National Repository of Grey Literature 47 records found  previous11 - 20nextend  jump to record: Search took 0.00 seconds. 
Interpretative access to songs by Bohuslav Martinů and Vítězslana Kaprálová.
Laubová, Lucie ; HAJÓSSYOVÁ, Magdaléna (advisor) ; MÁROVÁ, Libuše (referee)
The aim of this study is to provide an artistic view of the song cykle by Bohuslav Martinu´s Three Chansons for the Red Seven" and the Red Seven " and the song Vítězslava Kaprálová´s "Goodbye and farewell". In my work, I summarise the analytical opinion with musical and practical attitude and provide an artistic view to these vocel settings, which often remain neglected by both, artists and musicologists. I grasp the work from perspective of the artist, who is trying to capture the most authentic concept of the vocal compositions by studying compositional and personal styles of the authors in order to come to a conclusion of their imaginative interpretation as closely as possible to.
W.A.Mozart - Don Giovanni - Zerlina
Perná, Barbora ; HAJÓSSYOVÁ, Magdaléna (advisor) ; MÁROVÁ, Libuše (referee)
This bachelor´s thesis specializes on Wolfgang Amadeus Mozart, his opera Don Giovanni and especially the part of Zerlina. I would like to introdukce closely the autor himself and also this musical piece which is - in my opinion - considered " the opera of all operas". I would like to offer different points of view at performing the part of Zerlina. This part is so complex that offers sereval different options of interpretative approach and every one of them may be right. The aim of this thesis is tho show that this part does not be percepted just as a naive peasant girl, but i tis a art of unusual beauty and worthy of being written about.
Antonín Dvořák - Cantata "Svatební košile" op. 69
Prokopová, Lucie ; KAUPOVÁ, Helena (advisor) ; MÁROVÁ, Libuše (referee)
This thesis is aming for an elaborate analysis and clarification of the formation of the cantata " Svatebi kosile" ( "Spectre´s bride") by the composer Antonin vorak. The thesis is divided into two main chapters. The 1st chapter contains a brief description of Dvorak´s early artistic work, followed by a short synopsis of the origination of the ballad "Svatebni kosile". The conclusion of this chapter musical analysis of the whole piece.
THE ROLE OF PERSONAL MATURITY IN A SINGING CAREER
Brückler, Jiří ; JANÁL, Roman (advisor) ; MÁROVÁ, Libuše (referee)
This thesis is focused on the role of personal maturity in a singing career and the role of emotional competencies.
" Konzervička" vocal-instrumental Ensemble
Šťastná, Dana ; BÁRTA, Martin (advisor) ; MÁROVÁ, Libuše (referee)
The work, "Konzervička, vocal-instrumental ensemble" describes history, artistic and creative activity of the ensemble from the beginnig up to present time. The work shortly introduces the composer Miroslav Raichl, who has grounded the ensemble and has been its artistic leader for the first ten years. The work presents the complete list of his work written for this ensemble as well as work written for the ensemble by Petr Hostinský, its artistic leader since 2000. The work brings also the complete discografy of the ensemble.
Czech singers employed abroad in the 19TH and 20TH century
Guth, Miloš ; MÁROVÁ, Libuše (advisor) ; PŘÍVRATSKÁ, Jiřina (referee)
This work deals with the activities of Czech singers of the 19th and 20th century working in foreign engagement. Many of them had a significant influence on the development of vocal art. Some that most of these singers have left no audio recordings of their voices, is today a lerge majority of them have already forgotten. Yet precisely because this weork is dedicated to those of our ancestors.
Life and Works of Robert Schumann, taking into Account with his song Creation
Erlebachová, Zdeňka ; MÁROVÁ, Libuše (advisor) ; KAUPOVÁ, Helena (referee)
Songs by Robert Schumann clearly form part of the repertoire of most of the singers. I study this theme as well, and I would like to take this work in life circumstances that inspired the creation of Schumann songs, lyrics and music processing of vocal lines and piano accompaniment. Robert Schumann was very difficult person, he was sensitive and melancholy man, who express all his feelings from personal life by music. The vast majority of the song was created in his happiest time of life. It was the time of happy union of two artists - Robert Schumann, composer, editor and writer and Clara Wieck, outstanding piano virtuos and musical composer. For these reasons, I devote much attention to their relationship.
Count Almaviva in Mozart´s Opera The Marriage of Figaro
Brückler, Jiří ; JANÁL, Roman (advisor) ; MÁROVÁ, Libuše (referee)
In my thesis I will focus on the role of Count Almaviva from Wolfgang Amadeus Mozart opera The Marriage of Figaro. I will try to challenge innacurate and confusing information, which are ocasionally published in popular literature and I will especially focus on the development of the character of Count Almaviva. Further in my thesis I will mention one of the first interprets of the role Dmitry Hvostovsky and other major international and local opera singers performing the Count Almaviva character. I will also list the most interesting recordings of the opera. In coclusion of my thesis I will concentrate on my personal experience with the stage interpretation of Count Almaviva in four different production of The Marriage of Figaro.
"Czech" Nabucco in Germany
Hlaváčková, Petra ; MÁROVÁ, Libuše (advisor) ; JONÁŠOVÁ, Jana (referee)
This thesis deals with nthe emergence of the summer festival Nabucco. The first part introduces the opera by Giuseppe Verdi and opera storyline and characters. The second important part is focused on the actual implementation of the project and interviews with key personalities involved in the performance itself. The aim is to outline the work processes that lie behind the final performances of Nabucco productions.
Contemporary conductors of The National Theatre in Prague
Houdková, Nikola ; Hajóssyová, Magdaléna (advisor) ; Márová, Libuše (referee)
This Bachelor´s thesis introduces eleven contemporary conductors, who are currently cooperating with The National Theatre in Prague. First capture describes the history of The National Theatre, background of his foundation and important personalities, which took part on its inception. The following eleven captures introduce every single conductor and point out his or hers musical beginnings, studies, competitions, succes, experience, opinions, and artistic ambitions. The thirteen capture describes the current situation in The National Theater in Prague. It includes the sheldulded reform of The Ministry of Culture and present the future director of the opera house of The National Theatre in Prague, who is going to take office on the 1 th of January 2012. The conclution highlights the undeniable importance of the culture in human´s life and explains the contribution of this Bachelor´s thesis for the readers.

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