National Repository of Grey Literature 3 records found  Search took 0.02 seconds. 
Wedding Films as an Emerging Genre
Sen, Tiyash ; ANGIOLILLO, Mary Carmel (advisor) ; GUNARATNA, Vidu (referee)
.Wedding traditions and customs vary greatly between cultures, ethnic groups, religions, countries, and social classes, which makes the wedding a diverse and unique experience from almost every point of view. The analysis of tehcniques and aesthetic styles, paying special attencion to color and other visual narrative elements, is ides to argue that wedding films should be considered a new genre, as a new and unique way of filmmaikng.
Production of movies in India movie industry
Trojánek, Tadeáš ; Hůlovec, Martin (advisor) ; Kašparovský, Roman (referee)
The master diploma thesis introduces the Indian film industry and focuses on the differences from the Czech film environment. The thesis starts with a sociodemographic and historical introduction and continues with the financial system and distribution. The aim of the master diloma thesis is to introduce the Indian film making in detail to the Czech servis companies. The thesis was written on the personal experience of the author, a four-months-long study visit in Mumbai and interviews with Indian and Czech professionals.
ANALOGIES BETWEEN INDIAN AND EUROPEAN AUTHOR´S CINEMA OF THE PERIOD 1960 - 1980
Rampal Dzurenko, Viktória ; BERNARD, Jan (advisor) ; ŠPAČEK, Radim (referee)
Indian Parallel Cinema is the mixture of Contemporary, Experimental and Art Cinema of India and always consist of low budget. Indian Cinema had started with its first silent film "Raja Harishchandra" in 1912. Indian cinema is often defined as Bollywood or Masala Films of India, since it is also the popular form with its ritual of song, dances and over-the-top melodrama. However, the 60s and early 70s were time of experimentation in the format of storytelling and form in Indian Cinema. Indian Parallel Cinema is a specific genre of Indian cinema which is known for its serious content, realism and naturalism, which reflected social and politics topics during those times. Indian parallel cinema represents a change of direction or a break with the traditional Indian cinema.

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