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Serge Prokofiev's Piano concerto op. 26
Ožana, Petr ; Langer, Miroslav (advisor) ; Kahánek, Ivo (referee)
The base of this work is analysis of Prokofiev's piano concerto op. 26 C major. It isn't a scientific work. It's rather analysis of form, melody and harmony in context with his others piano works. At chapter about surroundings dislocation generation of concert I am based on the author?s testation a with him I try to find his ideas right in this work. Also I introduce the poem wich is inspired by the conceptus of this work, was written by poet Balmont. At the last chapter I tout about a view on Prokofiev like friend, pianist, colleague, composer by the eyes his contemporaries both his students and teachers, colleagues, pianists, friends but aswell his enemy. The greatest personalities like Neuhaus, Rostropovich, Oistrach remember him. Life?s facts I touch very too little with regard to quantity indeed more far specialist literature.
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The life and the work of the pianist Noemi Jirečková
Hanáková, Radka ; Langer, Miroslav (advisor) ; Leichner, Emil (referee)
The purpose of this work is to collect available matter about the pianist Noemi Jirečková and set up survey of this personality.
In the first chapter is vignette and history of tha Jireček´s clan. The biography of Noemi Jirečková is contended inside second chapter. It express about family background and about childhood in Wienna, where she grew her first experience in the field of music.Then followed studies in Weimar and extended concert activity, which come to a head with the tour with František Ondříček. Because of health complications she has been obliged to break off her concert activity when she was thirty- three years old.
The next one chapter are available exhibits from the reviews of the concerts, after that follows the memories of her friends. The work is filled with photographies, concert posters and with reviews.
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Piano in the work of César Franck
Volková, Hana ; Langer, Miroslav (advisor) ; Klánský, Ivan (referee) ; Krajný, Boris (referee)
This diploma work deals with the composer César Franck and his piano work. It is divided into six chapters. There is a short introduction, in which the writer gives the reasons for choosing the topic.The chapter two describes the personality of the composer and his biography. The next three chapters follow the piano work in detail - solo piano compositions, compositions for the piano and orchestra, and chamber works with the piano.The main attention is given to Symphonic Variations for Piano and Orchestra and Sonata in A major for Violin and Piano. the last chapter is the conclusion of the whole diploma work. Tvo lists are given at the end of the diploma work - the list of work by César Franck, and the bibliography.
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Reflection on Piano Work of Leos Janacek
Madarasová, Iveta ; Malý, František (advisor) ; Leichner, Emil (referee) ; Langer, Miroslav (referee)
At the beginning of my master´s essay I treat the character of Leos Janacek´s piano work. Following chapters aredevoted to specific piano compositions: Thema con variazioni - Zdenka´s variations, piano cycle On an Overgrown Path, the Sonata 1.X.1905, piano cycle In the Mists, the Concertino, the Capriccio and the Reminiscence. The main attention is focused on his three most mature pieces - piano cycle On an overgrown Path, the Sonata 1.X.1905 and piano cycle In the Mists. I deal with their origins, formal and harmonic analysis, tematic relations and, not at least, a poetic reflection on the compositions mentioned above.
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The Ravel´s solo piano compositions
Nedorostová, Klára ; Langer, Miroslav (advisor) ; Langer, Miroslav (advisor) ; Klánský, Ivan (referee)
I focused on Ravel´s piano opus in my work, on solo compositions to be specific. I proceed with the description of the compositions chronologically, according to the year of their orogin starting with Ravel´s early production to his master pieces. Sonatina is described in more details in its own chapter. At the beginning of the thesis I shortly focus on aothor´s life, the next chapter describes a brief survey of the situation of the second half of 19th century and of the beginning of 20th century, especially of the music word and further I continue with the description of the above mentioned pieces for a piano for both-hands performing.
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