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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Post - conceptual Approaches in the Contemporary Czech Painting
 Dub, Petr ; David,, Jiří (referee) ; Havlík, Vladimír (referee) ; Zálešák, Jan (referee) ; Stratil, Václav (advisor)
The dissertation thesis entitled Selected Post-conceptual Approaches in the Contemporary Czech Painting reflects the author’s expressions of the youngest artists’ generation working with the conceptual forms in the painting medium after 1996. The aim of the dissertation is to outline the conflict and overlapping of the conceptualism and painting. Apart from the development of conceptual art, the reference framework of the submitted thesis also comprises the post-modern turn in visual arts associated with a global change in its social status during the second half of the 20th and at the beginning of 21st century. The development of the domestic artistic scene and particular approaches are presented on the basis of a representative selection of the most distinctive tendencies and significant authors, being compared with the work of foreign artists. The text interprets the key theoretical treatises, reviewed responses and artists’ statements covering the domain of “contemporary painting to conceptual art”.
Detailed record
Post - conceptual Approaches in the Contemporary Czech Painting
 Dub, Petr ; David,, Jiří (referee) ; Havlík, Vladimír (referee) ; Zálešák, Jan (referee) ; Stratil, Václav (advisor)
The dissertation thesis entitled Selected Post-conceptual Approaches in the Contemporary Czech Painting reflects the author’s expressions of the youngest artists’ generation working with the conceptual forms in the painting medium after 1996. The aim of the dissertation is to outline the conflict and overlapping of the conceptualism and painting. Apart from the development of conceptual art, the reference framework of the submitted thesis also comprises the post-modern turn in visual arts associated with a global change in its social status during the second half of the 20th and at the beginning of 21st century. The development of the domestic artistic scene and particular approaches are presented on the basis of a representative selection of the most distinctive tendencies and significant authors, being compared with the work of foreign artists. The text interprets the key theoretical treatises, reviewed responses and artists’ statements covering the domain of “contemporary painting to conceptual art”.
Detailed record

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