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Fragile Future
Jedličková, Eliška ; Sobotka, Jiří (referee) ; Gabriel, Michal (advisor)
Fragility, variability, immateriality... In my final master's thesis, I focused on the theme of fragility and shadow in visual art. I directed my initial idea towards the motif of fragility and transience. It's a topic that has interested me for quite some time. Where are the boundaries of fragility? How can the perception of this concept differ for each of us? Fragility can be understood as a certain material property, but also as an internal matter. In connection with this theme, I decided to work with shadow, which, for me, is in many ways fragile, elusive, variable, and has no material essence, real nature, or form. I thus chose to work with aesthetic and spiritual phenomena.
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Cultural Landscape as a statement of it's inhabitants
KAMENSKÁ, Julie
The diploma thesis is divided into a theoretical and practical part. It presents the views of several personalities connected with the topic of post-industrial landscape. This is followed by a brief introduction to the issue of landscape art in terms of its changes over time with its subsequent application in conceptu-al art focused on creation via the medium of photography. The differences in approach of conceptualists are demonstrated in the works of certain graduates of the Düsseldorf School of Photography and the Czech artist Miloš Šejn. What is characteristic of the selected authors is their unusual experimentation with the medium of photography in conjunction with multimedia conceptual creation. Findings from the works of the selected artists with the thesis aut-hor's alterations of content and form areutilised in the individual outputs of the practical section
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Landscaping and other limits. (The Prehension of the landscape in the Art and Art Education throught exploration of the fine art)
Zástěrová, Alena ; Velíšek, Martin (advisor) ; Daniel, Ladislav (referee)
/ a b s t r a c t This thesis deals with the environment of the landscape in connection to movements of the body and of the mind which result in an art gesture. It closely focuses on an individual experience of a landscape as a unique environment. It explains concepts and speculates about their meanings. Through interviews, the thesis presents different approaches to art from plethora of artists, who work in and with the landscape. It deals with a didactic project which aspires to inspire students to think more deeply about the environment that surrounds them and to communicate their understanding o fit through art. Personal artworks created in Finland in the Arctic Circle region capture motion in the landscape of the nature and that of the mind.
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The temporality of the Romantics. Notes on the conception and figuration of time
Hrbata, Zdeněk
The intensive awareness or experience of time is one of the central topics of 19th century literature, particularly among authors considered Romantic. By way of several examples we focus on the poetry of these individuals (e.g. A. de Lamartine, V. Hugo and J. Vrchlický), whose work attempts to confront the irreversible course of time (the ancient, Virgilian subject: „fugit irreparabile tempus“, also dealt with by e.g. Petrarch and Pierre de Ronsard) by invoking and resurrecting the past, conserving and immortalizing the past, and with memories. For example, this penetrates the present of the subject and is involved in the creation of the continuum, when the passage of time, which in the Romantic conception of art is to be resisted by creation itself, does not necessarily entail disappearance and loss. In contrast to this we have Baudelaire's figures and the figure of time as the universal evil, the destructive enemy of the people provoking constant anxiety, the destroyer who cannot be eliminated, but who can, at least temporarily, be resisted by various forms of escape.
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Scrapbook of Memories
BARTUŠKOVÁ, Jana
The theme of this work is memory and memory's retained memories associated with emotions. Memories which can be stored and recalled are often times associated with certain objects. On this issue, opinions by psychologist and sociologist Bohuslav Beetle and aesthetics and philosopher Dušan Sindelar are selected. The concept created on the basis of the theoretical part of the thesis brought in solutions in several different fingerprint files, which symbolize transience and fragility of memories in our lives.
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