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Stress in acting
Bartoš, Vojtěch ; HLAVICA, Lukáš (advisor) ; TÖPFER, Tomáš (referee)
Main topic of this thesis is psychological stress of an actor during his performance. Thesis describes psychological stress in general, shows categorization, determines its causes and reactions of body exposed to stress during long and short timeload. Special attention is dedicated to stress management (coping) and to mechanics of its intervention and prevention. Stressing working conditions and actors personality traits that can reduce or increase stress are researched on this theoretical background. Some of most casual stress phenomena are analyzed. Also reflection of the nature and importance of stress in acting is presented.
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Actor and HIs Fear
Roleček, Vít ; OTČENÁŠEK, Štěpán (advisor) ; SALZMANNOVÁ, Eva (referee)
In my master thesis, I am trying to name the origins and signals of an actor`s fear. I have came from my own existing stage experiences previously and whilst studying classical acting at the Dramatic Faculty of the Academy of Performing Arts in Prague, and also from my first experiences with differing professional groups from theatres from around the Czech Republic. My thesis is supported by professional literature, with which one I have read during my studies at the Academy, and it is inspired by talks and by consultation with people who are active in an artistic field. In my work I reflect my mental prosesses, states and blocks, not only during stage creations, but also in my personal life. I think that a fear can rule an actor and cause stage fright. This is why I have decided to choose this subject for my thesis.
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The acting profession: Diagnose?
Nechvátal, Matěj ; SÍLOVÁ, Zuzana (advisor) ; KORČÁK, Jakub (referee)
This thesis is a summary of the experience gained during my studies. It compares the functioning of student, independent and professional theater. The term diagnose is used as a possible metaphor for the approach in thinking about the acting profession and the acting experience itself. The thesis discusses the various types of work-related stress. It seeks to analyze and describe their origin. We ask: Can the acting profession be considered a job for the mentally ill? To what extent is this profession pathogenic? And we also attempt to find answers to questions considering phenomena of putting oneself into one's position, experiencing a role, the embodiment and trans-bodiement. It is based on a comparison of the experience of rehearsing completely different genres in completely different areas and types of functioning.
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