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Portraits of friends in Italian Renaissance painting
Marsova, Liubov ; Konečný, Lubomír (advisor) ; Rakušanová, Marie (referee)
(in English): Represented dissertation dedicated to the issue of male portraits of friends in Italian renaissance painting. Despite of existence of some publications focused on the specific aspects of male portraiture, this area has not been yet given sufficient research interest. In the introductory clause is presented theoretical outline of the male friendship concept of male friendship in the culture of the Italian Renaissance and also some key aspects of the portrait genre. The work is divided into chapters by topic: for example, "Portrait and Antique", "Portrait and Remembrance", "Portrait and Poetry". Some particularly interesting moments were extracted into separate excursions as profile portraits of two men, the subject of a mirror in a portrait genre, the communication possibilities of images. Artworks analyzed in the present research are not classified into a classical model of chronological "development". The pictures are interconnected with theoretical thinking, which is also conditioned by the artwork itself. For each painting, existing researches have been gathered and comprehended. There are also new iconographic interpretations of some of the presented works. For research have been abundantly used literature of period, theoretical writings and poetry. The work tries to respond to...
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The iconography of the Costa's Triumph of Fame in the Bentivoglio chapel in the church of San Giacomo Maggiore in Bologna
Marsova, Liubov ; Zlatohlávek, Martin (advisor) ; Jarošová, Markéta (referee)
"The iconography of the Costa's Triumph of Fame in the Bentivoglio chapel in the church of San Giacomo Maggiore in Bologna" This work deals with iconography analysis of fresco Triumph of Fame in Bentivoglio chapel in San Giacomo Maggiore in Bologna. This large artwork is one of the few surviving evidences of Bentivoglio's age in Bologna. Fresco is standing out among another artworks with the same subject. The aim of the work is connection with literature, historical context and summary of previous researches. The work contains an overview of iconography of Triumphs and digression about cultural and historical context. In this work was very used another-language literature, particularly Italian and English. For the work were done some translations of Latin and Italian quotations, which help for interpretation. The work starts by basic description and interpretation of subjects and puts the artwork into the cultural and historical context. Keywords Bentivoglio chapel, Lorenzo Costa, iconography, Triumphs, San Giacomo Maggiore, Bologna
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