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Creative contribution of sound engineering towards music recording
Balcar, Jan ; URBAN, Ondřej (advisor) ; ZOBAČ, Jiří (referee)
Diploma thesis describes engineering of a music recording and is focused on creative potencial of the discipline. Text covers possible attitudes towards sound design of a musical work and refer that the result is invariably influenced by individual conception and creative vision of the sound engineer. Thesis deals also with music perception in its different forms, recent transformations of music industry, sound aesthetics, dramaturgy, sound image and its qualities. These topics are applied to practical aspect of sound engineering. Thesis is based on author's personal experiences and availabe bibliographical resources.
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Svatopluk Havelka´s Personhood and His Music
Mikulová, Lenka ; Bláha, Ivo (advisor) ; Zobač, Jiří (referee)
In my thesis I´ve focused on Svatopluk Havelka?s personhood and on his concert music creation, especially the more on his music for feature films. The purpose to analyse his work is to find specific attributes in his composing and find out what makes his character so original that his authentic, idiomatic and variable music becomes an unseparated part of the movie.
This document includes composer?s authentic utterance about his constructive thoughts, his experiences in cooperations with great film directors, shows his meanings about questions within music composing in film generally as well as the way and form of his own creation. Authentic tidings are partly describing his private life and holds us up to uncover the originality of Havelka?s creativeness which is nowadays unfortunately underrated and left behind.
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Zdeněk Liška - music in films for children
Kovařík, Pavel ; Zobač, Jiří (advisor) ; Bláha, Ivo (referee)
This bachelor thesis deals about Zdeněk Liška, one of the most known czech music composer of the film and theathre scenic music. Main part of this thesis is about music, which Liška composed to films for childrens and young people. The main part is focused on these four films: Vynález zkázy (1957), Osada havranů (1977), Na Veliké řece (1977), Volání rodu (1977). Analysis of that films explains dramaturgic structure of music and sound part of films, interaction between sound and picture, working with music themes and twenty years of Liška?s artistic experiencies. Thesis is also focused on electro-acoustics music, which was also use by Liška.
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Václav Trojan and Jiří Trnka - Creative Cooperation
Švorc, David ; Bláha, Ivo (advisor) ; Zobač, Jiří (referee)
In my thesis ?Václav Trojan and Jiří Trnka ? creative cooperation? I want to analyze artistic cooperation of two creators of czech animated film. Special theme is a position and the role of Václav Trojan as the author of film music for animated films. By sound and dramaturgy analyze I want to show how is changed the main conception of film ? from music and motion conception with music with most important role (Špalíček, Bajaja) to the latest film of these authors (film The Hand), where the role of music was quite changed.
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The percussion and their recording in studio
Pavlíček, David ; Pekárek, Michal (advisor) ; Zobač, Jiří (referee)
The point of this work is a summary of typology of selected percussions but it deal with the issue of their recording and sound processing in a recording studio as well. It should not be used as an instruction for use but it is possible to learn a lot of various facts that relates just to the audio recording in a studio. The auditive samples, in which I have tried to explain some of the difficulties of an audio processing of percussions, can be taken as a base of this work.
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Recording of a small music band from the point of view of a sound engineer
Balcar, Jan ; Zobač, Jiří (advisor) ; Ďurovič, Juraj (referee)
This work shows sound recording engineer's profession in contemporary music industry conditions. It describes both technical and artistic requirements on this profession and related professions, such as recording producer. Also, this work describes how a record is made as a process in studio, from any preliminary acts to final mastering. Particular aspects of recording engineer's job are mostly demonstrated by an example of a rock band.
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Film music of Luboš Fišer
Kršáková, Leticia ; Zobač, Jiří (advisor) ; Bláha, Ivo (referee)
This paper talks about the film music composed by Luboš Fišer (30.9.1935 - 22.6.1999) who was one of the most famous and fruitful Czech composers of the film and television music. Although the paper focuses primarily on Fišer?s composition of film music, it is necessary to marginally mention also his creation of television music and his concert composing of "classical" music. The paper is divided according to the timeline to individual chapters, following creative activity of the composer in different decades in the second half of the 20th century. From the inexhaustible and diverse range of films, for which L. Fišer composed music, the greatest attention is devoted to three films, Morgiana (1972), Death of the beautiful deer (1986) and Golet in the valley (1994). My intention is to identify the specific procedures of the composer's creative expression on the basis of music´s analysis of these three selected works. Based on which the paper wants to bring closer attention to the specific examples of Fišer?s compositional principles and the general characteristics of the Fišer?s film music.
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