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Mongghul Ha clan oral history
Ha, Mingzong ; Zikmundová, Veronika (advisor) ; Oberfalzerová, Alena (referee)
The current bachelor thesis focuses on the oral history of Mongghul Ha Clan (in Hawan Village, Tiantang Township, Tianzhu Tibetan Autonomous County, PR China). The clan's migration from the acenstral homeland of Xihajia in the contemporary Huzhu Tu Autonomous County, Qinghai Province to the current place of residence in Gansu Province in three waves from 1918 to 1942 is examined. Interviews with clan elders, transcribed in Mongghul and translated to Czech are an important part of the study. The clan's family chronicle and oral legends are also dealt with. The introduction features an overview of related, relevant previous work and the concluding chapter describes the impact migration has brought to the clan.
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Modern three-dimensional art in Ulaanbaatar in broader consequences of the art scene
Miškaňová, Ľudmila ; Oberfalzerová, Alena (advisor) ; Zikmundová, Veronika (referee)
The bachelor's thesis deals with systematic description of contemporary three dimensional art in Ulaanbaatar and specializes in sculpture and installation. At first it shortly describes the history of mongolian sculpture. The following chapter focuses on the characterization of art scene in Ulaanbaatar through selected artists. It portrays the main topics and processes of creation of contemporary works of art. The conclusion of the thesis summarizes the main characteristics of contemporary three dimensional art, influences on the creation and current tendencies. Powered by TCPDF (www.tcpdf.org)
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Contemporary Art in Ulaanbaatar
Prachařová, Rebeka ; Oberfalzerová, Alena (advisor) ; Zikmundová, Veronika (referee)
The B. A. thesis deals with research of the art scene in Ulaanbaatar, specializes in painting and presents an analysis of its current condition. At the beginning it briefly describes the history of Mongolian painting since the 16th century and the origin of the traditional Mongolian paint- ing. The following two chapters focus on the description of the painting scene of Ulaanbaatar through nine artists. They define the main genres and topics of contemporary works of art. The thesis is supplemented with the information about institutions and associations of the contem- porary artists in Ulaanbaatar. The ending of the thesis compares historical influences on the contemporary creation, parallels with the modern Europian painting and current tendencies of the painters of Ulaanbaatar. Key words art movement art style artist artwork contemporary art scene exhibition areas fine art modern art Mongolia painting of Tibetan buddhism SUIS - Mongolian University of Art and Culture themes of paintings traditional Mongolian painting - mongol zurag Ulaanbaatar
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Modern pop-music scene in Ulaanbaar
Gerneš, Petr ; Kapišovská, Veronika (advisor) ; Zikmundová, Veronika (referee)
MODERN POP-MUSIC SCENE IN ULAANBAATAR This thesis describes the contemporary music scene in Ulaanbaatar with particular interest in its socio-cultural background. The thesis deals with the traditional layer of the contemporary music, but also with the musical influences from the Soviet Union and the Anglosphere. First of all, the students defines the term of popular music in Mongolia, then, on the basis of the literature, on-line sources and the interview, defines and describes the different genres of the Mongolian pop music. His main focus is on the socio-cultural aspect of the musical scenes (production, distribution, visual aspect of the musical production, political dimension of the music, subcultures, the relations between the musicians and the state institutions). In the interviews, the main focus will be on the reflexion of the current development, local and global inspirations, understanding of the role of the musician, technology etc.. Key words Ulaanbaatar, pop, Gengis Khan, Khonkh, The HU
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History and Oral Tradition of Altai Uriankhains
Srba, Ondřej ; Zikmundová, Veronika (advisor) ; Hrubý, Jakub (referee) ; Oberfalzerová, Alena (referee)
of the dissertation thesis Ondřej Srba History and Oral tradition of Altain Uriankhais The object of this dissertation thesis is the Western Mongolian ethnic subgroup of Altain Uriankhais and its subject is their oral tradition as a source of history. The objective of the work is a structured description of the living oral tradition concerning the history of Altain Uriankhais based on my own fieldwork. The processing of the recorded oral tradition includes a partial transcription and translation of the recordings and an attempt to systematically describe the content of the oral tradition, its formal features and the meaning for the tradition bearers. As a main criterium to describe the content of the oral tradition I chose personalities of the local history, secondarily genealogies and the issue of migrations. On the example of partial case studies, I assess the information provided by the oral tradition in comparison with preserved archive sources. Keywords: Altain Uriankhais, Oirats, oral tradition, oral history, Mongolian studies
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Continuity of religious traditions among the Mongolian migrants in the Czech Republic
Dashbayar, Narantuya ; Zikmundová, Veronika (advisor) ; Kapišovská, Veronika (referee)
This Bachelor thesis is focused on Mongolians permanently living in Czech republic and continuity of their cultural traditions. This thesis is divided into two parts - theoretical part and analytical/research part. Theoretical part consists of research of literature related to Mongolian's cultural traditions and celebration of their national holidays Tsagaan Sar and Naadam. Among others, this part is focused on cultural ceremony of hair cutting, which is typical for Mongolians. Last but not least in theoretical part of this thesis there could be found information about Mongolians permanently living in Czech republic. Research/analytical part of this thesis founds out whether cultural traditions of Mongolians are kept and/or transferred within Czech environment. There are used methods of quantitative research in the form of survey and also deep focus interview with inhabitants of Ulanbaatar, Mongolians villages and pre-selected Mongolian respondents living in Czech republic in this part. Key words: Mongolia, culture, traditions, ceremony, National holiday
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Výskyt a biologické vlastnosti Cryptosporidium avian genotyp III
ZIKMUNDOVÁ, Veronika
The diversity of Cryptosporidium spp. in captive parrots were studied. Faecal samples of pet birds from Psittaciformes were screened for the presence of Cryptosporidium by microscopy and sequencing of the small-subunit rRNA, actin and 70 kDa heat shock protein genes. Cryptosporidium infections were detected in 27 of 402 Psittaciformes. Cryptosporidium avian genotype III as the most prevalent Cryptosporidium (22), while C. baileyi (4) and C. avium (1) were detected in four, respectively two cases. Cryptosporidium avian genotype III was infectious for cockatiels under experimental conditions, with prepatent period of six days post-infection (DPI), but not for budgerigars, chickens or SCID mice. Experimentally infected cockatiels remained infection for the duration of the study (30 DPI), with an infection intensity ranging from 4,000 to 30,000 oocysts per gram (OPG). Naturally infected cockatiels shed oocysts with an infection intensity ranging from 10,000 to 30,000 OPG. Cryptosporidium avian genotype III infects the proventriculus and ventriculus, and oocysts measure 7.4×5.8 m. None of the birds, infected with Cryptosporidium avian genotype III, developed clinical signs. Genetic and biological data support the establishment of avian genotype III as separate species of the genus Cryptosporidium and we propose the name Cryptosporidium proventriculi sp. n.
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Mongolian traditional wrestling
Blažek, Martin ; Oberfalzerová, Alena (advisor) ; Zikmundová, Veronika (referee)
Mongolian traditional wrestling - abstract: This bachelor thesis deals with depiction of Mongolian traditional wrestling as a sport discipline and cultural phenomenon of Mongolian and Eurasian nomads. The aim of the thesis is clarification of cultural and historical context of wrestling's significance in Mongolian and nomadic society and wrestler's and "strong man's" phenomenon in Mongolian culture through mapping the evolution of wrestling in the area of present Mongolia with concentration on the most ancient and medieval historical periods, description of myths and traditions associated with wrestling and brief analysis of historical conditioned cultural roots of these phenomena. Key words: wrestling, history of wrestling, Mongols, Mongolian traditional wrestling, Scythians, nomads, Mongolian epic, religion, rituals.
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Continuity of religious traditions among the Mongolian migrants in the Czech Republic
Dashbayar, Narantuya ; Zikmundová, Veronika (advisor) ; Oberfalzerová, Alena (referee)
This Bachelor thesis is focused on Mongolians permanently living in Czech republic and continuity of their cultural traditions. This thesis is divided into two parts - theoretical part and analytical/research part. Theoretical part consists of research of literature related to Mongolian's cultural traditions and celebration of their national holidays Tsagaan Sar and Naadam. Among others, this part is focused on cultural ceremony of hair cutting, which is typical for Mongolians. Last but not least in theoretical part of this thesis there could be found information about Mongolians permanently living in Czech republic. Research/analytical part of this thesis founds out whether cultural traditions of Mongolians are kept and/or transferred within Czech environment. There are used methods of quantitative research in the form of survey and also deep focus interview with inhabitants of Ulanbaatar, Mongolians villages and pre-selected Mongolian respondents living in Czech republic in this part. Key words: Mongolia, culture, traditions, ceremony, National holiday
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