republic
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A History of St. Hubert Chapel at the Konopiště Castle
Sedláčková, Jana ; Kubín, Petr (advisor) ; Ottová, Michaela (referee)
of History of the chapel at the Konopiště castle The deal of work is a trial to give an assistance in exploring of chapel at the Konopiště castle and to bring a comprehensive scene of its history, interferences of particular holders, inner equipment's changes and to outline spiritual life of the former centuries. The work contains six parts. The first one briefly informs about the history of the Konopiště castle from its foundation to expropriation by the Czechoslovak republic. The second part analyzes architectural evolution of the chapel, that presents basic and the oldiest part of whole object. The following chapter describes inventory of the chapel. The main attention is given to rococo inventory and to collections of Franz Ferdinand d'Este, which are at the chapel in the majority part still today. In the fourth chapter there is written the church celebrations and feasts, made during the days of Franz Ferdinand d'Este. In rich photographical inventory fund there has been preserved many photographs from these occasions, mainly from the celebration of Corpus Christi, which had been periodically organized. In the present this tradition has been returned. By this I come to write of the fifth chapter, the present. The castle is now in keeping of National heritage institut and it is opened for...
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Mannerist Tapestries in the Czech Republic
Sulíková, Daniela ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
The thesis Mannerist Tapestries in the Czech Republic is focusing on the topic of mannerist tapestries in the Czech Republic. So far this subject remains, in both czech and foreign professional literature, without any greater attention and if the topic is mentioned, the expressions "late renaissance", "mannerism" and "early baroque" are very often mixed. For this reason, it is necessary to define "mannerist tapestry", based on formal analysis, comparison and focusing on cultural-historical background. After this theoretical part, it will be possible to place certain tapestries to this very short art period or vice versa to exclude them. The main part is focused on mannerist tapestries from the castles, museums, ect. of the Czech Republic and their inclusion in the European context. Key words Mannerism, Tapestry, Decorative arts of the16th century, Art collections from the Czech Republic
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A History of St. Hubert Chapel at the Konopiště Castle
Sedláčková, Jana ; Kubín, Petr (advisor) ; Ottová, Michaela (referee)
of History of the chapel at the Konopiště castle The deal of work is a trial to give an assistance in exploring of chapel at the Konopiště castle and to bring a comprehensive scene of its history, interferences of particular holders, inner equipment's changes and to outline spiritual life of the former centuries. The work contains six parts. The first one briefly informs about the history of the Konopiště castle from its foundation to expropriation by the Czechoslovak republic. The second part analyzes architectural evolution of the chapel, that presents basic and the oldiest part of whole object. The following chapter describes inventory of the chapel. The main attention is given to rococo inventory and to collections of Franz Ferdinand d'Este, which are at the chapel in the majority part still today. In the fourth chapter there is written the church celebrations and feasts, made during the days of Franz Ferdinand d'Este. In rich photographical inventory fund there has been preserved many photographs from these occasions, mainly from the celebration of Corpus Christi, which had been periodically organized. In the present this tradition has been returned. By this I come to write of the fifth chapter, the present. The castle is now in keeping of National heritage institut and it is opened for...
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Inspiration of Albrecht Dürer by the artist Hans Hoffmann. So called Dürer's Renaissance at the court of Rudolf II.
Lišková, Barbora ; Nespěšná Hamsíková, Magdaléna (advisor) ; Zlatohlávek, Martin (referee)
The Bachelor thesis is focused on the inspiration of Albrecht Dürer in paintings of Rudolphin's painter Hans Hoffmann with a particular consideration to his painting The hare in a forest (1585). Based on what will be the centroid of the work, I would like to outline broader contexts of the role which Dürer's art played on the Rudolph's court. Next to the fundamental chapter containing an compendious characteristic of the A. Dürer's personality and art will be the part of work an epitomize disquisition about Rudolph II.'s admiration to this Renaissance master and about his successful efforts about an acquirement of his arts into Caesarian collections. The labor will also include an epitomize disquisition about Dürer's inspirations by another artists of Rudolph II.'s sphere.
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Inspiration by Albrecht Dürer by in the art of Hans Hoffmann. So called Dürer's Renaissance at court of Rudolf II.
Lišková, Barbora ; Nespěšná Hamsíková, Magdaléna (advisor) ; Zlatohlávek, Martin (referee)
The Bachelor thesis is focused on the inspiration of Albrecht Dürer in paintings of Rudolphin's painter Hans Hoffmann with a particular consideration to his painting The hare in a forest (1585). Based on what will be the centroid of the work, I would like to outline broader contexts of the role which Dürer's art played on the Rudolph's court. Next to the fundamental chapter containing an compendious characteristic of the A. Dürer's personality and art will be the part of work an epitomize disquisition about Rudolph II.'s admiration to this Renaissance master and about his successful efforts about an acquirement of his arts into Caesarian collections. The labor will also include an epitomize disquisition about Dürer's inspirations by another artists of Rudolph II.'s sphere.
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