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Wolfgang Amadeus Mozart Piano Sonatas
Lin, Feng-Yu ; Tichá, Libuše (advisor) ; Gregor, Vít (referee)
4 Author's summary The aim of this bachelor thesis is to delve deeper into the music of Mozart's piano compositions. I have chosen two piano sonatas for the analysis of his compositional style and patterns of interpretation of his pieces. While making the formal analysis of the chosen compositions I've as well pondered over the aspects of their interpretation. These formal and interpretative analysis advocated in the context of Mozart's life and works.
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J. S. Bach and His Piano Pieces for Music Art Schools
Marečková, Alena ; Gregor, Vít (advisor) ; Palkovská, Jana (referee)
The thesis "J. S. Bach and His Piano Pieces for Music Art Schools" is focused on interpretation of the piano music of Johann Sebastian Bach. For the right understanding of the composer's musical narratives, it is necessary to acquire the basic knowledge and principles of the music theory in the Baroque era and to become familiar with the environment in which this extraordinary composer had been professionally developing and composing. This musician is presented here as the founder of a modern fingering whose musical language brought a change into musical thinking and he became inspiration and a role model for composers of the next centuries. This thesis highlights the importance of appropriately selected musical materials in piano teaching and it prefers the performance to be as authentic as possible. The main purpose of this paper is to update the knowledge of methodology and to find a comprehensive guide to a correct understanding of musical language of this genius that would help the music teachers introduce to pupils the beauty and timelessness of Bach's musical work and that would motivate them to other musical discoveries and make them desire to be further educated in music.
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Overview of Mongolian Classical Music and it's Significant Representative - Composer Sembe Gonchigsumlaa
Tunsag, Tsolmon ; Kopecká, Věra (advisor) ; Gregor, Vít (referee)
Music composer Sembe Gonchigsumlaa is considered as a founder of Mongolian classic music. His life and work essentially influenced a development of Mongolian classic music that's why I have chosen this topic as a title of my diploma thesis. The chapter one presents a brief description of the Mongolian political and cultural background from the early 20th century till today, it's the key to understand the development of Mongolian classic music. Mongolia was influenced by classic Western culture, introduced from Russia. In the end of the chapter are described notable music institutions of Mongolia. The chapter two is dedicated to the composer's life and work from his early steps of composing until the masterpieces. In the last chapter I focus on composer's concentration to the piano as a fundamental instrument of classic music. Gonchigsumlaa was involved in many musical institutions and guided the evolution to ensure systematical and methodical education of amateur, professional musicians and composers. Mongolian composers combine traditional elements with modern classic techniques to produce unique sounds and compositions.
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Character of Luboš Fišer's Work and Style of Composing, Taking into Account the Nature of Solo Piano Pieces
Kovár, Jiří ; Gregor, Vít (advisor) ; Tichá, Libuše (referee)
Title : The character of Lubos Fiser's work and his style of composing, taking into account the nature of solo piano pieces. Abstract : This paper "The character of Lubos Fiser's work and his style of composing, taking into account the nature of solo piano pieces", is focused on all of his pieces. The first part of Fiser's work falls within the artificial character and the second part focuses on the film, hence the incidental music. The main purpose of this thesis is to update and clarify Fiser's review of his complete achievements and composition style into the typological classification and the individual development throughout various creative stages. Consideration will be also given to the creation of solo piano pieces that illustrate and highlight specific features of Fiser's creative development. Characteristics of these pieces will be linked to their structure in the form and tectonics, with regard to the styling tools and related interpretive issues.
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Pancho Vladigerov - Personality and Piano Producton
Dimitrová, Stiliana ; Palkovská, Jana (advisor) ; Gregor, Vít (referee)
This bachelor thesis is mainly about Pancho Vladigero 's piano works. First chapter is dedicated to his life, which is a chronological breakdown. In the second chapter is composers work breakdown which is focused on his piano compositions. Third chapter is devoted to P. Vladigerov 's foundation, his pedagogical activity and other Bulgarian composers of the twentieth century. Vladigerov 's work is a huge contribution to Bulgarian music literature and culture. The goal of my bachelor thesis is to introduce this composer to wider audience not only in Bulgaria, but also increase his popularity in the world. P. Vladigerov's work has huge artistic value.
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Wolfgang Amadeus Mozart as a freemason
Bártová, Jitka ; Saláková, Magdalena (advisor) ; Gregor, Vít (referee)
Both life and work by Wolfgang Amadeus Mozart, who was one of the greatest composer in history, were undoubtedly influenced by Mozart's attitude towards freemasonry. The aim of the study is to document this not always fully recognised fact by examples of his music which clearly prove his relationship to freemasonry and its symbolic and by evidence from very Mozart's life. We will endeavour to define the concept of freemasonry we will overview shortly its history and key representatives and ideas. Also, we will mention turning points in Mozart's life with respect to his spiritual development and we will investigate his work in the last period of his life when he was an enthusiastic and devoted freemason.
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Eduard Douša's Piano Music
Benešová, Eva ; Palkovská, Jana (advisor) ; Gregor, Vít (referee) ; Bezděk, Jiří (referee)
The subject of the thesis is piano works of the contemporary composer Eduard Douša. The aim of the thesis was to incorporate the composer in the context of the Czech (Czechoslovak) music of the 20th century and the beginning of the 21st century. The thesis further describes the development of the composer's piano works for more than forty years. Individual features of piano music were studied from the following points of view: a) complex analysis considering tectonic, harmonic, melodic, polyphonic and stylisation aspects b) research focussed on the didactic aspects - namely with regard to Eduard Douša's comprehensive instructive piano literature c) the viewpoint of interpretation, as the author of the thesis is simultaneously an interpret of contemporary music and her repertoire includes a wide range of both concert and chamber pieces of Eduard Douša. The result of the thesis is the characteristics of the composer's music and its incorporation in the context of music development. The thesis further reflects historical background related to the composer's life. Analytical parts of the work are provided with extracts from Douša's pieces and the appendix contains the list of piano works and complete works of Eduard Douša. The thesis comprises the complete notation material of all piano compositions -...
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