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The thinking of picture
Řebíková, Barbora ; Petříček, Miroslav (advisor) ; Kouba, Pavel (referee)
The text tries to study the classical theory of mimésis, that contains motives which has influenced our understanding of the reality (image) up to today. The attention is paid to the classical determination of mimésis in the Plato's and Aristotle's work. The work attempts to study besides the classical form of the theory also the transformation in modern philosophical environment. At first it studies the change in definition, the determination of minésis as a projection and representation. It points to the variable accent similarities in the studied theory. Then the work analyses the idea positions of Nelson Goodman, who wholly denies the role of similarity for determination of the art theory as a imitation and he builds the realism on totally different base. There are two models of vision described at the conclusion of the work that correspond with the proposed determination of menésis. The work is the base of the reality (image) mind, that could continue with studying of the contemporary art from the theory point of view.
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Art and Knowledge. Research of Relationship between Art and Knowledge and its Contribution to Theory of Contemporary Visual Art
Řebíková, Barbora ; Zuska, Vlastimil (advisor) ; Petříček, Miroslav (referee) ; Koleček, Michal (referee)
Mgr. Barbora Řebíková, Katedra estetiky, FF UK, Praha Art and Knowledge. Research of Relationship between Art and Knowledge and its Contribution to Theory of Contemporary Visual Art Abstract: The dissertation deals with the relationship between art and knowledge and examines which contribution this thematic might have to the theory of contemporary visual art. The choice of the theme is based on the sensitivity to the current events in the world of art, where this relationship is the main object of interest. This work presents and illustrates the turnovers in the contemporary art world and how the role of the audience is emphasized. It deals with the form of contemporary art that has led to these turnovers and represents factors that have influenced this form. In the work there are presented mainly the factors influencing the form of contemporary art, which influenced the demands on the audience. Attention is then devoted to the philosophical origins of the studied relationship and in the essay there are presented the basics of its exploration at Plato and Aristotle. The main theoretical centre of the studied relationship, however, is aesthetic cognitivism, which is thoroughly presented in the work. However, within this theory, which explicitly focuses on the relationship of art and cognition, is not found...
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The thinking of picture
Řebíková, Barbora ; Kouba, Pavel (referee) ; Petříček, Miroslav (advisor)
The text tries to study the classical theory of mimésis, that contains motives which has influenced our understanding of the reality (image) up to today. The attention is paid to the classical determination of mimésis in the Plato's and Aristotle's work. The work attempts to study besides the classical form of the theory also the transformation in modern philosophical environment. At first it studies the change in definition, the determination of minésis as a projection and representation. It points to the variable accent similarities in the studied theory. Then the work analyses the idea positions of Nelson Goodman, who wholly denies the role of similarity for determination of the art theory as a imitation and he builds the realism on totally different base. There are two models of vision described at the conclusion of the work that correspond with the proposed determination of menésis. The work is the base of the reality (image) mind, that could continue with studying of the contemporary art from the theory point of view.
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