|
|
Subjectivisation of Sound Perception in Film
Patríková, Michaela ; ČENĚK, Jan (advisor) ; Kozák, Dušan (referee)
The master's thesis deals with characterization of forms of subjective sound in film.
The thesis is divided into several main parts. The first part is concerned with
the principles of perception of sound and picture from the perspective of psychology,
physiology and technology. Next part focuses on subjectivity in film itself. The aim
of the remaining parts is to deal with subjectivisation of film sound, definition
of Point of Audition (POA) term, analyzing categories of POA and the use of POA
in the selection of films. Finally, a creative expression of POA is described
and discussed. The analysis is accompanied by a DVD with clips.
|
|
|
Rustic and acoustic. Editor's work on an audiovisual field
Pospíšil, Matěj ; ČIHÁK, Martin (advisor) ; BROTHÁNEK, Adam (referee)
This paper focuses on sound as an essential structural element in the creation
of an audiovisual work in the editing room. It describes the basic physical, physiological
and psychological effects of sound waves on the human being-editor (and subsequently
on the viewer). It further examines the relationship between sound and image based on a few key concepts developed by theoretician Michel Chion. Examples of a precise and meaningful work with sound are drawn from the analysis of various excerpts of Miroslav Janek's film Chačipe, edited by Tonička Janková.
|
|
|
Theremin - emotions in movies
Knot, Adalbert-Vojtěch ; KUDLÁČ, Jakub (advisor) ; NEUBAUER, Petr (referee)
This thesis trys to figure out in which way is used the sound of theremin in film music. After the historical introduction and physical basics of principals which allow functioning of theremin, follow the analysis of three movies from the 40s. and 50s. which use the sound of theremin for explications of concrete emotion. However, it shows up, that this films create a new cliche from the sound of theremin and it would be difficult to overcome it; therefor, the next chapter looks for another creators who use theremin in a different way a recreate the conotation of it. At the conclusion is a short outline of following development of theremin.
|
guest ::
