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Musical culture in Cyprus with a focus on the piano works and piano pedagogy
Nicolaouová, María ; Palkovská, Jana (advisor) ; Tichá, Libuše (referee)
The diploma thesis deals with the Cypriot music culture and mainly focuses on piano education and piano works. The aim of this work was to introduce the main representatives of Cypriot classical music, the music life on Cyprus and the history of piano education until the present day. A part of the work is also a personal research, carried out by a questionnaire, and a didactic and interpretive insight on the fundamental instructive work Kinderlaunen of the Cypriot pianist and composer Nicolas Economou. The work is divided into six chapters, which draw information from accessible literature and mainly from a research made in this field. The six chapters could be notionally divided into two parts, theoretical and practical. The theoretical part deals with the music history of the island by introducing distinctive personalities of the Cypriot classical music and by mapping the music life on Cyprus. Furthermore, this part deals with the Cypriot music education system and the teaching methods in piano education. The practical part contains the analysis and results of the submitted questionnaire and the didactic and interpretive insight on the instructive piano work of the earlier mentioned Cypriot pianist and composer. Keywords: Cyprus; piano pedagogy; music culture; music education; instructive piano...
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Important Personalities of the Basic Art School Jihlava
Zemanová, Marie ; Bělohlávková, Petra (advisor) ; Stříteská, Leona (referee)
The theme of the bachelor's work is the summary of the important personalities who are connected with the Basic school of performing arts in Jihlava. The work is concentrated to the past or present teachers, and also to the school-leavers, who excelled at the artistic or pedagogic activity in the region. The main attention will be paid to the personalities, whose importance exceeded the region. These are the main personalities who will be give the largest space in the work: Bohumil Bouda, Bohumír Štědroň, Zdeněk Jílek, Antonín Nosek, Milan Bialas, Vlastimil Bialas, Petr Šandera, Petr Fiala, Antonín Rous, Pavel Jirák, Dana Fučíková, Václav Hoskovec, František Fiala, Hana Škarková, Kateřina Hebelková and Roman Patočka.
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Folk Dance Ensemble Nisanka
Šourková, Jana ; FRIČOVÁ, Marie (advisor) ; GREMLICOVÁ, Dorota (referee)
The work is mainly about folk dance ensemble Nisanka in North Bohemia, its history from handwritten chronicles and the main characters of the ensemble. Briefly processes the North Bohemian Region, its two main personalities and dances. We also take a look at the ensemble repertoar and also how the ensemble intends to continue its work.
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Prazak Quartett
Dorazilová, Marie ; KAŇKA, Michal (advisor) ; BERNÁŠEK, Václav (referee)
This bachelor’s thesis is about Pražák Quartett, its history and historical context on czech musical scene. It works with sources provided to an author directly from current or former members of this ensemble or found on official websites of people or institutions that are mentioned in this work. The main goal was to familiarize public with history of this special string quartet.
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James Morrison - The Phenomenon of Music
Pollák, Dávid ; REJLEK, Vladimír (advisor) ; ROUČEK, Jaroslav (referee)
The thesis James Morrison - The Phenomenon of Music, introduces the
life and work of this artist. It's pointing to his multiinstrumentalism,
technique and style of his playing, especially playing the brass
instruments. It's further characterizing choosen jazz trumpeters on the
Czech and Slovak scene and it also includes interview with Juraj Bartoš
aswell.
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Sibelius: legacy of finnish music
Valentová Handzušová, Bára ; KLÁNSKÝ, Ivan (advisor) ; KAHÁNEK, Ivo (referee)
This master's thesis is dedicated to life and work of the most famous finnish composer Jean Sibelius. The work follows composers life from youth to the old age in Ainola, his composition and legacy. There are also basic information about evolution of Finland and development of music history, including significant music events and finish music education.
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Eduard Douša, composer and teacher
Lánská, Martina ; VÁLEK, Jiří (advisor) ; PIVODA, Radomír (referee)
The thesis brings the general point of view on the personality of Eduard Douša as composer and teacher. The first chapter brings a brief curriculum vitae of Douša. The second chapter offers an complete view at the composer´s work. It makes us familiar with the author´s beginnings as composer, first inspirations and personalities, which inspired him in studying composition, but also with his attitude to modern composition techniques. It is here closer spoken about reasons of composer´s interest in instructional works for kids and young adults. In this chapter is also analysed the topic of choice of musical forms, which Eduard Douša prefers, and he is convenient with them. The third chapter deals with Douša´s opinions on teaching, and methods he uses in his teaching of the composition. There are also mentioned the people, who served as role models to Douša. In the final, fourth chapter, is previous knowledge supported by meeting selected works of Eduard Douša for brass instruments. The biggest attention is given to Sonatina for flute and the piano.
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JIŘÍ HLAVÁČ IN THE CHANGES OF PROFESSIONS AND GENRES
Paulová, Anna ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
The bachelor thesis „Jiří Hlaváč in the changes of professions and genres‟ is dealing about the artistic activity of Professor Jiří Hlaváč. In this work I present his musical beginnings, interpretative activities and achievements in chamber ensembles such as the Barock Jazz Quintet. I also deal with his pedagogical, compositional, arranging, dramaturgical, publishing and popularization activities. Part of this work is dedicated to recordings, awards, programs for Czech Television and Czech Radio and work in artistic and music institutions.
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Works of Jan Klusák and Marek Kopelent
Nečaský, Jan ; KAŇKA, Michal (advisor) ; PETRÁŠ, Miroslav (referee)
Bachelor work about the New Music phenomenon and two composers, Marek Koplent and Jan Klusák. The thesis is divided into two parts, theoretical-historical and analytical. The theoretical and historical part deals with the new music and musical life of both composers, their musical activities in ensemble Musice viva pragensis (Kopelent) and Komorní harmonie (Klusák). Deals with the modern European music that influenced the composers. This section is divided into three chapters. The first concerns New Music and characterizes it, others deal with both composers. The second part of the bachelor thesis is analytical. This is an analysis of the compositions of the Jitřní chvalozpěv (1978) by Marek Kopelent and VII. Invence pro orchestr (1972−73) by Jan Klusák. The bachelor work is written using this literature and on the basis of personal interviews with both composers. In the analytical section are scanned scores.
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