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Sound Space in Radio Drama
Mikyška, Tomáš ; Pinkas, Martin (advisor) ; Dvořák, Aleš (referee)
This work is dealt with radio drama - its sound body. Particularly it examines phenomenon of virtual sound space from the listeners´ point of view, as well as from the point of view of sound engineer (or director) who is very familiar with all the working process. However auditive production means complex system. Once the realization is initiated, the author has to think over both the physical substance of sound and the dramaturgic aim. As well as aesthetical aspect. This combination only leads to the successful produce. There is also a short introduce to a suppositional situation of radio drama into the future
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Live sound mixing
Kunčar, Pavel ; Pinkas, Martin (advisor) ; Urban, Ondřej (referee)
The thesis is focused to live sound mixing which takes place during the concerts
of popular music (such as rock music, folk music etc.). It presents the equipment
needed and it's usage. It also suggest the solutions of some problems connected with
sound reinforcement. It shows the connection of the sound reinforcement system as it
is used during live music productions. The thesis presents the art solutions of the live
sound mixing. The thesis then discribes the work of sound engineer during the live
production.
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Stereo microphone systems in acoustic space
Hadraba, Jakub ; Pinkas, Martin (advisor) ; Syrový, Václav (referee)
The thesis features an analytic view on stereo microphone systems and basic localization principals of phantom sound sources: time?of?arrival differences ∆t and signal level differences ∆L. All information throughout the thesis is based on an acoustic measurement of more than 100 microphone setups performed in a concert hall. Three fundamental types of stereophony ? time?of?arrival, intensity, and mixed ? are described using the results of the measurement. Various microphone system parameters, such as microphone distance, angle between microphones, polar pattern choice, are discussed, particularly their influence on captured ∆t and ∆L differences. The thesis allows a closer investigation of localization principles including the extent of their effectiveness in a real acoustic space.
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Electric guitar - The Pallet of Sound Colours
Zázvůrek, Jan ; Pinkas, Martin (advisor) ; Guštar, Milan (referee)
Master work "Electric Guitar - The Pallet of Sound Colours" shows the work of sound engineer at making the sound of playing the electric guitar. It wants to show the maximum possibilities of doing it. The focus will be above all the relationship between guitar - guitar amp and the way of taking the sound. Of course it shows some of modern methods, for example re-amping. For completeness, there are some chapters about the origin of electric guitar, playing styles and amps also. Of Course there is accent on shows of variety of sound colours of electric guitar. The CD ROM with the sound shows is attached.
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Stereophonic Microphone Techniques and Their Modification
Hadraba, Jakub ; Pinkas, Martin (advisor) ; Urban, Ondřej (referee)
The thesis presents certain types of stereophony in accordance with recording and
reproductive systems. Main principles of stereophonic microphone systems
? intensity and phase stereophony ? are presented in more detail and several related
tasks ? such as microphone system placement and directional pattern choice ?
discussed. The reason for adjusting the microphone system?s recording angle is
defined and further explained. It features detailed description of basic stereophonic
microphone setups including usage notes as well as practical guidelines for recording
angle adjustment. The thesis focuses mainly on music production and refers mostly
to recording in authentic rooms.
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