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The view of american film in the Fifties in Czechoslovakia
Poliačik, Cyril ; Kopeček, Michal (advisor) ; Koura, Petr (referee)
This thesis deals with the view of American film formed by the journalists in Czechoslovakian film periodicals in the period after the second world war and in the fifties. My goal was to show how much the point of view of Czechoslovakian film journalists on American film changed during this period, which topics were discussed and to what extent was the view identical to the ideology of CPC. In the thesis I worked with the the film periodicals, mostly with periodicals Kino, Filmová práce, Filmové noviny and communist cultural magazine Tvorba. The first chapter deals with the cultural and political situation, mostly in the third republic, it particularly focuses on film periodicals and film journalists. The second chapter presents the image of American film presented in Czechoslovakian film periodicals. This chapter consists of five parts, where first part is introductional and gives definitions of specific phenomenons and the other four parts explain the image of American film on concrete themes. First chapter is about cultural and political situacion, mostly in third republic, with focus on film periodicals and film journalists. Second chapter is the view of american film present in Czechoslovakian film periodicals. This chapter consist of five parts, where first part is general introduction and defined...
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Miloslav Chlupáč and the Marxist Theory of Propaganda in the 1960s and the 1970s Czechoslovakia
Poliačik, Cyril ; Kopeček, Michal (advisor) ; Pullmann, Michal (referee)
This Master thesis contributes to the history of science in the period of the Czechoslovak communist regime. The thesis deals with the attempts to create a scientific theory of propaganda as an independent branch of science. The main goal of this thesis is to present what led to the formation of the Marxist theory of propaganda, describe its development and potential changes in the approach to propaganda during the reference period. Further goals are to describe the sources of the theory of propaganda, the concern of the official institutions and the people who dealt with propaganda. The research is based on the archive materials from the National Archives of the Czech republic and the Slovak National Archives, and on the works about the theory of propaganda. The central figure of this thesis is Miloslav Chlupáč, who dealt with the theory of propaganda in the whole reference period and who was influential to the most phases of the development of the theory of propaganda. The reference period begins with the changes in the society after the year of 1948, with the main concern being science, education and propaganda; and first contributions to the theory of propaganda, which were based on the socio-political situation in the 1950s. Following important phase in the development of the theory of propaganda were...
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The view of american film in the Fifties in Czechoslovakia
Poliačik, Cyril ; Kopeček, Michal (advisor) ; Koura, Petr (referee)
This thesis deals with the view of American film formed by the journalists in Czechoslovakian film periodicals in the period after the second world war and in the fifties. My goal was to show how much the point of view of Czechoslovakian film journalists on American film changed during this period, which topics were discussed and to what extent was the view identical to the ideology of CPC. In the thesis I worked with the the film periodicals, mostly with periodicals Kino, Filmová práce, Filmové noviny and communist cultural magazine Tvorba. The first chapter deals with the cultural and political situation, mostly in the third republic, it particularly focuses on film periodicals and film journalists. The second chapter presents the image of American film presented in Czechoslovakian film periodicals. This chapter consists of five parts, where first part is introductional and gives definitions of specific phenomenons and the other four parts explain the image of American film on concrete themes. First chapter is about cultural and political situacion, mostly in third republic, with focus on film periodicals and film journalists. Second chapter is the view of american film present in Czechoslovakian film periodicals. This chapter consist of five parts, where first part is general introduction and defined...
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