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Shades
Králová, Balbína ; Kovář, Petr (referee) ; Fexová, Patricie (advisor)
The result of my thesis is a set of paintings in dry pastel on canvas. Through the deliberate deformation of figures, which I use as a means of artistic expression, I try to capture the fragile nature of human existence, characterized by instability and transience. The subjects of the resulting paintings are portraits that depict my sisters and me.
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Who Finds a Painter Finds a Treasure
Dvořák, Jakub ; Klyuykov, Alexey (referee) ; Štindlová, Marie (advisor)
The diploma thesis represents the authorial collaboration between two painters - Jakub Dvořák and Michaela Nováková. Programmatically, they dedicate themselves to jointly painting individual paintings, while the result is based on several levels: the visual content itself, in which the painting handwritings of both authors intertwine, an invisible but no less essential process of constant mutual communication, even for the viewer, seeking a common consensus during the creation process - from the very choice of the subject to the division of the painting areas. The paintings created together thematically depict scenes from the (sub)urban landscape of a small town in Vysočina, which is related to the fact that both authors live in this area. From a technical point of view, it will be oil paintings in various formats. The goal is to create a cycle of oil paintings made by the author pair. In addition to the theme of collaboration, which will permeate every painting, the unifying theme of the selected subjects is no less important - the goal is therefore not only the form created by the intermingling of handwritings both painters, but also the content.
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Substances
Zadražilová, Lenka ; Písaříková, Jana (referee) ; Fexová, Patricie (advisor)
The thesis is part of a long-term project in which I focus on dust. The scope of this material is, however, narrowed down and the thesis comes to a point where the focus is on only one kind of dusty substance – wood dust, sawdust, or wood in general. The series of paintings with the motif of wood, which is applied with sawdust on wooden boards, does not only thematize a certain form of dust, but also a certain linguistic category and experience with wood, or the experience of working with it, developed since the time of my childhood because of living in a carpenter's family. The thesis contains a combination of painterly and conceptual starting points, drawing on and benefiting from the experience of earlier artwork on a dust project.
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Mental alchemy
Nováková, Bára ; Vaňous,, Petr (referee) ; Mikyta, Svätopluk (advisor)
The thesis consists of several approaches to the process of visual image creation itself. The approaches vary based on four different experiences, with lived reality. Each of the four stages has its own rules for approaching the image. Each approach includes a different treatment of formats and techniques. Overall, the thesis includes the following media: oil painting on canvas, pencil, crayon, charcoal and pastel drawing on paper, and printmaking (drypoint) on paper. The formats range from approximately 15 × 21 cm to 250 × 200 cm. The main aim of the thesis is to show the different approaches and energies that lead to different starting points for the creation of a visual image. The thesis is therefore a personal search and a detective investigation into what the ideal image should be. What form should the image take? What energy should be brought into the image? What exactly are we mirroring in the image?
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Painting with music in Kinderganten
HOUSEROVÁ, Veronika
The bachelor's thesis examines the influence of music on the painting activity of children in kindergarten. The aim of the thesis is to investigate how cheerful and sad music affects children and their ability to transfer this music to paper. The theoretical part focuses on the characteristics of preschool age, experiential learning, listening to music and the meaning of colors. The practical part examines the musical and artistic expression of children with a number of experiential activities. Furthermore, it brings concrete procedures and suggestions for the inclusion of painting with serious music in teaching in kindergarten. Data collection methods were based on observation, interviews, reflection, video recordings and analysis of drawings. The main findings of the work analyzes the different reaction of children to a sad and cheerful composition.
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The Meaning of the Painting The Yellow Scale by František Kupka from 1907 in Visual Art
SOLDÁTOVÁ, Aneta
The presented master's thesis comprises two main parts - theoretical and practical. The theoretical section aims to acquaint readers with the life and oeuvre of František Kupka within the defined period before and after the creation of the painting "Yellow Scale" in 1907. This period witnessed pivotal moments in his work, culminating in the transition from figurative to abstract painting. The objective of the practical creative section, titled "Face in Yellow", is to respond through various artistic techniques to the inspirational aspects of the painting "Yellow Scale" with one's own creation. The text also briefly outlines the utilization of this work in art education classes. At the conclusion of this qualification thesis, readers can explore the visual material referenced throughout the text in the attachment of thesis.
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Life
Maliňáková, Kamila ; Zálešák, Jan (referee) ; Mikyta, Svätopluk (advisor)
My bachelor´s thesis is called Life. My original intention was to paint a monumental, perfect picture, triptych of good, evil and something in between. Something like an altar of 2014 according to the model of the old masters. But at the beginning of my work there were a lot of doubts about my painting. It became more and more fabricated, which was confirmed by my teachers too. And therefore I decided to reassess my work and I found out, that more interesting than original painting is a backstage of my painting, the things, that hapeend around. And this is now a topic of my bachelor´s thesis - Backstage of my painting.
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The Body (Intimity)
Kojetská, Monika ; Pepe, Dita (referee) ; Hlavenka, Tomáš (advisor)
With this set I am following my previous work in which I was occupying with woman body. I catch body in intimate moments – but I encode it, so it is almost not obvious. I use light irony and exaggeration in my pictures. In this set I work with woman body as a object of voyer, who observes the woman with a peephole, lense, field glass or camera. But I keep it all in abstract and stylized position. I work with code, thanks to which we at first perceive the picture as colourful and shaped painting forms that gradually show womans body. I use bigger ammount of abstract, when forms of the body balance at the edge between figural and abstract. I enjoy the moment when there is not everything visible at the first sight in the picture. I want the viewer to look for the body, observe it and explore it. I do not aim for catching the beauty of the body or is real visual shape. I work with light irony of voyeur looks by using some deformations of the body parts.
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Threesome
Štefanigová, Denisa ; Novotný, Michal (referee) ; Malý, Břetislav (advisor)
Painting act as an act of making love The bachelor thesis is a serie of paintings on canvas, which strives to make the erotic images that each of us creates on the basis of his own imagination from day to day. They are unrealized, or dreamed and are not anchored in reality, thus creating a new reality, functioning in the space of our heads. This is how painting works for me. As a space in which something can happen that doesn't really exist.
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Untitled
Khaledová, Fátima ; Vítková, Lenka (referee) ; Sterec, Pavel (advisor)
To my final work, I chose the painting, even though I'm the medium in my previous one She was not using too much work. Both the form and the content of the final thesis were selected from the sentimental ones Reasons, and I returned to my high school years when I studied the painting and mine The inspiration source was, and for these paintings are Pierre Bonnard and Kamila Zemková. My Painting idols are due to a very structural painting, full of beautiful colors and of course content Their works which appear in my works.
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