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Radical Experience and Thinking of Poetic Inspiration. The Body (without Organs) in Maurice Blanchot's Space of Literature.
Poch, Martin ; Ševčík, Miloš (advisor) ; Jarošová, Helena (referee)
Radical Thinking and Experience of Poetic Inspiration → Abstract Blanchot's radical thinking of writer's experience poses, but do not answer a question of its physical dimension. According to Blanchot, it seems as if the writer's experience was completely unbodied, so that it excludes the possibility of writing and realization of essential speech in the world. Our interpretation of Blanchot's key concepts proceeds with an attempt to solve this problem and present its main consequences. In the last section we operate some of the terms of Deleuze and Guattari - namely becoming, the body without organs - in order to conceive writer's experience as inherently differentiated process in which the body is absent, because - deprived of its organs - it becomes an imperceptible part of assemblage which enters the space of literature.
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The Cruel Sounds
Csákayová, Nina ; Fišerová, Michaela (advisor) ; Marcelli, Miroslav (referee)
The presented diploma work brings the theory of noise music with the main reason to clarify the pragmatics of its forming and effects. The base of the theory in construct ob the ideas of Antonin Artaud, their reflections and externalizations in the post-structuralist philosophical discourse and intermedial fine arts. Because of the topic, work also observes trends in artictic comunication trough the noise. The aim of work is to formulates the own theory of noise music trough the postulation of cruelty in the artistic speech with emphasis on the explanation of transgresive experience during the noise music performance. The results of the work contributes to the theory of appropriation trough the description of specific medium transmission in the immanent space.
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Radical Experience and Thinking of Poetic Inspiration. The Body (without Organs) in Maurice Blanchot's Space of Literature.
Poch, Martin ; Ševčík, Miloš (advisor) ; Jarošová, Helena (referee)
Radical Thinking and Experience of Poetic Inspiration → Abstract Blanchot's radical thinking of writer's experience poses, but do not answer a question of its physical dimension. According to Blanchot, it seems as if the writer's experience was completely unbodied, so that it excludes the possibility of writing and realization of essential speech in the world. Our interpretation of Blanchot's key concepts proceeds with an attempt to solve this problem and present its main consequences. In the last section we operate some of the terms of Deleuze and Guattari - namely becoming, the body without organs - in order to conceive writer's experience as inherently differentiated process in which the body is absent, because - deprived of its organs - it becomes an imperceptible part of assemblage which enters the space of literature.
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