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Entertainment programmes in Czech television with an emphasis on public television.
Hirsch, Cyril ; MYSLÍK, Václav (advisor) ; SVOBODA, Otakar (referee)
Entertainment has been one of the major genres throughout the history of television, which has served an entertainment function from its very beginning. With the arrival of the dual broadcasting system, the genre became controversial in the context of public service to citizens.
The thesis discusses the evolution of entertainment programmes in Czech television, placing an emphasis on Česká televize (Czech Television), the public TV. The thesis provides a comprehensive picture of the genre, putting it in the context of the historical development of Česká televize and, later, the arrival of commercial broadcasters in the Czech Republic. It discusses the development of TV entertainment formats in terms of programming, as well as the possibilities and types of programme production. Yet the most important part is the comparison of private broadcasters' and the public institution's approach to the entertainment genre, which, by definition, tends to be rather commercial in its concept.
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The Profile of HBO with a Focus on the Original Programming in Czech Republic and Possibilities of Cooperation
Pešula, Tomáš ; OUKROPEC, Petr (advisor) ; MYSLÍK, Václav (referee)
Profile of HBO (Home Box Office Inc) - premium cable and satelite network marked as quality television. Reflecting on HBO within a broader context of the TV medium transformation as a result of postmodern thinking, technological innovations, viewer´s education and the evolution of the audience in the third television era. The emergence, development and expansion of HBO in the United States, Europe and especially in Czech Republic. Analyzing HBO´s original programming and its deliberate differentiation from contemporary original content of broadcasting networks. Examining the long term production purpose of the company, its development, targeted group of viewers, contribution to the culture and cinematography and exploring the possibilities of cooperation. Focusing on the HBO operating principles, its political and economical proceeding, strategy, communication and promotional devices, creative approach and technological innovations towards the future.
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Program Dramaturgy of the Public Service Media
Badač, Peter ; MATHÉ, Ivo (advisor) ; MYSLÍK, Václav (referee)
In this thesis I deal with the public media programming.
On the example of Czech television, Irish RTÉ and Finnish YLE am I trying to show the current tendences in the programming of new project and format as well as to show the relationship between the public broadcasters and new medias. Within the programming this thesis deals with the various types of genres that are broadcasted by public media, on the field of development of new programs it describes the process of development of new projects in the institutions mentioned before. It also analyses the current programming and scheduling of the public media.
This thesis also covers the current trends in European public broadcasting companies and shows the trends on the field of develepment of new programms and new media.
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The effects of the process of digitalization on Czech TV
Vácha, Pavel ; Mathé, Ivo (advisor) ; Myslík, Václav (referee)
This work describes the effects of the process of digitalization of the terrestrial
television signal broadcasting on the Ceská televize (Czech Television) station as
a public service broadcaster. The introduction provides a basic explanation of the
term digitalization and the history of digitalization of television production as the
first stage of digitalization of the terrestrial television signal broadcasting.
The first chapter presents a brief history of television and the television market
in Czechoslovakia and the Czech Republic which also indicates the situation in
the market before the process of digitalization of the television signal
broadcasting began. The next section presents an overview of the legal
framework of the process and the technological solution.
In chapters dedicated to two new programme groups whose origination is made
possible by a change in the broadcasting of the signal, their creation is described
in the context and the first years of broadcasting are evaluated. The thesis also
deals with the issues related to the emergence of new private television stations
and their influence on the Czech Television.
In conclusion, the audience is analyzed as one of the indicators of success and
trends established by the process of digitization in the market and the future
development in the television market from the viewpoint of the Czech Television
station is addressed.
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Restructuring of the Czech Television since 1992 until the present
Stehlík, Matěj ; Svoboda, Otakar (advisor) ; Myslík, Václav (referee)
The work aims to map the basic organisational structure and changes in Czech Television since its foundation in 1992 until the present, with emphasis on the impact of programming and production of television programmes.
It also seeks to point out the advantages and disadvantages of these structures, depending on the development of media market in the Czech Republic and to define the optimal structure and set up of internal rules for the effective functioning of public media in the current conditions.
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Types of production in Czech Television with focus on commisioning work to external producers.
Hirsch, Cyril ; Myslík, Václav (advisor) ; Svoboda, Otakar (referee)
Czech Television has long been one of the biggest co-producers of Czech film. At the same time, however, it is also one of the main organisations to commission work from freelance producers in the production of audiovisual creation. It is therefore highly likely that most of the graduates of the Department of Production (and other departments at the Film and TV School of the Academy of Performing Arts ? ?FAMU?) meet each other in their professional lives at Czech Television sooner or later.
A good understanding of the individual types of production at this institution should be an inherent part of the knowledge of film school graduates. Novice independent producers and authors are undoubtedly interested in the criteria for commissioning work or the possibility of co-production, what the set-up is like and what decides on how it all looks. The primary aim of this paper is to come up with a sort of ?manual? for freelance producers and authors to help them find their way around this issue. The second aim of the paper is somewhat more general. I will attempt to examine the freelance commission and co-production of an audiovisual piece of work within the context of public service television.
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Production and practical use of graphics in today's TV broadcasting
Procházka, David ; Kallista, Jaromír (advisor) ; Myslík, Václav (referee)
This thesis explains the concept of television graphics, and all sectors in the context of today?s television production. Describing and explaining the systems of entry and subsequent work. Further, it?s illustrating examples and demonstrating the possibility of practical use and explaining the technologies and practices in each sector is used and why. Work outside it focuses on different aspects, differences and specifics in the production of Czech Television, which is used at FAMU as a teaching model for the production department required subjects. In doing so, omit to state a powerful graphic television art of selfpromotion. Thesis will then attempt to describe the latest trends in television broadcasting and their impact on the work of graphic departments.
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