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Usage of sound distortion in film sound dramaturgy
Richtr, Jan ; MELCHER, Jiří (advisor) ; ČENĚK, Jan (referee)
This thesis deals with the phenomenon of sound distortion and its use in the film sound dramaturgy. With introductory historical excursus examines the genesis of its creation and transformation of perception of distortion in the context of world cinema. The next section shows on specific examples, the role of distortion in film aesthetics. It demonstrates its usage given either by technical capabilities or aesthetic intentions of the individual authors. The goal of this thesis is to outline the phenomenon of sound distortion, linked to recording and reproduction chain. It shows how initially unintended later intentional presence of this sound component affects film aesthetics and dramaturgy.
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Sound Design: Walter Murch
Broum, Ivo ; Moudrý, Jiří (advisor) ; Čeněk, Jan (referee)
Walter Murch is a film sound designer and editor who introduced the term "Sound
Design". His filmography is full of legendary movies such as The Godfather, Apo-
calypse Now, THX1138 etc. This text analyses the sound design of the movies he
had worked on and the work of Walter Murch in general.
Murch also invented the worldizing technology, became well known for his creative
work with film music, and was one of the pioneers of multichannel sound.
More space is dedicated to the explanation of the term Sound Design, its origins,
development and current meaning.
Video clips on the enclosed DVD demonstrate Murch`s artistic and storytelling
style.
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