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Musical and pianistic contribution of the sonatas of Domenico Scarlatti
Vrtiška, Karel ; KASÍK, Martin (advisor) ; LEICHNER, Emil (referee)
The goal of the work is to amplify the volume of respectable academic work dedicated to the pieces and life of Domenico Scarlatti which is not, even nowadays, much abundant in the Czech language. The author's effort was also to help other interpreters of Scarlatti's sonatas, who might be reading this work in the future, to familiarize with pieces of knowledge on the sonatas which has not been widely known and to get valuable and inspirational stimuli that may help them when practising.
The work is focused on the form of the sonatas and on solution of technical difficulties, which, considering the period of their origin, are much unprecedented. It were these analyses that help the author elucidate the thematic field that can be also found in the title of the work - musical and pianistic contribution of the sonatas of Domenico Scarlatti.
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F. Chopin: Sonata No. 3 op. 58 h-moll
Goto, Eri ; KLÁNSKÝ, Ivan (advisor) ; KASÍK, Martin (referee)
The topic of this bachelor thesis is piano Sonata No. 3 in b-minor op. 58 by the Polish composer Fryderyk Chopin. This thesis is divided into three chapters in which I examine what is important for the interpretation of the Sonata. I deal with the question what Chopin intended to express, what his intention was, and based on Chopin´s statements "tone idea" that Chopin requested.Chapter 1 deals with Chopin´s biography and Chopin as a composer, pianist and teacher. Chapter 2 is about the methodics that Chopin himself created and that seems to be essential when interpreting this Sonata. In Chapter 3 I compare three different editions of the Sonata and based on findings from previous chapters I ponder how it is best to perform this Sonata.
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Various faces of the stage
Kohoutová, Alena ; KASÍK, Martin (advisor) ; KLÁNSKÝ, Ivan (referee)
This study is an insight into the variety of professional stages on which we as musicians spend our time on different occasions. It focuses on a place that could be embraced either by four walls of an architectural jewel ? concert halls, or modest greenrooms of rest homes or asylums. How to react to these different situations, what direction should we aim the goal of our performance to and why should we perform at different types of stages are the main topics that should be thought of and an opinion of our own should be found. To accomplish our stage resolve we need to find inner freedom and creativity that coule be choked by our fear and the feeling responsibility. The last chapter is focused on stage fright from psychological and musical point of view.
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Film Music of Dmitrij Shostakovich
Vavrušová, Andrea ; KASÍK, Martin (advisor) ; BILINSKÁ, Kvitoslava (referee)
The topic of my bachelor thesis is to introduce film music of Dmitrij Shostakovich, to study some of the major compositions, which are partly analyzed, but without any concrete example.
My goal is to bring the reader closer to the way the composer dealt with this particular kind of music, which is of no lesser quality to his standart repertoire.
I managed to illustrate political situation of given time period and conditions in which the works were composed, eventually edited.
An the end I would like to recommend some of the recordings with great interpretation of film music of Dmitri Shostakovich.
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Sergei Prokofiev (piano Compositions)
Ožana, Petr ; KASÍK, Martin (advisor) ; VLASÁKOVÁ, Alena (referee)
The base of this work is analysis of Prokofiev´s piano compositions. It isn´t a scientific work. It´s rather analysis of form, melody and harmony in context with his others piano works. At chapter about surroundings dislocation generation of piano concertos I am based on the author´s testation a with him I try to find his ideas right in this work. Also I introduce the poem wich is inspired by the conceptus of this work, was written by poet Balmont. At the last chapter I tout about a view on Prokofiev like friend pianist, colleague, composer by the eyes his contemporaries both his students and teachers, colleagues, pianist, friends but aswell his enemy. TZhe greatest personalities like Neuhaus, Rostropovich, Oistrach remember him. Life´s facts I touch very too little with regard to quantity indeed more far specialist literature.
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Piano creation of Klement Slavický
Kasík, Martin ; Klánský, Ivan (advisor) ; Krajný, Boris (referee) ; Henžlíková, Dagmar (referee)
Klement Slavický is a major Czech composer of 20th century. His work contains
orchestral pieces (4 symphoniettas, Rhapsody etc.), works for voice (songs, choral),
chamber and solo pieces. This thesis focuses on his piano opuses, which consists of
pieces both virtuosic and instructive. The basics are analyses of his composition
style, characteristics of his music speach. Slavicky´s works are highly expressive,
with accent on virtiosity. Its roots are in Moravian folklore, inspired by Janáček,
similar to Bartók, Prokofiev, and in the last period to Messiaen. Slavický belonged to
group of discriminated artists during communist regime.
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