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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
The contexts of the "aesthetic mentality" of the early avant-garde
 Beracková, Dáša ; Vojvodík, Josef (advisor) ; Papoušek, Vladimír (referee) ; Zajac, Peter (referee)
The doctoral thesis The Contexts of the 'Aesthetic Mentality' of the Early Avant-garde takes a close look at the philosophical and aesthetic concepts that formed a paradigmatic change in the art and literature discourse at the beginning of the 20th Century, identified with the birth of the avant-garde aesthetic. With an analysis of the unclear term of Expressionism, traditionally used to describe the character of Czech early avant-garde literature, the thesis refers to contemporary research about the relationship between the avant-gardists and philosophical reflections on the search for an essence of reality. This critique on the fin de sicle spirit at the turn of the century formed a new kind of art and literature discourse where aesthetic strategies were often identified with a philosophical method. In this context an affinity can be seen between Josef Čapek's concept of modernity and the theory of artistic creativity by Wilhelm Worringer, and Karel Čapek's critique on Bergson's concept of life and his liking for Georg Simmels' philosophy of "perspective relativism". The subsequent step to an acceptance of the avant-garde concept is represented by the motif of the "intelligent eye" in J. Čapek's short prose works for the Almanach na rok 1914 (Almanac for 1914). These texts relate to a key topic of the...
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The contexts of the "aesthetic mentality" of the early avant-garde
 Beracková, Dáša ; Vojvodík, Josef (advisor) ; Papoušek, Vladimír (referee) ; Zajac, Peter (referee)
The doctoral thesis The Contexts of the 'Aesthetic Mentality' of the Early Avant-garde takes a close look at the philosophical and aesthetic concepts that formed a paradigmatic change in the art and literature discourse at the beginning of the 20th Century, identified with the birth of the avant-garde aesthetic. With an analysis of the unclear term of Expressionism, traditionally used to describe the character of Czech early avant-garde literature, the thesis refers to contemporary research about the relationship between the avant-gardists and philosophical reflections on the search for an essence of reality. This critique on the fin de sicle spirit at the turn of the century formed a new kind of art and literature discourse where aesthetic strategies were often identified with a philosophical method. In this context an affinity can be seen between Josef Čapek's concept of modernity and the theory of artistic creativity by Wilhelm Worringer, and Karel Čapek's critique on Bergson's concept of life and his liking for Georg Simmels' philosophy of "perspective relativism". The subsequent step to an acceptance of the avant-garde concept is represented by the motif of the "intelligent eye" in J. Čapek's short prose works for the Almanach na rok 1914 (Almanac for 1914). These texts relate to a key topic of the...
Detailed record

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