|
|
OLOMOUC – Densification Urbaine – Urban Consolidation
Nečesal, Marek ; Jung, Adam (referee) ; Koleček, Ivan (advisor)
The project aims to design a new building for the primary art school and also create room for the center of architecture, which would serve to popularize architecture and create opportunities for the presentation of works of art. The main concept of the whole project is to build a proposal for mutual inspiration. The central motif is the gallery, which not only ideologically, but also physically and functionally connects the program of the entire building. The program concept is based on the interconnection of the different functions int the building and the corresponding connection to the surroundings. The idea divides the locality into a northern public space of an urban character with a café ending the newly -built embankment and a quiet, more private southern park connected to the waterfront. The volumetric solution of the building is based on the same concept. The northern part responds to the city‘s block structure, while the southern part already opens freely in cascades into the park towards the solitary dormitories. By this decision, the construction clearly defines the termination of the embankment and the division of the city and natural waterfront. The park is the second element of the design. The building separates the quiet area from the city, orients it, and connects it to the waterfront. This creates a green area suitable not only for leisure activities of students from the nearest dormitories but also for the general public. As a result, the project does not only apply to a certain group but also creates space for everyone.
|
|
|
OLOMOUC – Densification Urbaine – Urban Consolidation
Hradilová, Barbora ; Martinka, Pavel (referee) ; Koleček, Ivan (advisor)
As the assignment reveals, this bachelor’s thesis deals with the connection between the art elementary school and the architecture center. These two functions have more in common than they might seem at first glance. Both institutions deal with public education in the field of art, which often does not receive the attention it deserves at state educational institutions. It is not just a connection to a functional unit within one area. Equally important is the connection at the thought and conceptual level. The location in which the project is located is predestined for educational institutions. Located in Olomouc near the historic center and currently in the immediate vicinity of university dormitories, at the same time on the opposite bank of Moravia there is a music elementary school Žerotín with a long tradition. The architectural design works mainly with the extension of ZUŠ to the park through the creation of separate studios. This achieves meeting the special requirements of the studios (drawing, digital painting, sculpture, ...). At the same time, the atmosphere is relaxed compared to the classic location of classrooms inside of single building. The studios are in direct contact with the life taking place in the park. The Architecture Center, on the other hand, takes on the role of the gateway to this art park and provides the technical background for the art school. Inside of the building of the center of architecture there is also a common gallery, cafe, specialized library and a lecture room. The design strives for a decent but strong connection between the center of architecture and the art school. Emphasis is placed especially on the freedom in the creative process of artists, which is why the studios are light wooden buildings with all-glass facades. The center of architecture is, in contrast to the loose settlement of the studio, a solidly set building. It communicates with the surrounding buildings by a uniform facade, which opens towards the park.
|
|
|
OLOMOUC – Densification Urbaine – Urban Consolidation
Bystroň, Tomáš ; Jung, Adam (referee) ; Koleček, Ivan (advisor)
The aim of the project is to complete the city on two levels. Within the meaning of densifying the development, i.e. filling the now empty site with a building that exploits the potential of the site, and of complementing the functional structure of the city with a building that would bring new opportunities for the city. The undevelopment of the site is based on the historical context. Previously, the site was the place of the fortification system of the city of Olomouc and the Morava River was used as a natural barrier; after the abolition of the fortification system, most of the vacant strip was built over, but some empty spaces still remain, as it is in the case with the site. At the same time, the city of Olomouc has basically no city architect and all efforts for architectural debate, exhibitions or development are scattered in a decentralised way. The city also has a very small elementary art school, which is out of proportion to the music school located near the location of my design. The project therefore aims to meaningfully complete to city.
|
|
|
The paintings in the cloister of St. Wenceslas Church in the context of wall paintings at the turn of the 16th century in Olomouc
Haragová, Vladěna ; Ottová, Michaela (advisor) ; Royt, Jan (referee)
The first part of the paper deals with the mural paintings on a Christological theme decorating the northern and eastern walls of the High Gothic ambulatory, which is a part of the National cultural monument Přemyslid Castle. Last Judgement, Annunciation, Adoration of the Magi and Adoration of the Shepherds are depicted on the northern side of the cloister. On the opposite wall between the windows there is a representation of two donators. The eastern front of the ambulatory is decorated with scenes depicting the Crucifixion, Lamentation, Resurrection and Christ with the Arma Christi. Paintings are dated successively from the late 15th century to the first two decades of the 16th century. The different dating of paintings, of course, demonstrates various inspirational sources. The study also reflects many recent discoveries that reveal the origins of the decoration of the cloister. These paintings were probably commissioned by members of the Olomouc Chapter, who were in close contact with Humanistic Societas Maierhofiana. Further the paper focuses on the wall paintings in the John the Baptist' Chapel, where the scenes adorn not only the walls, but also the vault of the eastern field. The frescos were probably created between 1493 and 1517 by the hands of several painters.
|
|
|
Devotion to the Blessed Virgin Mary in the mirror of the Late Gothic wall paitings in Olomouc
Pavlíková, Vladěna ; Ottová, Michaela (advisor) ; Royt, Jan (referee) ; Nespěšná Hamsíková, Magdaléna (referee)
The thesis is focused on Marian devotion with great emphasis on Rosary. In regard on this matter papers presents Olomouc as an important catholic town of Central Europe. Result of this development are unique monuments, concretely rare mural paintings. Presented thesis includes five chapters that deals with political and social history of the town, just as global development of Marian devotion and Rosary in Europe, together with acceptance of these ideas and establishment of Rosary Confraternity in Olomouc. The most important aims of thesis are: to particularize knowledge of confraternities in town, of their activity and operations and to conduct a complex iconographic analyse of wall paintings with pinpoint of their donators. And last but not least to discuss the still unreflected inscriptions on the wall of the Chapel of St John the Baptist of St Wenceslas Cathedral in Olomouc.
|
|
|
Monasteries in Danger. Disputes about Liquidation of Czech and Moravian Monasteries of the "Old Orders" in the Period before the Battle of White Mountain
Chládek, Oldřich ; Čechura, Jaroslav (advisor) ; Maur, Eduard (referee) ; x, (referee)
Liquidation of monasteries in the era of Reformations is a phenomenon which has been studied only to a certain level. There were very many cases of abolished or liquidated monasteries. The author concentrates only on two cases (Augustinian canonries in Kłodzko and Olomouc) where efforts to liquidate a monastery were met with resistance from the community or monastic structures. It is a multilayered topic, requiring a thorough analysis. Due to the fact that these disputes were interfered by a number of influential personalities (supreme provincial officials, nuncios, bishops, superiors of monastic orders etc.), it represents an ideal material to study the relationships within the high society in the era before the Battle of White Mountain. Besides the high politics we can also focus on other aspects - such as legal arguments of the conflicting parties or linguistic, art historical or theological layer. After research not only in Czech, but also in foreign archives (e.g. Rome, Kraków, Kłodzko, Wrocław, Vienna), the author refills or corrects older conclusions (Jan Tenora, Aloys Bach etc.). He also tries to verify the theory that within the Catholic Church those monasteries were abolished which were - in the economic and also spiritual layer - in a state of deep crisis.
|
|
|
ARIARUM DELINEATIONUM ET PLERARUM PAULI PAGANI ET ALIORUM. Drawings by Paolo Pagani and artists from his circle in the albums of the Research Library in Olomouc
Lorencová, Veronika ; Zlatohlávek, Martin (advisor) ; Kazlepka, Zdeněk (referee) ; Mádl, Martin (referee)
The subject of the dissertation is a set of drawings by Paolo Pagani (1655-1716) kept in the Research Library in Olomouc. The drawings of this Lombard artist have been preserved there, among other drawings mainly of Italian and Central European provenance. These drawings occupy a privileged position in the whole context of his work. Pagani, came from an artistic family originally from the Lombard town of Castello Valsolda. Already in the 1660s, he moved to Venice, where he probably entered the workshop of the local painter Giuseppe Diamantini (1621-1705). He is recorded as an active artist in Venice until June 1690. In that year he was apparently invited by Emperor Leopold I to Vienna, where he went with his young student Giovanni Antonio Pellegrini. Pagani stayed beyond the Alps for a total of six years. In relation to the Olomouc set of drawings, Paolo Pagani's stay in Moravia and his work in the service of the Bishop of Olomouc, Charles II of Lichtenstein-Castelcorn, is particularly important. The thesis updates the existing research related to the work of Paolo Pagani, defines the function of individual drawings, and opens the question of their dating and authorship. The drawings from Olomouc, which have not been associated with any realisation so far, are confronted with other drawings from...
|
|
| |
|
|
Magdeburg law in Bohemia and Moravia in the period of 14th to 16th century
Dolečková, Martina ; Starý, Marek (referee)
Magdeburg law in Bohemia and Moravia in the period of 14th to 16th century Abstract This thesis aims to discuss the development and form of Magdeburg law in the period of 14th to 16th century including the analysis of existing research about Magdeburg law. The thesis is mainly focused on Litoměřice and Olomouc as the heads of Magdeburg municipal family in Bohemia and Moravia. The thesis is based on the comprehensive analysis of Magdeburg law beginning with its origins and development trends and ending with the description and characteristic of its legal sources as well as its most important legal institutes. The thesis uses not only legal-historical, but also historical and auxiliary historical methods, specifically the method of legal analysis of the text, diplomatic method, comparative method and analysis of the literature. The aim of the thesis is first, to present the state of historical research and literature on Magdeburg law. The goal here is to offer the reader a comprehensive overview of current trends in the research, pending discourse and the various approaches to Magdeburg law. The second aim is to analyse the development of Magdeburg law with the special focus on Litoměřice and Olomouc, which could be described as the most important appealing cities within the Magdeburg legal area in Bohemia...
|
|
|
Magdeburg law in Bohemia and Moravia in the period of 14th to 16th century
Dolečková, Martina ; Starý, Marek (referee)
Magdeburg law in Bohemia and Moravia in the period of 14th to 16th century Abstract This thesis aims to discuss the development and form of Magdeburg law in the period of 14th to 16th century including the analysis of existing research about Magdeburg law. The thesis is mainly focused on Litoměřice and Olomouc as the heads of Magdeburg municipal family in Bohemia and Moravia. The thesis is based on the comprehensive analysis of Magdeburg law beginning with its origins and development trends and ending with the description and characteristic of its legal sources as well as its most important legal institutes. The thesis uses not only legal-historical, but also historical and auxiliary historical methods, specifically the method of legal analysis of the text, diplomatic method, comparative method and analysis of the literature. The aim of the thesis is first, to present the state of historical research and literature on Magdeburg law. The goal here is to offer the reader a comprehensive overview of current trends in the research, pending discourse and the various approaches to Magdeburg law. The second aim is to analyse the development of Magdeburg law with the special focus on Litoměřice and Olomouc, which could be described as the most important appealing cities within the Magdeburg legal area in Bohemia...
|
guest ::
