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R.Clarke- Sonate for Viola and Piano contrasting interpretations
Kavánková, Lucie ; Malý, Lubomír (advisor) ; Malý, Lubomír (advisor) ; Pěruška, Jan (referee) ; Tomášek, Jiří (referee)
My thesis embraces the life and works of the English composer and violist Rebecca Clarke, her three Sonatas for viola and piano, and three interpretations of these compositions. Rebecca Clarke ( 1886 - 1979) is recognised as one of the most important English composers from the era between World Wars. She wrote almost 100 works, most of which are songs and light vocal or instrumental works. Among her more consequential works are her three Sonatas for viola and piano, which she conposed in 1919, and her Piano Trio, which was written a year later. She wrote in a late Romantic/Impressionistic style, and was ispired by Neoclassism, French Impressionism, and English, Scotish and Irih folklore.I will dwell on the many compositional devices employed by Rebecca Clarke, including form and structure, motivi . ec analysis, use of dynamics and many more. The following chapters deal with three interpretations of the Sonatas for Viola nad Piano. The first was recorded in 1979 by violist Josef Koďousek and pianist Květa Novotná. The second recording was made in 1999 with violist Vladimír Bukač and pianist Jaromír Klepáč, and the third recording, with violist Alexander Besa and Jiřina Kolmanová was released in 1997. I will contrast and compare the tree interpretations and explore the lives of each individual artist. The last chapter contains five appendiges, which offer further insight into the life and works Rebecca Clarke and Josef Kodóusek. The appendiges are extensive- an overview of the compositions, their origins, and the circumstances surrounding them, details about first performances, photographs and an orchestration of the piano in the Sonatas.
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Alban Berg and his Lyric suite
Pinkas, Jiří ; Malý, Lubomír (advisor) ; Malý, Lubomír (advisor) ; Pěruška, Jan (referee) ; Štraus, Ivan (referee)
This thesis deals with an analysis of Lyric suite by Alban Berg concerning the little known facts based on the fascinating discovery of the annotated copy of the score from the year 1977. This score was prepared by the composer himself for Hanna Fuchs-Robettin. The analalysis explores the individual movements according to motives, numeric symbolism, symbolic tone rows and last but not least the thematic connections between the movements.
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String Quartets by Pavel Bořkovec
Kroupa, Matěj ; Pěruška, Jan (advisor) ; Pěruška, Jan (advisor) ; Malý, František (referee) ; Škampa, Milan (referee)
Pavel Bořkovec (1894 - 1972 ) was an outstanding Czech music composer and teacher.This bachelor work deals with a certain part of his work, five string quartets in particular. The first chapter introduces Bořkovec's family background, education base and also first steps of his professional composer career.He had gone through several influences, later he became a respected composer inspired by the best sources of a Czech Avant-garde movement of zhe thirties. This part is followed by a chapter analysing his five string quartets,written during the period of forty years.Since the First String Quartet was composed under the influence of Bořkovec's beloved teacher Josef Suk, the second one proves his own way.The third one remained in torso. The Fourth and the Fifth String Quartets demonstrate the mastery of Bořkovec's chamber work.
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Sonate of alto and piano op.147 Schostakovics last work
Samojlov, Ilja ; Pěruška, Jan (advisor) ; Pěruška, Jan (advisor) ; Motlík, Jaroslav (referee) ; Malý, Lubomír (referee)
IN this work I am talking account the historical contexts and analysis of Schostakovich sonate for viola and piano and furthermore.I am pastly picturing the composer´s life and his other works in general.This great composer of 20th century had addressed me with his music that encourages emotions and has it´s enourmous originality.Therefore, I was glad to find this piece of music that is, in my opinion, a perl of music literature for viola.I was even more interestendwhen l discovered that this Sonata is his last piece of music he wrote, where viola plays the "Swan song" of his departure from life.
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The stage-fright in the life of musician
Paříková, Barbora ; Malý, Lubomír (advisor) ; Malý, Lubomír (advisor) ; Pěruška, Jan (referee) ; Motlík, Jaroslav (referee)
The main topic of this bachelor thesis is the stage-fright as a music psychological problem. It is structured in sevaral chapters and subchapters where the problems are processed of each of the psychological categories connected with the stage-fright. The results are applied to the concrete life situation of musician. At the end are mentioned possibilities of prevention and elimination of the stage-fright negative influence.
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